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Arbanas Iulian a.k.a Beeghy, was born in Focsani, Romania , on 21.09.1992.
He embraces for the first time the music world at 15 years old, when he started playing in a small club of Rome :
being a DJ led him slowly to the world of production, until beginning to suggest to the public its sound. 
His first release sees him next to JUST2 in Groovy Land EP : with Oscar L's smash remix , 
they enter in Top100 Techno on Beatport reaching position #82. 2014 was the beginning of his collaboration with Afgo, 
his mate in music. Beeghy says, "being still a beginner I want to improve my style,
to offer to public something new and full of energy" : The guy has great intensions for the future !

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Hardtechno refers to a style of Techno, which evolved after 2000 from Schranz and Hardcore Techno. While the first harder Techno productions appeared around 1991 on labels such as PCP and Industrial Strength, these were referred to as Hardcore Techno. Over the years, the Hardcore scene cultivated a new sound far away from its Techno origins, whereas Techno itself went in a softer direction.

At the end of the 1990s, fueled by the Schranz movement, a new, extremely hard style of Techno became popular, which is now generally referred to as Hardtechno. This style runs at very high bpm, usually 150 or more and features heavy distortion and prominent kickdrums. By 2007, almost all major European Techno festivals, such as I Love Techno, Awakenings, MayDay, Nature One, Mystery Land featured a Hardtechno stage or at least one Hardtechno artist. It has also been the main focus of festivals like "Hardtechno Festival" in Vienna (attendance 2,000+) or Syndicate in Dortmund (attendance 10,000).

Deep house was largely pioneered by Chicago producers such as Marshall Jefferson (On The House) and Larry Heard (Mr. Fingers) and with tracks such as "Mystery of Love" (1985) and "Can You Feel It?" and (1986);[1] the latter had a similar impact on deep house as Derrick May's "Strings Of Life" (1987) did on Detroit techno.[2] Heard's deep house sound moved house music away from its posthuman tendencies back towards the lush soulful sound of early disco music (particularly that of old Philadelphia International and Salsoul records).[3]

Later period deep house tracks (1993—94) were more heavily influenced by disco and even merged into a disputable disco house genre.[citation needed] Modern deep house (post-2000) often shares features with the related genre of tech house but tends to focus on musical complexity where tech house focuses on simplicity.[citation needed]

House music is a genre of electronic dance music that originated in the American city of Chicago in the early 1980s. It was initially popularized circa 1984 in Chicago, but beginning in 1985, it fanned out to other major cities such as Baltimore, Detroit, Toronto, Mexico City, New York City, San Francisco, Boston, Montreal, Cancún, Manchester,[1] Miami, London,[1] and Paris. It then began to influence popular music in Europe, with songs such as "House Nation" by House Master Boyz and the Rude Boy of House (1987) and "Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide.

Early house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines,[2] off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic,[2] and the repetitive rhythm of house was more important than the song itself. House music today, while keeping several of these core elements, notably the prominent kick drum on every beat, varies a lot in style and influence, ranging from the soulful and atmospheric deep house to the more minimalistic microhouse. House music has also fused with several other genres creating fusion subgenres,[2] such as euro house, tech house, and electro house.

Many local Chicago house music artists suddenly found themselves with major label deals. House music proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna,[2] Janet Jackson,[3] Björk, Kanye West,[4] and C+C Music Factory[2] incorporated the genre into their work. After enjoying significant success in the early to mid-90s, house music grew even larger during the second wave of progressive house (1999–2001). The genre has remained popular and fused into other popular subgenres, as the DJ Mag Top 100 DJs poll has been dominated by house DJs since the beginning of the polls. Today, house music remains popular in both clubs and in the mainstream pop scene while retaining a strong foothold on underground scenes across the globe.

Trance is a genre of electronic dance music that developed in the 1990s in Germany.[5] It is characterized by a tempo of between 125 and 150 beats per minute,[5] repeating melodic phrases,[5] and a musical form that builds up and down throughout a track.[5] Trance is a genre on its own, but also will include other styles of electronic music such as techno,[3] house,[1] pop,[3] chill-out,[3] classical music,[3][4] and film music.[4]

Trance refers to an induced emotional feeling, high, euphoria, chills, and uplifting rush listeners experience. A characteristic of virtually all trance songs is the soft mid-song breakdown,[3][5] beginning with and occurring after the orchestration is broken down and the rhythm tracks fade out rapidly, leaving the melody, atmospherics, or both to stand alone for anywhere from a few seconds to a few minutes. Another common characteristic would be the use of vocals often sung by a female voice ranging from mezzo-soprano to soprano. Less often, the female vocals may be in a grand, soaring, or operatic style, which has been described as "ethereal female leads floating amongst the synths"

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