Peverell have been involved in the Electronic & House Music industry collectively for the last 20 years following in the footsteps of some of their influences from the early years of House, Soul & Disco music. Their versatility to play various genres of music ranging from soul, disco & soulful tracks to the more uplifting house and jackin’ styles is something that distinguishes the duo from others.

The journey began as 2 vinyl junkies crate digging for hidden gems. Having shared a love of house music they produced an infectious trademark groove & they've become renowned for their own style & production.

Much of their initial career was spent DJ-ing across the UK with various brands, clubs and at festival events whilst also venturing around Europe. This came hand in hand with with residencies and guest bookings in South America, the Balearics / Ibiza and across Asia. Their own branded events have attracted world renowned guests including Simon Dunmore, Grant Nelson, Frankie Rizardo, Shapeshifters and many more.

Peverell have spent considerable time in the studio concentrating on production with a back catalogue of over 40 tracks. They have worked with an array of artists on their tracks including none other than Roger Sanchez. The future for the duo is very promising.

Molly Mouse is a House DJ & Producer from London; with her sound including punchy basslines, catchy vocals, uplifting vibes and old school flavours - her sets never fail to get the dance floor moving and smiling. 
Molly plays for brands including Forward Motion, Lady of the House, LoveJuice, Superfoxx and Wh0; with recent sets at Ibiza Rocks, Creamfields, 93 Feet East, E1 and Studio 338. 
In 2025 Molly had her first London headline show at Egg, put on a sold-out pop-up event at a local ice-cream parlour and played for Toolroom Academy & Crossfader at ADE!

Downtown Disco Events are event organisers and promotors, showcasing artists, DJ's, and producers playing the very best in nu-disco, disco, house, funk and soul.
Tickets for Downtown Disco Sat 18th Oct 2025 with Michael Gray, Ian Ossia & Lisa Jane @ Archive, Leeds:

https://www.skiddle.com/e/41232951

Michael Gray is a DJ and Music Producer, and is also one half of 'Full Intention'. His huge hit “The Weekend” is still loved and played today.
Michael is world #1 Artist on Traxsource for 2024. His record label is called Sultra. Recent releases have been on Glitterbox and his new label Sultra, with songs such as “Fly Away, “Invincible, In my World, You're gonna make me love somebody else & You got to remember.''
Michael recently released his 2nd album called "Optimism" to great critical acclaim.
He DJ's for nights such as Glitterbox, Downtown Disco & his own night ‘Sultra' and has a Saturday night show on Mi Soul Radio (last Saturday of every month at 7pm) and LIVE STREAM's on twitch.tv every 3rd Thursday at 7pm.

DJ Bookings - ed@arcade-talent.com

Instagram:djmichaelgrayofficial
Facebook: djmichaelgrayofficial
TikTok: djmichaelgrayofficial

Hot Since 82

Yokshire based DJ & Producer.

@KneeDeepInSound

Management: Jamesd@anglomanagement.co.uk
Bookings: SHogan@wmeentertainment.com
North, Central and South America:
andrew@liaisonartists.com
mariesa@liaisonartists.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

UK / European Bookings
tim@onitbookings.com

Aus / NZ / SE Asia Bookings 
trent.grimes@tmrw.com.au 

Latest Release 
https://www.traxsource.com/title/1947343/keep-it-coming

Contact / Remixes / Bookings
drpackeredits@gmail.com

Follow Dr Packer On Facebook 
https://www.facebook.com/drpackeredits

Instagram
https://www.instagram.com/dr_packer/

Dr Packer is an alias of West Australian Drum & Bass DJ/Producer 'Greg Packer' set up for Remixes & Edits of mainly retro music such as 70's , 80's , 90's Soul , Disco , Funk , Hip Hop & Reggae , Greg although known more for 'Liquid Drum & Bass' regularly plays sets of 'Old School Funk , Disco , Hip Hop Etc' purchasing his first record in 1982 at the age of 10 'Grandmaster Flash - The Message' 

Moving on to the 90's shortly after emigrating to 'Perth Western Australia' greg purchased his first pair of decks in 1989 making this year his 28th year behind the decks , in 1991 he won the WA DMC's and defended the title in 1992 but by this time greg preferred Club Dj-ing and longer sets rather than a 5 minute scratch battle routine... 

Greg then moved onto 'Jungle & Drum & Bass' music in the early 90s and often regarded as a pioneer of that sound in Australia winning many awards and went semi global touring (UK , Europe , Asia , New Zealand & Australia) 

In 1998 Greg took up production and set up his own studio running his own label 'Interphase Music' He produced over 100 tracks & remixes under the name 'Greg Packer' and was signed to many other labels in the UK & USA including LTJ Bukem's  'Good Looking Records'

By 2013 greg began mixing entire sets from CD therefore searching for music online , he started picking up re-edits and he loved the way the original songs were beefed up and sounded fat on a club system but the original vibe was still there , these edits were quantised perfectly meaning you were able to beat mix them flawlessly unlike playing the original vinyl... 

In August 2013 Greg Produced his first two edits under the name 'Dr Packer'  which has caught the attention of labels such as 'Defected / Glitterbox , Z Records , Disco Dat , Hot Digits , Masterworks Music & Midnight Riot' resulting in a number one chart position for every EP release so far on the 'Juno Download sales chart' 

2015 saw 'Dr Packer' take the number one spot on the 'Traxsource Best Nu-Disco Producer' and number 5 for 2016 , he has had the opportunity to officially remix music by artists such as 'Bootsy Collins' and 'Robert Owens' and attack the back catalogs of Simon Dunmore's Defetced label and Joey Negro's 'Z Recordings' 

2016 saw Dr Packer break out globally behind the decks in places such as 'London , Ibiza , Croatia , Scotland ,  Denmark , Germany , Singapore , Bali , Abu Dhabi & all over Australia' playing alongside some heavyweights such as 'Dimitri From Paris , Joey Negro , John Morales , Greg Wilson , LNTG ,  Basement Jaxx , Crazy P , Sonny Fodera ,  Jazzi B (Soul II Soul) Faze Action'

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

the pied piper of dance ...and occasionally known to spot the odd tune...

wrongjon is following