Ambiguous Ambience

stillness

Oxygen

Ambient

música

Trip

Hypnos

classic

Training in Concentration Soundtrack

ether

Lcoma - Lost (Porya Hatami Remix)

Winter's Sun

Order now
https://itunes.apple.com/gb/album/we-are-the-wild-ones-ep/id733229283


Midnight Street lights
Haunted Lonely
Unforgiving,
Star crossed lovers
We all know the outcome
That place between sleep and the dream
This is where I'll wait for you

Let's stretch across the highways
Until our voices echo through the dunes
Life takes no prisoners babe
We have to do all our living soon

We are the wild ones
There is no hope for us now
We are the lost souls
We might as well drive unto the edge

I'll meet you at the corner
I have a full tank
And a heart full of dreams
Find what you love
And let it kill you
That place between sleep and the dream is where I'll wait for you


----------------------------------

We Are The Wild Ones EP
Out NOW
Aztec Records

@ninasounduk
www.ninamusic.co.uk


Written by Mia van Wyk & Paul Gala
Produced by Paul Gala

© 2013 Aztec Records Ltd
℗ 2013 Aztec Music Publishing

All rights reserved
www.aztecrecords.com

NINA - We Are The Wild Ones

Remixed & arranged by Poppy Ackroyd
Mastered by Tom Beaudouin (Le Rheu'mix - Rennes)

Poppy Ackroyd : http://www.poppyackroyd.com

Artwork : ©Fanny Callipel - http://www.fannycallipel.com


Off The Map (Poppy Ackroyd Remix)

LICENSE FOR PERSONAL & BUSINNES USE:
https://www.songtradr.com/user/song/the-monk-by-the-sea/the-stars-are-falling

"Image by Sebastian under a Creative Commons license."

http://www.flickr.com/photos/betwo23/7769912976/sizes/l/

http://creativecommons.org/licenses/by-sa/2.0/

Das KFMW Adventskalender 2021

2021 #19: Zuurb - Eurydome

Download sequence7 free and discover great artists!

http://futuresequence.bandcamp.com/releases


Fuse (Lcoma + Porya Hatami)

LICENSE FOR PERSONAL &  BUSINNES USE:
https://www.songtradr.com/user/song/the-monk-by-the-sea/in-november

Photo by h.koppdelaney

http://www.flickr.com/photos/h-k-d/

In November

bueno mi gente esta es otra de mis creaciones espero sea de su agrado y pues aprendance el coro asi ala hora de tocarla en vivo reventara el escenario yeahhh !!!

Placa Placa Policia Kevo Mendoza 2013 El Maximo Exponente Del Underground

Porya Hatami is an experimental sound artist based in Sanandaj, Iran. Working in the field of ambient/minimal, his compositions explore the balance between electronics and environmental sounds, utilizing processed acoustic and electronic sources and field recordings. 

On Shallow, Porya has masterfully sculpted three pieces that are rich in tone and effortlessly relaxed and spacious. 

Shallow was mastered by M. Ostermeier. 

Photography by William Keckler. 

Buy from Tench

Excerpts from Shallow by Porya Hatami (Tench, 2014)

soundcloud.com/groups/extrospection

The idea in this group is to create music from images that every month will be uploaded as icon of this page.

Complete playlists:
@extrospection-playlists

Subscribe to this link in order to receive news about this group:
tinyletter.com/Sozu-project

The Monk by the Sea

LICENSE FOR PERSONAL, BUSINNES USE:
https://www.songtradr.com/user/song/ivan-ujevic/june

"Photo by Anton Nazarov under a Creative Commons license."

http://www.flickr.com/photos/antoshik/4751551737/in/photostream/

https://creativecommons.org/licenses/by-nd/2.0/

June

FAREWELL POETRY - 'Hoping for the Invisible to Ignite'
OUT NOW | Deluxe LP+DVD // CD+DVD // DL
www.gizehstore.com | www.farewell-poetry.com

"This music is dangerous. Deep emotional wounds often need to be reopened and scarped in order to have a shot at healing. Hoping for the Invisible to Ignite invites us to pass through the raging fire so that we might stand on the ravaged side, patting the flames on our singed clothes and glaring triumphantly at the monster that should have destroyed us." The Silent Ballet 9/10

********************************************************************************
Hoping for the Invisible to Ignite' was recorded and mixed between Paris, Normandy (FR) and Saint-Margaret of Antioch Church in Leeds (UK), these four haunting orchestral pieces were performed in the studio live, and re-recorded using a 'wall of sound' process, adding the natural reverb of the church to the raw tracks.

The DVD includes the Super 8/16mm black&white film 'As True As Troilus' by Jayne Amara Ross & a bonus live performance shot by Alain Grodard & Rod Maurice during the 'Festival des Nouveaux Arts Sacres' at Saint-Eustache Church in Paris.

