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Dajara521’s Master of Train video on YouTube brought me here

Rock & More - For Discover - part 8

What We're Up Against

What We're Up Against feat. Elize Ryd of Amaranthe

APPALACHIAN ECHOES: Folklore Meets Fallout. Brace yourself for a brutal sonic tour through the irradiated backwoods of America’s most storied mountain range. This isn't your grandma's ghost story it's Apocalyptic Appalachia where the Cryptids are real and the radiation has turned legends into living nightmares. We've captured the fear of facing down the towering, winged terror of Mothman, the predatory starvation of the Wendigo, the grotesque march of the Super Mutants and Ghouls, and the alien dread of the Creature of the Flatwoods. Every track is a grim testament to survival in a land of nuclear-haunted folklore. Press play and step into the Echoes.

The Enclave

A fractured manifesto set to hard rock, machine pulse, and cinematic dread.

Coterie of Cretins is a broadcast from the fault line where humanity and technology intersect — not in harmony, but in discomfort, suspicion, and reluctant dependence. These songs live inside the fluorescent hum of a world where every device pretends to listen, every choice feels rehearsed, and every person is half algorithm whether they admit it or not.

Across twelve tracks, the album follows the last free thinkers, doubters, Luddites-for-likes, and digital ghosts as they move between locked doors, broken signals, and too-perfect faces. Some fight back. Some give in. Some just scroll until the scrolling stops.

The sound is heavy, resonant, metallic, industrial at its core but driven by human lungs and human fear. Guitars grind against synths. Drums slam against circuitry. Voices remain the last unprocessed instrument — desperate, stubborn, hopeful, furious.

This is not an album about technology.
It’s an album about living through it.

Coterie of Cretins asks one question repeatedly:

If this is the future, is there anywhere left to stand that’s still ours?

The Howling

Within Temptation

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