Chasing Sounds is my first full-length project — 15 tracks, 42 minutes of pure chaos stitched together in the middle of late nights, espresso highs, and “what happens if I push this button?” experiments. It’s a mix of trap, dubstep, future bass, lo-fi, and hardstyle — sometimes smooth, sometimes violent, always unpredictable.

This isn’t polished pop. It’s raw, messy, and alive. The sound of finding the groove by breaking all the rules. Mickey Mouse in Fantasia but with a DAW instead of a wand.

Play it loud. Play it weird. Play it when you need to wake the neighbors or haunt your own brain.

Welcome to the ride. 🌀🎶

Rain in the Ghetto

"Like mainlining Maya Angelou while snorting Notorious B.I.G. off Judy Dench’s pearls and listening to Umm Kulthum rap battle the Gummi Bears over a breakbeat apocalypse."

None of this should exist, and yet, here we are.

Welcome to the Underground.

I didn’t plan on making music — I just fell into it like a fever dream. One night I was Googling “how do I load a track in Ableton?” and now I’ve got over 30 originals, a full debut album (Chasing Sounds), and two concept projects (Neon Noir and Desert Dunes) — a dual release that sounds like BB King, Daft Punk, and Saladin drank Arak and smooked hookah all night.

What started as caffeine, chaos, and curiosity turned into something real — a fusion of trap, lo-fi, blues, dubstep, oud strings, and cinematic hip-hop. 

Sometimes it’s filthy. Sometimes it’s emotional. But it always hits.

I create from a place of Love, Reverence, and Rebellion — for the Black and Brown pioneers who built the foundations of rhythm, soul, and everything modern music stands on. Without them, none of us pushing buttons today would have a heartbeat to chase.

If I’m ever lucky enough to make money from this, a portion goes to the NAACP and to initiatives supporting PoC creators in EDM.

Because I don’t chase trends — I chase Soul.

And Soul is eternal.

Rain in the Ghetto

Wodan