𝑺 𝒉 𝒐 𝒆 𝒔  .〖シューゲイザー〗!!!

Shoegaze #14. ✔️

Оригинальный плейлист: https://clck.ru/35A4pd

#Shoegaze

Post-Punk& Shoegaze& Synthpop

Shoegaze

Tracks that I worked on (producing, recording, mixing and/or mastering)
DM for requests.

Ilya Mazaev Production/Mixing/Mastering Reel

Post-Punk / Shoegaze / Gothgaze

Beach Fossils Alison (slowdive cover)

Swan Path / Metamorphosis (2014)

Point of View

Vadim Eilenkrig & Anton Baronin – Vocalise (trumpet/piano jazz duo) - recording and mixing engineer

Aik Grigoryan – Fireplace (jazz) – mixing and mastering engineer

居眠り　冴えて　夢の色
頭　ポカポカ　虹深い
居眠り　冴えて　夢の向う
頭　割れて　めぐりだす
居眠り　冴えて　夢のほど
頭　の中に　ヘヴィーロウ

居眠り　冴えて　夢の色
頭　ポカポカ　虹深い
居眠り　冴えて　夢の向う
頭　割れて　めぐりだす

頭　が漏れて　脳になる
頭　が漏れて　蝋になる
頭　が割れて　労になる
頭　が割れて　ロウになる

夢喰い　傍で　呼んだって
夢くらい　今日は　いいじゃない
夢喰い　傍で　どうしよ
夢くらい　良い気で　どうでしょ
夢喰い　傍で　どうしよう
夢くらい　良い気で　いいでしょう

Mood Runner



GRAVE118 - Whirr 'Sway' out 9/23/14 on CD/LP/Tape/Digital (pre-order here: www.graveface.com/graveface-catalog.html)

When Sway begins, you might at first press pause, reaching for your headphone wire or peeking behind your speaker cables to make sure nothing has come undone. The blister of distorted guitar that opens the album comes only from the right channel, howling and hanging there in irascible isolation until it seems that something must be wrong.
But be patient: After a dozen seconds, the rest of Whirr—a five-piece of blanketing rock focus and comforting pop finesse—pours in from the left channel. They meet the guitar in the middle, together racing headlong into a short section that’s heavy as metal but pliable enough to be the springboard for the galloping shoegaze beauty that soon arrives.
For the next 36 minutes, you need not worry again about lost connections, split channels or anything else, really. More than any Whirr release to date, Sway creates a definitive sense of immersion, sculpting an environment that breathes you in instantly and breathes you out only when the record snaps into silence.
That bifurcated start is an appropriate image for Whirr in 2014. Last year, the band headlined a tour with the Philadelphia group and fellow admirers of heaviness and harmony, Nothing. Not only did the crews become fast friends, but their respective founders—Whirr’s Nick Bassett and Nothing’s Dominic Palermo—decided to start a group of their own, Death of Lovers. When the shared tour was finished, Bassett headed to Philadelphia for a month of writing and recording. He’s never really left. He calls Philadelphia home now, so Whirr has become a bicoastal band.
In Philadelphia, Bassett worked on Death of Lovers’ debut for Deathwish Inc., toured as the bassist for Nothing and steadily composed new material for the next Whirr album, their first full-length for Graveface. Back in Oakland, the rest of Whirr had committed to the project full-time, too, so the West Coast contingent wrote and rehearsed new material without Bassett. Joey Bautista took the lead on two songs, Loren Rivera on three.
Indeed, against most odds, Bassett’s move made for a more democratic Whirr. In their salad days, Bassett had written most of the material and built the bulk of the arrangements, too, using the support only to enrich and enliven them. After a slew of splits and singles and EPs, Sway is the second Whirr LP, but it is only the first to be rendered by a fully functional rock band, having shaped the songs slowly and over some distance.
Before the quintet entered Oakland’s Atomic Garden to work with longtime producer and collaborator Jack Shirley, they reworked the contributions of all three writers, massaging the material into a cohesive dynamo. Rivera, for instance, rewrote the words for Bassett’s material, folding his songs into the album’s presiding sense of dusky melancholy.
“It’s not conceptual, entirely, but it’s intended to ebb and flow in a certain way—one song being aggressive, then dropping out and being pretty but devastating,” Bassett says. “We tried to create an atmosphere, where you listen and get vibed into one tone. ”
That rhythm presides over Sway, tying its distinct parts into a seamless unit. The restless “Heavy” churns somewhere between Godflesh and Gish, its lumbering beat and foreboding guitar buoyed by a melody that feels like a secret hymn for which you’ve long searched. Gorgeous and sprawling, “Sway” floats through luxuriating guitars and pillowed vocals, offering an impressionistic but intoxicating inversion of Whirr’s typical propulsion. Even here, during the record’s prettiest moment, Whirr maintains a righteous minimalism, emblematic of members who met one another as skateboarding high-school kids.
“The aesthetic of the band is more aimed at mature punk rather than alternative rock,” Bassett confirms. “There are these more aggressive punk elements—noisy feedback, a snare roll that just goes into super-punchy, driving songs.”
“Clear” brilliantly paints its lyrical quest for lucid communication—“I want words/to understand you,” runs one plaintive, surging bit—in music that takes up the same challenge. Whirr pushes past a pastel instrumental haze into a hangdog march, with near-whispered vocals bruised by Devin Nunes’ drums and Eddie Saldago’s orotund bass line. But as the end approaches, the band builds together, the riffs and the rhythm colliding into one triumphant, redemptive crest.
And that’s the victory of Sway, too, an album written by five people on two coasts but executed with the force and splendor of, at last, a fully unified Whirr.
Graveface will release Sway on CD, LP and digitally September 23.


