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Love Language

UP TO THE MOUNTAIN

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. —Dr. Martin Luther King, Jr.
Martin Luther King dreamed of a worldwide love that transcended race, religion, and background. Patty Griffin gave melody to that vision in this song — and in this soaring, gospel-infused rendition, Kellerman takes listeners again to the mountain peak, lifted upwards by full band, choir, and the lush colors of his flute.

Written by Patty Griffin 
Produced by Melissa van der Spuy and Wouter Kellerman
Published by One Big Love Music/ Universal

Piano, programming and arrangement: Melissa van der Spuy
Flute: Wouter Kellerman
Violin: Jan-Hendrik Harley
Cello: Anjulie Nock
Bass: Schalk Joubert
Drums: Kevin Gibson
Guitars: Juan-Pierre Oosthuizen
Vocals: Margaret Motsage, Nonhlanhla Mdluli & Sbongile Damans

Recorded by Jürgen von Wechmar at Sunset Recording Studios, Stellenbosch
Organ recorded by Robyn Walsh at Undahaus recording studio, Johannesburg
Flute recorded at Kellerman Music by Wouter Kellerman


04 Up To The Mountain

TURNING PAGE

Originally recorded by Sleeping At Last, this song speaks to the eternal life of love: 
I’ve waited a hundred years, but I’d wait a million more for you. Nothing prepared me for what the privilege of being yours would do. “Turning Page” whispered these words of devotion into millions of ears worldwide via the epic vampire love film The Twilight Saga: Breaking Dawn — and the song took on special meaning for Kellerman when, at special request from his daughter-in-law, he performed it at the wedding between her and his son. Now, he is thrilled to introduce the composition to his musical community through this album, with California artist Jenna Lavoie contributing the track’s timeless and effervescent vocals.

Composed by Ryan Curtis O'Neal
Arranged by Chong Lim
Produced by Chong Lim and Wouter Kellerman
Published by Chop Shop Music Berwyn / Asteroid B612

Flute: Wouter Kellerman
Lead Vocals: Jenna Lavoie
Piano: Jennifer Thomas and Chong Lim
Drums: Angus Burchall
Guitars: Stuart Fraser
Percussion: Tim Hook
Harp: Matt Garcia
Harp Produced by: Erwilian
Piano, Bass and Synthesizers: Chong Lim
Programming: Chong Lim
Strings: The Australian Urban Orchestra:
Violins: Sally Cooper, Francesca Hiew, Jenny Khafagi, Aaron Barnden, Rebecca Adler, Tim Veldman
Violas: Will Clark, Airlie Koo
Celli: Michael Dahlenburg, Sharon Draper
String Contractor: Airlie Koo
Strings Arranged and conducted by Chong Lim

Recorded at RIver Studios, Melbourne, Australia By Carl Schubert and Chong Lim
Piano and Strings recorded at Allan Eaton Studios, Melbourne, Australia by Carl Schubert
Vocals recorded at Bill Hare Productions, Milpitas, CA by Bill Hare 
Piano recorded at Tickled Ivory Music, by Jennifer Thomas
Flute recorded at Kellerman Music by Wouter Kellerman
Harp Recorded at: Cascadia in Kent, Washington, USA by Jordan Buetow, John Hintze, and Scott Melton


08 Turning Page

The love of brotherhood, whether forged by blood or circumstance, can be unbreakable. Just look at the partnership forged between Kellerman and his Winds of Samsara collaborator, Ricky Kej, as proof of how mutual respect and admiration can span oceans and result in beautiful works of art — including this powerful and uplifting track, which the team composed, recorded, and produced together across thousands of miles. “Aishwarya” tells the story of a young country girl seemingly destined for a simple life of domesticity. Instead, she summons the courage to disrupt tradition and defy expectations, to leave her home and study, to build a better life for herself, her family, and her community. This beautiful arrangement speaks to the love we must have for ourselves in order to make great risks — and follow even greater dreams. 

Composed by Ricky Kej
Produced by Ricky Kej and Wouter Kellerman
Arranged by Ricky Kej
Published by Raveolution Studios (BMI)

Flute: Wouter Kellerman
Keyboards and Programming: Ricky Kej
Additional Keyboards: Vanil Veigas, Keerthy Narayan
Strings Arrangements: Herald Anthony (Kochin Strings Ensemble), Keerthy Narayan
Violins: Herald Antony, Francis TS, Francis Xavier, Josekutty, Chacko, Mariadas
Viola: Herald Anthony, Francis Xavier, Francis TS, Jose Kutty
Cello: Herald Antony
Brass Arrangements and Orchestration: Don Hart
French Horn: Jennifer Kummer, Beth Beeson
Trumpet: Jeff Bailey, Steve Patrick
Trombone: Paul Jenkins, Barry Green
Tuba: Gil Long
Vocal Contractor, Choir Arrangements and Orchestrations: Paul Teipe
Additional Choral Arrangements: Matthew LoPresti
Choir: Amanda Compton, Rosalind Lee, Sarah Ponder Brock, Amy Pickering, Harold Brock, Micah Dingler, Robert Potsic, Ryan Cox
Bass: Dominic D'Cruz
Percussion: Praveen D' Rao

