"Dhun" by Hariprasad Chaurasia (from album Living Legend of Bansuri Live Vol. 1)

Re kabira (The Soulful Instrumental version) - Subhadip Koley

Pandit Ravi Shankar - SITAR - & Ustad Allah Rakha -TABLA- Raga Yaman Kalyan - 1974 - From U.K

Indian Instrumental by Ustaad Shujaat Hussain Khan

 Every transition in this raga captures a different rasa or emotion and it stands as an example of how classical Indian music is highly dependent upon emotions and that shruthi-bhava-rasa can never work separately in any form of art.

Raag Puriya Dhanashri - Pandit Bismillah khan

A track from the Album " Kamasutra - the music of love" by Abhijit Pohankar. It also features Pt Hariprasad Chaurasia, Pt Shiv Kumar Sharma & Pt Ajay Pohankar. The album can be bought on many digital sites like Amazon, emusic & iTunes http://itunes.apple.com/us/album/kamasutra-the-music-of-love/id442384996

Jhalak - (The glimpse) - Abhijit Pohankar  feat. Pt Hariprasad Chaurasia

Raga Charukeshi, a unique duet between the Santoor and Guitar, recorded by One Hundred and Six Strings - Kamaljeet Ajimal (Santoor) and Giuliano Modarelli (Guitar).
Bhupinder Singh Chaggar provides the Tabla accompaniment. This was recorded in Leeds in 2011. 
This track is available to buy on Itunes and Amazon on Giuliano's album - Englobed.

Raga Charukesi - Teental - One Hundred and Six Strings

Raag Malkauns by Pandit Nikhil Banerjee.

From Thar desert region comes unique caste of musicians, Langas, whose main profession was to sing and dance for their patrons. Bachu Khan’s father performed yet for the Royal family of Jodhpur – Rathore Gharana. With the end of royalty state function of Langas, their music started to flourish during all occasions including weddings, births, engagements and festivals. According to the Darbari (royal) tradition of several centuries Langas still sing love songs in their mother tongue, Marwari, depicting one’s longing for the lover, joy of reunion and hopes that lovers put in the future.

Bachu Khan - Dhola-Loomba

I belong to a "gharana"(heritage) which is the pathfinder of solo harmonium playing in India. My great great grandfather Sangeetacharya Montu Banerjee introduced the new style of harmonium playing which had the illusion of "meend" (extension of notes) which was almost an impossible task. The correct blend of "layakari" (rhythm section) and "raagdari" (raga section) made Harmonium an equally strong instrument as sitar and sarod. My grandfather Pandit Deb Kumar Banerjee introduced the "gayaki" (vocal nuances) to our ghrana which made our style of harmonium playing even more appealing. I have been learning harmonium from my grandfather since the age of 7. I had rigorous sessions of "talim"(learning) as well as "reyaaz"(practice) every day under the strict guidance of my grandfather. Prior to this, in order to enhance my rhythm sense, I learnt tabla from legends like Ustad Sabir Khan, Pandit Shankar Ghosh and Sri Bickram Ghosh. I have also taken vocal training from Pandit Kumar Prasad Mukherjee. Since childhood I had the privilege of meeting musical maestros like Ustad Zakir Hussein, Pandit Ravi Shankar, Ustad Ali Akbar Khan, Pandit Ajoy Chakravorty and many more, and got their blessings. I have had the honour to be very close to Padmabhushan Sri Manna Dey since my childhood. Eminent music director duo Kalyaji- Anandji(bollywood) invited me to Mumbai where I had the fortune to perform under their banner "The Small Wonders". I have done my MSc in Advanced Computer Science from the University of Manchester (2010 -2011). I want to establish my "gharana", my instrument Harmonium and myself in the global arena. I want to win the hearts of millions of music lovers throughout the world and establish my instrument as a solo instrument.
EMAIL: dadam_1986@yahoo.co.in
TELEPHONE: +919163637658/ (INDIA)(033) 24543983

Raaga: Sur Malhar by Suvendu Banerjee(Harmonium) & Soumen Nandi (Tabla) Live in Concert 2012

Vaari jaun re, the totally peppy Rajasthani/Kutchi/Malvi guru vandana folk song caught Vedanth and my attention first in The Rajasthan Kabir Yatra when Mooralamarwada made it our anthem.But when the real love happened was when we heard Mahesha Ram sing. With a lilt which spread in front me the entire desert, camels walking, caravans moving, the works. And everytime I hear or sing the powerful, humbling, joyous and beautiful imagery of my guru standing at my doorstep/courtyard gives me goosebumps. Here is a recording of singing in the great eastern mill, mumbai. Still working on the pronunciation.

Indian Instrumental by Ustaad Shujaat Hussain Khan

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