Whirr - Lines

Mirror Days new single for the upcoming EP titled Solstice

OUT OCTOBER 30th 2014

Window ( Official Single )

GET EM!

CUT2KILL - Track A

 < screwed age > 
pop that cherry on 5th Apr 2015 

pink

created by 
Liberal & Cripple ( https://soundcloud.com/liberal-cripple )
未来電波基地 ( me )

情報商材、自己啓発、菜食主義に性衝動と音楽気取ったキマった若者たちに神様がションベンかける
四脚背負って六脚に八脚 中空 三角ドームが波を防ぐのに君らはあっという間に落ちる

先生の手にかかれば俺も薬を飲むはめになるんだ 電球の中にはイカれたジュースとエンジンオイル

情報商材、自己啓発、菜食主義に性衝動と音楽気取ったキマった若者たちに神様がションベンかける
四脚背負って六脚に八脚 中空 三角ドームが波を防ぐのに君らはあっという間に落ちる
情報商材、自己啓発、菜食主義に性衝動と音楽気取った気張った若者たちに神様がションベンかける
四脚背負って六脚に八脚 中空 三角ドームが波を防ぐのに君らはあっという間に落ちる

最終電車に乗り込んで、宛てもないままに目つむる 
知らないところで目が覚めてから、 あの時たまたま間がさしたから
絶望の淵に飛び込んで、しまったなぁと目が霞む 
ああ、どうにかしないと ああ、飲み込まれそうだよ

この時代に連れてって こっちの手って 君に照って
思い出しの木よ 照って　こっちの手って こっちの手って


Kids Return feat. Liberal & Cripple

Was She A Vampire - Delusions

New music by Film School, from the "June" EP (2016).

Greg Bertens, Justin Labo (bass), Nyles Lannon (guitar/vocals), Donny Newenhouse (drums), Jason Ruck (synth).

Mixed by Film School and Dan Long.
Mastered by Count.

www.facebook.com/filmschoolmusic
www.filmschoolmusic.com

Waiting On A Cause

Taken from EP II

Closer look here:
https://jaguwar.bandcamp.com/album/ii-ep

Eyes Collide

Ploho - Нужные люди

Ash Code - Alone In Your Dance

800beloved - Some Kind of Distortion

Decades Failures - Tell Me How

800beloved - Enduring Black

Written and Performed by : Graham Harrington

Endless

Lonely Moon

Our cover version of "Flying", original recorded by the Telescopes for their second LP.

The cover appears on "Anticipating Nowhere, A Homage To The Telescopes" by The Blog That Celebrates Itself Records.

Check out the full sampler:
https://theblogthatcelebratesitself.bandcamp.com/album/anticipating-nowhere-a-homage-to-the-telescopes

Flying (The Telescopes Cover)

Rote Learning

Soft Beach

Rivera

http://www.facebook.com/AEROFALL
Shoegaze Band from Russia(Rostov_on_Don)
AEROFALL was created in 2004,  then they played (idm,techno)
In 2007, they added guitars and their special brand of dreampop was born!

AEROFALL - Single seater

01 First Exit

The Yellow Traffic Light - Merovingii

Recorded and Mixed by MJ [Hookworms] at Suburban House Studio
Mastered at Blank Studios

Available on 7" [black vinyl]
Purchase here: http://bit.ly/2BmLdto

Band Contact: whoaredose@gmail.com
Artwork: Peter Williams