Recorded by Vanil Veigas and Ricky Kej at Raveolution Studios, India
Brass recorded by Bobby Shinn at Ocean Way Studios, Nashville
Choir recorded by Craig Williams at Dr. CAW Recording, Chicago
Flute recorded by Robert Eibach at Del Oro Music, Los Angeles
Additional Engineering at Dharmapala Records, LA, by Vito Gregoli


01 Aishwarya

WINTER 
(featuring Soweto Gospel Choir) 

Is love an art? Then it requires knowledge and effort. — Erich Fromm

Great classical composers like Antonio Vivaldi have spoken the language of love with unmatched fluency, translating its transcendent power into timeless melodies and harmonies. Here, an excerpt from Vivaldi’s beloved Four Seasons is given new life through the vivid voices of the Soweto Gospel Choir— and Kellerman’s unmistakable solo flute voice leading the way.

Composed by Antonio Vivaldi
Arranged by Wessel van Rensburg
Produced by Chong Lim and Wouter Kellerman
Published by Kellerman Music (SAMRO)

Flute: Wouter Kellerman
Synthesizers: Chong Lim
Programming: Chong Lim
Strings: The Australian Urban Orchestra:
Violins: Sally Cooper, Francesca Hiew, Jenny Khafagi, Aaron Barnden, Rebecca Adler, Tim Veldman
Violas: Will Clark, Airlie Koo
Celli: Michael Dahlenburg, Sharon Draper
String Contractor: Airlie Koo
Choir: Soweto Gospel Choir
Strings Arranged and conducted by Chong Lim

Recorded at RIver Studios, Melbourne, Australia by Carl Schubert
Strings recorded at Allan Eaton Studios, Melbourne, Australia by Carl Schubert
Flute recorded at Kellerman Music by Wouter Kellerman


02 Winter

SI DO MHAIMEO

This traditional Irish song speaks of a young man on the verge of marrying an older woman for her wealth. Will he marry her, the song asks, and will he drink away her fortune as soon as he gains it? Kellerman weaves this tongue-in-cheek tale with jaunty and playful flights of flute and orchestra.

Composition: Traditional
Produced by Chong Lim and Wouter Kellerman
Arranged by Chong Lim and Wouter Kellerman
Published by Kellerman Music (SAMRO)

Flute and Bass Flute: Wouter Kellerman
Nylon String Guitar: Ciro Hurtado
Acoustic Guitar: Brett Garsed, 
Violin: Rocio Marron
Bass: Tom Peters
Percussion: Tim Hook, James Mack, Kevin Lucas
Marimba: Kevin Lucas
Piano  and Synthesizers: Chong Lim
Programming: Chong Lim
Strings: The Australian Urban Orchestra:
Violins: Sally Cooper, Francesca Hiew, Jenny Khafagi, Aaron Barnden, Rebecca Adler, Tim Veldman
Violas: Will Clark, Airlie Koo
Celli: Michael Dahlenburg, Sharon Draper
String Contractor: Airlie Koo
Strings Arranged and conducted by Chong Lim

Recorded at River Studios, Melbourne, Australia by Carl Schubert and Chong Lim
Strings recorded at Allan Eaton Studios, Melbourne, Australia by Carl Schubert 

Bass recorded at Del Oro Music, Los Angeles by Robert Eibach
Percussion and Marimba recorded at Recorded at Misunderstudio in Murphysboro, Illinois by Mike Lescelius 
Nylon String guitar recorded at Ciro Studios in LA by Ciro Hurtado
Violin recorded at Mcknight Studios in LA by Rocio Marron
Flute recorded at Kellerman Music by Wouter Kellerman




03 Si Do Mhaimeo

ZININZI
(featuring The Soil)
From Johannesburg to New York, Rio de Janeiro to Tokyo, fascinating cities have drawn so many of us into life-changing affairs of the heart. Yet as this propulsive track makes clear, great things can blossom just as fruitfully outside the concrete jungle as within. Kellerman composed this ode to the countryside with multi-platinum-selling South African acapella singing group The Soil. Here, he revisits the song’s rollicking hills and rolling meadows with tight vocal harmonies and drivingly percussive grooves.

Composed by Wouter Kellerman, Ntsika Fana Ngxanga, Luphindo Ngxanga and Buhle Mda
Produced by Chong Lim and Wouter Kellerman
Published by Kellerman Music (SAMRO) and The Soil music publishing/Active Music Publishers

Flute: Wouter Kellerman
Vocals: The Soil
Guitar: Joel Klein
Bass: Mandla Zikalala
Drums: Rob Watson
Keyboards: Chong Lim

Drums, guitar and bass recorded at Ian Osrin Studios in Johannesburg by Ian Osrin
Vocals recorded at Native Rhythms Recording Studio in Johannesburg by Mpho Hlahla
Flute recorded at Kellerman Music by Wouter Kellerman


05 Zininzi

As one of South Africa’s foremost musicians and pioneer flute players, Wouter Kellerman has achieved a number of notable career milestones for his flute songs, flute music and flute covers of popular songs. He is known for composing beautiful and relaxing music, as well as meditation music. Included in his list of many awards and nominations is a prestigious Grammy® Award, multiple South African Music Awards (SAMA) and the Global Peace Song Award for a solo flute piece for Nelson Mandela called “The Long Road”.