nightraid.mp3

YOU ARE NOTHING TO ME
YOU ARE LESS THAN DIRT
YOU ARE LESS THAN WORMS

EVERYTHING YOU COULD EVER POSSIBLY DO
WILL ALWAYS AMOUNT TO NOTHING

DYSMORPHIA

The8Eman-Demon

Force

untitled 46 (June 2024)

jungle

MONTAGO TO AE

cover by me

@desola1ed
@desola1ed
@desola1ed

DOOM w/desola1ed

LEZVIYE_BUREDO - DJ UNIVXRSEL (SLOWED + REVERB & BASS BOOSTED)

JitterHeart is an acousmatic work that explores how AI can reimagine traditional musical notions of the score, performance, and expressivity. In this piece, I use the Max MSP programming environment in conjunction with Jitter (Jit.GL) to create a self-regulating, quasi-organic audiovisual system. The core material stems from a StyleGAN3 neural network I trained at the Yale Center for Research Computing (YCRC), using an ethical dataset composed entirely of frames from my own digital music scores. The resulting AI- generated video is not merely representational – in a sense, it becomes a new score itself: the “heart” of the piece, the motor for both its sound and structure – the difference being that this score is read in a completely different way.

Rather than interpret the video visually, I process it technically. Jit.GL extracts its pixel-level data into four dynamic matrices – like the pulsating chambers of a heart – converting the video into long lists of numbers. These are mapped to musical parameters such as frequency, resonance, envelope shape, articulation density, and velocity. The video’s abstract jitteriness becomes a kind of LFO constellation – a network of oscillators – governing the sound in ways that feel both organic and alive.

The composition’s harmonic and timbral structure is shaped by a custom-built polyphonic subtractive synthesizer I programmed within Max, using noise as the foundational signal – conceptually echoing the visual noise matrices typically used as generators in Jit.GL. Its behavior is refined by a “modalizer–microtonalizer” module I developed this semester for spectral control. I quantize this filtered pink noise using scales, and further sculpt it with delay, reverb, and sequencing tools. The audio processing mirrors the structure of the video –turbulent, layered, yet precise and self–contained.

The idea of the score is further expanded in this piece through a new mode of “reading” and extracting musical information: a data-rich object interpreted and generated by machines from its prior incarnation as a man–made symbolic system for human musicians. In JitterHeart, the score becomes both performer and performance – simultaneously visual archive and generative code. By giving the video agency over sound, JitterHeart poses a speculative question: what if a score could not only instruct performance, but become it, pulsing with its own synthetic jittery heartbeat?

JitterHeart

Always Us

In the beginning was the word. "Earth" without including "art" is just "Eh" or noun "world" without containing "word" only means "l". Discover sophisticated underground atmospheric ambient electronic dance music. Deep and liquid vibes around one hundred forty beats per minute created with Cubase by Wolfi born nineteen eighty in Vienna, the admirable capital of beautiful "land of the mountains" Austria who believes in outer space where everything exists in one peaceful synergy without any difference in prosperity, inner harmony or outer appearance guided by God published through internet since ninety-eight. Mesmerizing breaks affected with cinematic atmospheres and forward-thinking bass sequences reflect an experience of developing professional quality sounds on a next superior located level involved since ninety-four. Take your time and feel free to make advantage of listening commenting, following or compiling a private message for further details.

jungle

wolfi