Name: 128teknp 2,33ElTrb 2a2 [satta] by Wrong Animals
Duration: 4 min 45 s
Description: Rodzice będą poszukiwać doświadczeń i technik dźwiękowych, aby wybrać swój własny dźwięk. Pomysły były człowiekiem. Wystarczy, ale jak można pozwolić bardzo drogie gdyby nie wpływ, muzycy, nie trzeba opowiadać dwa razy i natychmiast zaczął wesoło będzie brzdąkać. Zwiększyły się znacznie.

Rodzice będą poszukiwać doświadczeń i technik dźwiękowych, aby wybrać swój własny dźwięk. Pomysły były człowiekiem. Wystarczy, ale jak można pozwolić bardzo drogie gdyby nie wpływ, muzycy, nie trzeba opowiadać dwa razy i natychmiast zaczął wesoło będzie brzdąkać. Zwiększyły się znacznie.

128teknp 2,33ElTrb 2a2  [satta]

"where the days are all night"

produced by el-p
additional guitar by matt sweeney
additional keys by nick hook
mixed by joey raia
mastered by joe laporta

Stream digging for windows
  spotify:  http://smarturl.it/dfwspotify
  apple music:  http://smarturl.it/dfwAppleMusic
  deezer:  http://smarturl.it/dfwDeezer
  google play: http://smarturl.it/dfwGooglePlay

Connect:
  facebook http://smarturl.it/ZDLRFacebook
  twitter http://smarturl.it/ZDLRTwitter




Thanks to the late Manuel Alvarez Bravo for creating the cover art photo “Fireworks for the Infant Jesus”, 1990 (Castillo en el barrio del Niño), by Manuel Álvarez Bravo (c) Copyright 1990 Archivo Manuel Álvarez Bravo, S.C.


fuck that bright shit
the spot or the flashlights 
we in la ducking both 
in the shadows with lead pipes 
the days are all night

see if i pay edison
no medicine
these blues ain’t more better when
my fever rise in the jungle 
as quick as the price spikes
the days are all night

my future snapped like a rubber band
off my fold on a hand to hand
he drew from his waist
i put two in his roof
and i can still hear his screams 
all night 

now they ride their portfolios 
like rodeos
rise every time my cherry glows
on the end of my cig as 
the smoke blows through the bars
and the co’s laugh fades
as he strolls away 
says i gotta pay 
off that roll away 
or its fuck your visitation days
and i pop off so in solitaire 
i dream of offing these fred astaires 
and the skin off my fingers tear 
we digging for windows here 
where the days are all night 

this city’s a trap my partner
under the lights of they choppers
bodies tools for they coffers
not worth the cost of our coffins
i stare at a future so toxic
no trust in the dust of a promise
won’t mark the name on a ballot
so they can be free to devour our options 
and just like you I’m a target
ill defined by the guap in my pocket
but the stage make figures 
as quick as it off em 
what marley  and pac get? 
i put these caps in capitals 
leave minds blazed in they capitols 
i step with a fury so actual fact 
that my offense could be capital 

we digging for windows here


digging for windows (single)

digging for windows

Full video ~ http://bit.ly/2x4BcPW
Part of String Figures audiovisual album feat. concept and music by Zoë Mc Pherson, film by Alessandra Leone ~
Written, recorded, performed, and produced by Zoë Mc Pherson ~
Congas, bendir, repique, metal plate performed live by Falk Schrauwen ~
Bass saxophone performed by Sam Comerford ~
Mixed by Jérémy Michel at Lowmansland  ~ 
Mastering by Rashad Becker at Clunk studio ~
Produced by Zoë Mc Pherson ~
Thanks to the support of Flanders, state of art ~

i. Sabotage story (unknot opening)

Dom Juan says: I am not the one who is breaking the promise; it is you
who have failed to live up to your vows. And the extreme conclusion
follows: I am not the hypocrite; the whole of society is an imposture.
If it is enough to offer tobacco, let us smoke and continue our caprices.
The dog, the Turk, the madman, the heretic, the devil dubs the society
of reasonable men and Spanish Christians a cabal of heretics, of
demons, of mad dogs. The Other designates the Same as Other: you follow
my law and threaten me for not following it. Hypocrisy implies a distance
which is the best criterion for making visible, for representing
society as it is. What does one do to be a Turk? At this distance, one
gives an objective description of morals and customs. No, Dom Juan
does not become devout; he remains a sociologist, specializing in
Ottoman customs and archaic rituals of exchange . . .The hero of
modernity designates contemporary society as a tribe of primitives.
(MIchel Serres Hermes, Literature, Philosophy 11–12)

open the gift and you will not fail to be disappointed

Dissociation | Every action is driven by overwhelming subconscious mechanisms | Every track is the scan of a specific and microscopic emotional frame | Temporal coordinates of the analyzed mnemonic partition: [ W S 0 1 1 7 _ A ]


Stream / purchase: https://hide.bandcamp.com/album/w-s-0-1-1-7-a

Produced by Marco Zanella / Ankubu during 2018
Mixed by Marco Verardo [ @yourohmstudio ] 
Mastered by Tommers [ @yourohmstudio ] 
Artwork and design by @alexortiga (SY/IN)

Mnemonic State

sedate me

from Auride's EP 'Echoisme' [ir#4]
audilesnow.bandcamp.com/album/echoisme

Auride - You could get it there

Limited Edition Forsaken Splatter 12" or digital - https://horo.lnk.to/horoex32

One of Samurai Music’s most respected new artists - Torn crosses over from his Drum and Bass releases to Horo for the Forsaken EP - 4 tracks of experimental Techno that continue the progression of the Grey Area sound. 

‘Forsaken’ takes it down low with searing distortion and serves as a perfect grinding intro, while ‘There Is No Way Back’ works an overdriven kick into a heaving floor dominator. ‘Ordeal For The Soul’ and ‘Sin’ both work polyrhythms into a deceptive tempo cocktail producing a hefty, hypnotic sway that is constructed to seduce dance-floors.

https://www.facebook.com/torn170/
https://www.instagram.com/van_torn/

Forsaken EP

Torn - Forsaken EP [HOROEX32] *previews*

from sd#18 'Azathoth'
music: KTLH
mix/master: Organik Fanatik
available at: audilesnow.bandcamp.com/album/azathoth

KTLH - Azathoth IV

Where do the Roots of your Current Reality lead to???...


Photo Credit:  'Lost in the Island'

128teknp 2,33ElTrb 2a2 [satta]

Wrong Animals

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