Name: Felt Study #1 / Bloom 1 (Piano Day 2018) by Luis Miehlich
Duration: 6 min 35 s
Description: Happy Piano Day! New EP: https://woolookologie.bandcamp.com/album/piano-day-2018

Luis, I am always so impressed and happy whenever you release a new track. Thank you so much for being an incredible artist!

Haunt Muskie C418 (the best part)

The fifth piece in a set of introspective anthems for solo piano.

Inner Anthems

Inner Anthem No. 5 : Regardless

Live improvisation on February 14th 2018, released for Piano Day 2018.

Recorded at Bakermoon Studios by Ed Bentley: www.bakermoon.com

Tom Adams: Piano & Vocals
Mattis Keating: Synthesisers & background noises

Mixed by Tom and Ed

LIVE Improvisation @ Bakermoon Studios

ALASKA for Piano Day 2018

Hidden Paths (Piano Day 2018)

Small piano song inspired by subtle scene.

Stone in the Stream (Piano Day 2018)

Happy Piano Day! New EP: https://woolookologie.bandcamp.com/album/piano-day-2018

Piano Day 2018

Download

Felt Study #1 / Bloom 1 (Piano Day 2018)

Inspired by last weekend's concert I recorded a piano version of the title track of my album "Moj". Listen to the original version here: https://janhertz.bandcamp.com/album/moj

Moj (Piano Version) | Pianoday 2018

Happy Piano Day! 
Enjoy!

Vocals (choir): Marcus G. Kyed
Mix & Master: Marcus G. Kyed
Cover art: Marcus G. Kyed

EH - Piano Day 2018

From "A Forward-Facing Review".
Composed, performed, recorded and produced by Philipp Rumsch between February and July 2017.
Mastered by Markus @ Abendroth Mastering.

„A Forward-Facing Review“ is one of his works resulting from a one-year study period at „Rytmisk Musikkonservatorium“ in Copenhagen. In contrast to his previous work, Rumsch is responsible for both composition and sound design / mixing. Inspired by composers like Morton Feldman, Giacinto Scelsi and Elaine Radique and by the music of William Basinski, Tim Hecker, Brian Eno and Ben Frost, Rumsch draws up concepts to approach electro-acoustic music with pianistic elements. By only using acoustic and electronic keyboard instruments like piano, fender rhodes and various synthesizers, Rumsch first created the sounds for his composition in order to manipulate and edit them on the computer.

"A Forward-Facing Review" is a twenty-minute long concept composition with two parts exploring in two different ways a various amount of sounds as well as their gradual modulation. "Part II" is the more minimalistic chapter of this composition. An almost constant number of elements creates a sonic composition, which rests in itself. Thus development emerges through a gradual modulation of a few parameters. Philipp Rumsch invites the listener to accept subtle developments and offers the possibility to immerse into a difficile and diverse soundscape. 

Danish artists Anders Bach and August Rosenbaum as well as Icelandic composer, sound designer and multiinstrumentalist Valgeir Sigurðsson supported Rumsch in producing „A Forward-Facing Review“.

A Forward-Facing Review - Part II

Words To September For Piano Day 2018

Live: 2023/08/31 @ hako gallery (tokyo) 
2023/09/16 @ space eauuu (kobe)
Airy ambient music from southern Germany.
Releases on Archives, Whitelabrecs, Inner Space Travels and Kage Recordings, featured on Eilean, Dronarivm, EL Muelle Records, Grenzwellen and other places around the internet.

contact: woolookologie@gmail.com

Felt Study #1 / Bloom 1 (Piano Day 2018)

Luis Miehlich

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