Watch the trailer of the film 'As True As Troilus' : vimeo.com/24995247

********************************************************************************
CREDITS:
Frederic D. Oberland / electric guitar, autoharp, field recordings, music box, fender rhodes, pin piano, hammond organ, crystal glass.
Jayne Amara Ross / poetry, Super 8 & 16 mm hand processed films, tape recorder.
Eat Gas / electric guitar & bass, harmonic pipe, glockenspiel, baritone, pin piano.
Colin Johnco / machines.
Stanislas Grimbert / drums & percussions, glockenspiel.

FEATURING:
Gaspar Claus / cello.
Christelle Lassort / violin.
Uspudo / trumpet.
Dave Olliffe / electric guitar.

ARTWORK:
Original drawings by Alice Lewis.
Graphic design by David Bart.
Film stills by Jayne Amara Ross.

********************************************************************************
Released by: Gizeh
Release/catalogue number: GZH35
Release date: Sep 26, 2011


As True As Troilus

Lightning becomes you Your silhouette against the moonlit night The light that beams off of you Will guide me through my sense of wrong and right Time keeps on changing Hold on Darling the hour's getting late Time's rearranging Come on Darling there's no time to waste Your silhouette against the flashing lights The light that beams through you Different seasons dancing in the light No reason to fear this Hold on Darling seas are getting rough Time keeps on changing Hold on Darling seas are getting tough Lightning becomes you

Lightning Becomes You (Sir Wynn Vega Mix)

Photo by Coombesy
http://pixabay.com/en/users/coombesy-416447/

Field recording by ERH
https://www.freesound.org/people/ERH/sounds/61582/


Train Station

from 'Dust Songs' [CD|2xLP|DIGITAL]
Denovali Records · den220
available on all formats at [http://denovali.com/terminalsoundsystem]

Skye Klein's Terminal Sound System is a project born in a dingy Melbourne warehouse at the turn of the century. On the more than ten past releases, TSS merged epic doom, post-rock and jazz with electronica, drum'n'bass, heavy dub and ethereal vocals into a style wholly unique. The new album 'Dust Songs', which sees its release in December 2014 on Denovali Records, ist a logical extrapolation and a surprise at the same time.

More than any other Terminal Sound System release, Dust Songs brings the voice well and truly to the front. The mainstays of voice and acoustic guitar are stretched and warped though failing technology, eroded and in a constant state of collapse. The stories here are important, but are shrouded in a haze of drone and hiss: a future artifact, an archeological discovery or malfunctioning transmission.
The words and melodies have been reduced to their looped essence, no longer a linear narrative but something representing a mantra. Endlessly cycling - hoping, if not for transendence, then at least some kind of sense.

Perhaps paradoxically (for all its reliance on looping) Dust Songs represents a shift away from "modern" production methods of tempo maps and recallable sounds and grids - rather, it was largely created in a linear fashion as one would work with a tape machine (and a razor and splicing block). Generally starting as a looped fragment of guitar, as the songs evolved they went through countless revisions, twists and turns and re-imaginings, so that the end result bears little resemblance to any of the original ideas. In a move that Skye Klein may well come to regret when it comes the time to perform them live, almost all of the sounds used were patched up on the spot and are essentially unrecallable.

Klein finally adds: "(As usual) the lyrical (and musical) themes of Dust Songs contain deep meaning for me, and (as usual) this meaning has largely been obscured, warped and obfuscated. There is a story here, and it picks up shortly after the last one paused. I hope that these songs resonate with you, enough to create your own narrative."

Dust Songs

Terminal Sound System - By The Meadow

from 'S/t' [CD|LP|DIGITAL]
Denovali Records · den224
available on all formats at [http://denovali.com/foghdepot]

Denovali Records is pleased to welcome Fogh Depot to the roster. Fogh Depot is a trio from Moscow, Russia, who makes music that incorporates elements of nu jazz, hip-hop, doom jazz and live-electronic. Baritone sax, double bass, drums, samplers and a whole lot of stomp boxes and effects. Drone, noise and melancholic melodies. The selftitled debut album is due to appear in February 2015. 

Fogh Depot

Preorder / Buy

Fogh Depot - Mining (BTC)

Another track featuring violinist Elspeth Hanson

Derwent Ballad

Classic Music - pure morning

Bosques de mi Mente -Υ de Repente

An ambient mix I originally put together as a gift, featuring some of my favourite post-rock, ambient and modern classical artists. Each track has been harmonically mixed to flow into the next.

Tracklisting
01. The Album Leaf - Seal Beach (0:00)
02. Amiina - Glámur (3:54)
03. Marconi Union - Sleepless (9:02)
04. Hammock - South (14:24)
05. Rhian Sheehan - February (19:53)
06. Balmorhea - Baleen Morning (27:15)
07. Helios - The Red Truth (30:41)
08. Goldmund - Edale (35:13)
09. Ólafur Arnalds - Þú ert sólin (38:42)
10. Arms And Sleepers - Crash (41:54)
11. Jónsi &amp; Alex- Happiness (43:58)

http://stevegibbs.bandcamp.com
http://soundcloud.com/stevegibbs
https://facebook.com/stevegibbsmusic

Steve Gibbs - Ambient Mix

PURCHASE: dirtydishes.bandcamp.com

Written by Jenny Tuite. 
Produced by Mike Thomas, Keith Freund &amp; Jenny Tuite. 
Mixed and Mastered by Keith Freund. 

