Name: Monoswezi: Regret (re-edit) by World Music Network in World Music
Duration: 3 min 31 s
Description: Monoswezi’s music sounds fresh and wide-open: traits that owe to the bands marvelously multi-cultural inspirations. Expect gentle mbira, looping percussion, memorable sung melodies, and subtle saxophone

have u heard sundanese - indonesian folk ---> https://soundcloud.com/parahyena/parahyena-ft-dimas-wijaksana-ayakan thanks :)

World Music

We made a short insert, which we want to share with our members from one of our Vibrational & Sound Healing Massages. 

Enjoy!

SONO Vibrational Healing Massage

Forest Handpan Music

Upwelling (with Forest Sound)

Recently, Moojibaba has introduced a potent exercise for all earnest seekers of truth: A Commitment to Self-Discovery. 

This exercise grants the clarity and strength to begin observing the realm of thoughts, feelings, and sensations with detachment. It reveals the true presence of being as our stable ground and dissolves the force of the mind and its projections. 

This is the true power of self-discovery.

Awaken!—The Most Simple Yet Powerful and Important Exercise

Awakening the Spirit: Shamanic Meditations for Spiritual Growth

Spirit Journeys

This Rough Guide explores the heady influence of psychedelia on salsa, from the fuzzy tropical guitars of the sixties and seventies to today’s cutting edge bands experimenting with weird & wonderful psychedelic sounds.

For sound samples, videos and further information, visit: www.worldmusic.net/psychedelic-salsa

Psychedelic rock and salsa came of age together in the mid to late 1960s under parallel socio-cultural circumstances of upheaval, unrest and experimentation within the respective youth cultures of their core audiences. 
Historically there are direct connections between the world of the hippie counter-culture and Latin music (from Fania’s Jerry Masucci being friends with Woodstock’s Michael Lang to ‘mambonik’ Bill Graham urging Santana to cover Tito Puente. In places like Mexico, Colombia, Venezuela, and especially Peru, non-Latin global youth culture – or at least some of the music, dress, art, and social attitude – was quite influential as well, producing tropical music with fuzzed out guitars, echo effects, and electric keyboards
In the late 1970s through to the 1990s, discotheque remix dance culture spawned the psychedelic extended salsa mixes of studio wizards like Baron Lopez and the wild playing of Cuban violinist Alfredo de la Fé (featured here with Orchestra Rytmo Africa-Cubana), both of which factored in trippy dub effects borrowed from another Caribbean music with psychedelic leanings, namely reggae.
This collection explores not only those early connections and cross-pollinating influences but also the resurgence of interest in the subject of the psychedelic sound today, from a revival of the experimental vibe that made the early years of salsa so varied and interesting to the equally intriguing phenomenon of retro analogue aesthetics that seems to be on the rise. 
Current Latin artists like Bio Ritmo, La Mecánica Popular, Bacalao Men, Quantic, Fantasma and San Lázaro have found themselves looking back to the days of progressive, open attitudes when the emphasis was on message and music, not on singer as star or producing bland pop for mass consumption. This is, perhaps, a reaction to the fallout of the over-commercialisation and dilution of salsa in the 1980s and the concurrent ascendance of merengue, bachata and (later) reggaeton. The influence of rare groove collecting, DJ-driven investigations into the golden era, and a spill-over from the success of retro funk and soul acts like Sharon Jones have shaped current ‘indie’ salsa production as well.

Nelson Y Sus Estrellas: Londres (taken from The Rough Guide To Psychedelic Salsa)

Monoswezi’s music sounds fresh and wide-open: traits that owe to the bands marvelously multi-cultural inspirations. Expect gentle mbira, looping percussion, memorable sung melodies, and subtle saxophone

Monoswezi: Regret (re-edit)

Śpiwa Kowalikowej *** Tęgie Chłopy 'Dansing'

The psychedelic movement of the 1960s imprinted a kaleidoscopic stamp on musical cultures from across the globe – from the Tropicália artists in Brazil to the Afrobeat groups in West Africa and even the legendary Bollywood composers. Carefully selected from albums in the Rough Guide Psychedelic series, these mind-bending, rebellious and deeply cool grooves create a heady psychedelic brew which is guaranteed to open up new musical doors.

More information at www.worldmusic.net/psychedelic

Ros Seresyothea: Jam 10 Kai Theit (from The Rough Guide To A World Of Psychedelia)

This cutting edge Rough Guide digs deep into today's dynamic, shape-shifting Brazilian jazz scene – leaving 'The Girl From Ipanema' lounging in the shade.

For more information: http://www.worldmusic.net/store/item/RGNET1345

Fernando Moura & Ary Dias: Mexido (taken from The Rough Guide To Brazilian Jazz)

心配しないで/DONTWORRY

South African jazz is a pertinent reminder of the intrinsic link between music and the dismantling of oppression. This Rough Guide celebrates the legacy of many of the great players and showcases the wealth of burgeoning jazz talent emerging from the Rainbow Nation.

More information at http://www.worldmusic.net/store/item/RGNET1341

Abdullah Ibrahim: Soweto (taken from the Rough Guide To South African Jazz)

Our third EP: Some Kind of Purpose
Available on itunes: https://itunes.apple.com/nl/album/some-kind-of-purpose-ep/id1093793278
Spotify and Google Play

All songs written by Jack and the Weatherman
(c) Jack and the Weatherman

Jack and the Weatherman - Special Girl

Irish Traditional Music - Traditional Airs and Dance for Celtic Harp and Flute Music

A Fairy's Love Song

Zen Meditation 101 - Tibetan Healing Music with Nature Sounds for Yoga Poses, Reiki, Qi Gong, Tai Chi, Inner Peace & Relaxation, Chakra Balancing

Achieving Mindfulness

Recitations for the Time of Death

Heart Sutra

‘My Head’ is an Ethio-Latin jazz track, which pays homage to John Coltrane’s "Africa Brass" album (McCoy Tyner on piano), with a nod to Horace Silver and Dave Brubeck. The piano riff-led sonic journey leads you through the east African highlands via a Latin nightclub in Addis Ababa and on to Brazil.

The track, like a lot of Ethiopian music, is in 3/4 and 6/4 time signature. The Afro-Brazilian 2/4 pulse gives it danceability! 

Samuel Yirga - My Head

WMN is one of the leading forces on the world music scene & consists of 4 labels – Music Rough Guides, Think Global, Riverboat Records & Introducing.

Monoswezi: Regret (re-edit)

World Music Network

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