See you in my dreams

Il faut courir

Still a work in progress. One of many new songs I've written lately. Lyrics Written by Robert Surratt music voice made with Suno.

Concept,vocal shaping and arrangement created by Robert Surratt Project Laboratory Productions 

This musical composition was made using AI prompt commands.
I entered various commands such as BPM, style, key, genre, sub genre and vocal style male or female. I also prompted an era in this case 1980s roots reggae. Then I typed in my lyrics which I had written prior to making the song. I then ran the prompted concept over 155 times while carefully adjusting the lyrics that I had written previously and added to them during the shaping process so the A.I. would understand how to better configure the music, until I got this song. 
 To put it in perspective I've made well over 1300 private songs in all 1300 I only got 14 public songs. The rest were either mis-calculated or robotic and without soul. AI is a very useful tool, but to breathe life into it you have to dedicate lots of time to the process. Contrary to popular beliefs you don't just hit a button and get a great song. You could try but it will be lifeless. I wish people were more open minded to new technology. This modern instrument and the way you play it are very interesting. I enjoy the process. if you approach it with and open mind and heart you would find it useful.



Voices From Babylon

Primitive Minds

I found a vinyl in a future landfill
Etched with a hymn from a world that stands still
A tune hummed by ghosts who forgot how to bleed
Lyrics erased by the ache they don't need
The needle spins backward, but the static still speaks:
"Dance with the answers that buried their questions deep."

The first rule is there are no rules
The only truth's a hall of mirrors
We're all saints writing devil's gospels
Chasing tails through the fog of years

The clock that's right twice a day
Only ticks when you look away
The fire that melts your chains
Burns colder in the rain

We're Schrodinger's cats in a box made of time
Half-alive poets, half-dead-end rhymes
The atheist prays to the dice in his hands
The pessimist's roses outlive his best plans
You can't win the game if you don't take a side
But the board's made of smoke, and the pieces have died

The liar claims this line is untrue
The time traveler's boots have no sole to resole
The universe hums, "I'll owe you a Big Bang"
But the interest compounds in a black hole's hand

You built a dam with a sieve
Taught silence to a sieve
The map leads nowhere but back to your bones
And the phonebook's full of your name, unknown

This is the song that shouldn't exist
Born in a vacuum of crossed fists
A palindrome screamed into a void
The more it survives, the less that it's there
So play it at weddings, play it at wakes
The melody's just what the noise makes

The Song That Shouldn’t Exist

Pasarla bien

Raging in the jaws of the id,
Groups of electrons form lone pairs.
On the benches of Central Park,
Sad sewn mouths swallow the dark.

Dense groups of digital nomads,
Are lost in the chips of iPads,
Grim spreaders of the new plague,
Trapped in solitude's dark cage.

L'esprit vit dans la matière,
Mais c'est la ouate qu'on préfère,
Une vie dans la crème fouettée,
Des âmes noyées dans le Léthé.

At the time of the nuclear dawn,
Chernobyl apples in the town.
Bought as gifts with vengeful glee,
To poison foes and family.

How we misuse our earthly life,
A blade that cuts us like a knife.
Drowned in cycles of daily hate,
Lost on roads that twist our fate.

L'esprit vit dans la matière,
Mais c'est la ouate qu'on préfère,
Une vie dans la crème fouettée,
Des âmes noyées dans le Léthé.
In the void, our voice appears,
In horror vacui, our fears.
In the void, the ego's sheer,
In my soul, a thousand tears.

I would like to travel back,
To the roots of my inner crack,
Facing my ancestral fear,
Exploring the ego's sphere.

L'esprit vit dans la matière,
Mais c'est la ouate qu'on préfère,
Une vie dans la crème fouettée,
Des âmes noyées dans le Léthé.

In the void, our voice appears,
In horror vacui, our fears.
In the void, the ego's sheer,
In my soul, a thousand tears.

Horror Vacui

Love at 5:00 PM

I still believe love’s gonna win.The alternative is too hard to take.
Give and receive, do it again. Find out just how much it will take.
Whatever you do, don’t quit. 

I think I know just how love grows, it happens naturally.
Wherever you go, watch the love flow from a well of human dignity.
Whatever you do, don’t quit. 

We still have reason to love. Still have a reason to care.
We still have reason for hope. Still have room for a prayer.



Love Will Win

A collaboration by Featherstone Massacre and Boblivion. We hope you like it

raison d’être

The shaman's trance into the Otherworlds is called a journey, and sometimes referred to as "magical flight". In my second attempt at mixing my own music, I wanted to try to capture what it can be like to leave all the "noise" of this world behind and "fly" into another one.

I'm most grateful to @APi_ZZ for the gorgeous cover art. 

Music by Annie Dieu-Le-Veut
© Copyright Annie Dieu-Le-Veut, April 2025

Magical Flight

FROM AFRICA TO BOSTON COLLABORATION WITH NAYTEE VISION KING CHAOS 1 OF 1 and CYFR 360 
#CYFR 360 #KING CHAOS 1 OF 1 # NAYTEE VISION #AFRICA #THE MOTHELAND #BOSTON #EAST COAST #NEW ENGLAND 

https://soundcloud.com/king-polo-lagen 
https://soundcloud.com/atisang-seleso

SUGAR PUB ( TRENCHES )

Multi-Genre Electronic Music Composer, Home Studio Producer, Song Writer and Musician...
Also experimenting with A.I. music and prompt commands.  

As a guitar player, bass player and singer I had the privilege of being in a few bands growing up.   When I wasn't writing songs or playing music with a band I was listening to my favorite artists. The last official live performance I played was at the Flamingo Cantina on Sixth Street in Austin Texas around 1997-98. Not long after that we recorded our first album on an analog four track cassette deck recording console. I Loved the process and continue to record.

Got my first DAW in 2009 it was made by Acoustica Mixcraft, easy to learn and affordable. Within a year i had produced my first electronic music project. A full length album titled "Wreckless" released and distributed locally on CD in 2010.

My next project as a producer would be a three song EP in late 2016 followed by the full length album titled Drug War Casualties published by Project Laboratory and Officially released worldwide on SoundCloud in early 2017.   

My goal as an electronic music composer is to create songs that sound as human as possible. I spend countless hours experimenting with new and innovative ways to put what I feel into the music I make. Thank you for your support and most of all for making music for me to listen to and enjoy. So many of you are truly talented and I appreciate you all. Thank you 

COLLABS ALWAYS FREE
Looking For Vocalists collaborations any genre.

PROJECT LABORATORY™
Undeniably Original • Creatively Unique

For legitimate licensing inquiries, email Project Laboratory music

 Robert@projectlaboratorymusic.com and I will gladly provide any documentation requested including invoice PDFs. All 3rd party loops samples and sounds Used in my instrumentals are done so with strict compliance to any and all guide lines provided by the license that governs them. 

Primitive Minds

Project Laboratory

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