Photography by Mikey Buishas.
license
All rights reserved

In the Clouds

Alex Molini: Synth 
Jenny Tuite: Guitar/Vocals 

Written by Jenny Tuite. 
Produced by Keith Freund, Mike Thomas, &amp; Jenny Tuite. 
Mixed by Keith Freund. 
Mastered by Dave Cooley. 

Photography by Mikey Buishas.
license
All rights reserved

Thin Air

Two exclusive preview tracks of the debut album from KAN, due for official release later this year.  Visit www.kan-music.co.uk to pre-order exclusive pre-release copies of their eagerly-awaited debut Album "SLEEPER".  
Tunes: Marcos Llope (finnegan) The Oblique Jig (Vallely) Hayden's Rock (Finnegan)

Marcos

    Connect:
    www.twitter.com/dirtydishes_
    www.facebook.com/thedirtydishes
    dirtydirtydishes.tumblr.com
    www.last.fm/music/The+Dirty+Dishes 
credits
    released 04 March 2012
    Recorded/Engineered by Alex Prieto & Andrew Nault at Woolly Mammoth Sound in Waltham, MA
    Produced by Dirty Dishes & Andrew Nault
    Mixed by Alex Molini & Keith Freund
    Mastered by Andy VanDette

    All songs written by Jenny Tuite except track 2 written by Jenny Tuite & Alex Molini

    Jenny Tuite: Guitar/Vocals
    Alex Molini: Synth/Guitar
    Mike Thomas: Drums
    Jay Marcovitz: Bass


    say hi:
    dirtydishesmusic@gmail.com 

Bloom

Bosques de mi mente - La ultima vez que estuvimos todos juntos.

THE FREEMARTIN CALF (an original soundtrack) 
original music by Frédéric D. Oberland with Gaspar Claus
poetry & film by Jayne Amara Ross 

Out on Deluxe LP+DVD & Digital - September 23th 2013 via Gizeh Records
ORDER: https://fredericdoberland.bandcamp.com/album/the-freemartin-calf-ost

FILM TRAILER: https://vimeo.com/14898901

///

“An arresting film narrative and  a provocative stand-alone soundtrack. Moments of beauty are many." Textura

“Delicate and very effecting. A comparison would be the spoken elements of Swans and lyrically it shares much with the film noir cool of Enablers." Nine Hertz

“Shot in stark black and white and imbued with a mesmerising dreamlike fragility, the film’s look brings to mind some of the great Expressionist movies of 1930s Germany as well as Tarkovsky’s Stalker and the work of modern masters such as Béla Tarr”. Decoder Magazine

“Elegant, harrowing, and consistently captivating." A Closer Listen

“Deeply evocative and dangerously sensual.” Fluid Radio

///

The film The Freemartin Calf was shot on super 8, hand-processed and edited at home by Jayne Amara Ross between 2009 and 2010.

The music was composed and recorded at Magnum Diva Studio by Frédéric D. Oberland with Gaspar Claus /// Mixed on an analog console at Le Fresnoy by Maxime Champesme /// Mastered to tape at Durton Studio by Nils Frahm /// Jayne Amara Ross: narration /// Frédéric D. Oberland : electric bowed guitar, fender rhodes, piano, kalimba, harmonium, theremin, bowed glockenspiel, bells, electronics /// Gaspar Claus: cello /// Maxime Champesme: sound design, field recordings

///
www.fredericdoberland.com
www.jayneamaraross.com
www.myspace.com/gasparclaus

ORDER LP+DVD

The End / Credits (feat. Gaspar Claus & Jayne Amara Ross)

Stream and Download Summer's Gone: http://odesza.co/summers-gone

Download our official app: http://odesza.co/app

ODESZA - How Did I Get Here

Free track off of the brand new album. Go to:

http://karlverkade.bandcamp.com to download.

Thanks for the support!

Cityscape

Recorded long time ago at my home studio with my friend Tariq in violin. I wrote it for my friend Maria that passed away at a very young age. Since then my friend Tariq is a very successful guitarist and do yourself a favor and visit his beautiful website at http://tariqharb.com

Forever by Jennifer Athena Galatis (Violin Solo By Tariq Harb)

Hope Springs Eternal

Another night.

http://karlverkade.bandcamp.com
http://facebook.com/KarlVerkadeMusic

Iridescent

Analog Gear/Analog Recording AAD

Brian Enoesque

SLOW

All songs by Toddlers (2013)
Mixing and mastering by Wes Wolfe (Tangible Formats)
Recorded by Ellis Anderson at The Metal Shop
Cover art by Tama Hochbaum

Excerpts from Shallow by Porya Hatami (Tench, 2014)

Words On Music