Dominik Eulberg - Afraid Of Seeing Stars [*Cuiviénen~]

Avangardist - Control Room

Antix - Manta (Original Mix) - Iboga Records

Holden - Renata [40BCCD/40BCLP - The Inheritors]

Buy on Traxsource

The Black 80s - Move On (Kollektiv Turmstrasse Remix) [Freerange Records] (96Kbps)

http://www.beatport.com/release/after-the-storm/382543
http://www.wordandsound.de/article/71378
http://m-nus.com/#data.pl?release=Minus110Dmp3;MiddleAndRight

Barem - After The Storm 
MINUS110 WAV, MP3, CD, 2LP

There. Is. Nothing. Better. Than. A. Clear. Blue. Sky. After The Storm. Taken literally, the track listing for Barem’s debut LP represents that fleeting moment when nature puts its house in order, when calm and clarity triumph over chaos. Of course it also works perfectly as a metaphor for those fuzzy moments of self-reflection while sprawled on a hotel bed after another mind-blowing night at the controls, or while taking stock of a musical journey that’s about to culminate in a debut album for the internationally renowned label that motivated you to start making music in the first place.

Barem has always offered a more laidback counterpoint to the edgy sounds of some of his label mates. His decision to progress in a deeper, percussive direction began with the Kolimar EP (M68) and apart from the dark, ambient intro There, this vibe dominates the first half of the album. Is and Nothing really showcase his skill at concocting instinctive, percussion driven grooves, expressing a natural inner rhythm that exploits the full stereo field. Rich, rounded drum fills puncture the hidden space behind the beats, shimmering reverbs drench the cymbals while the bass lines remain reassuringly fat and familiar, gently hypnotizing as the LP settles into its groove. By the time we reach Better the low pressure is beginning to break. Additional elements gradually make their presence felt as the beats continue to flay and splinter, phasing strings heighten the suspense and a delicate one note riff skips and bounces through spot effects and sprinkled vocal snippets as Barem coolly maintains the growing intrigue.

As if to highlight the evolving nature of the LP, the transition to the more dubbed-out Than goes almost unnoticed as the gentle undertow begins pulling us into more familiar Minus territory. Disorienting percussive delays start jarring into the void, indiscernible vocal slurs reverberate out into the corners of the room and warm, acidic bleeps start tapping at the doors of perception. By the time we reach A, the psychedelics have well and truly kicked in. The percussive onslaught of the preceding tracks gives way to a deeper, mystical atmosphere driven by shakers and hats and offset with cavernous delays and detuned pads that warp and envelope the collective consciousness in the orange-red glow of some ancient tribal ritual.

Having broken through to the other side, the eye of the storm is upon us. The last four tracks are all about the future. Clear gives ground to an abstract, subsonic groove that hisses and crackles like the dying embers of the night. A twisting motif then emerges from the flames rolling back and forth across the dance floor like some great bird stretching its wings before taking flight. Circling higher and higher, it is reduced to a distant speck before Blue - one of the definite standout tracks on the album - embarks on a spiral dive that represents Barem’s new unity of sound in one magic bullet. With an audacious swoop it scatters the storm clouds, fusing together all the contrasting aspects of his repertoire that make the album such an intoxicating journey. Sky then announces the final ascent with a long, seductive intro that crystallizes into an elegant melody, while the throbbing bass line generates another ecstatic rush of dark energy.

And then the clouds part, the sun breaks through and we’re left with the sensation of After The Storm: after the turbulence and the tumult, we’re greeted with tribal rhythms, muffled brass section and superb fretless bass riff all benefitting from a shift in 6/8 blues time signature that gives the album finale a fittingly reflective sensation – what Barem himself describes as that feeling of beauty when the dust is gone and everything is finally clear.

Artist/Title: Barem | After The Storm 
Catalogue No.: MINUS110
Label: MINUS
Format: MP3, WAV, CD, 2LP
Distribution: Wordandsound / Rough Trade / Beatport / M-nus.com
Barcode: 815349011170
Release Date Physical: June 20th, 2011
Release Date Digital: June 22nd, 2011

TRACK LISTING:
CD 
1.	There 
2.	Is 
3.	Nothing 
4.	Better 
5.	Than 
6.	A 
7.	Clear 
8.	Blue 
9.	Sky 
10.	After The Storm

VINYL 
A1.	After the Storm 
B1.	Better 
B2.	A (Vinyl Edit) 
C1.	Is (Vinyl Edit) 
C2.	Nothing (Vinyl Edit) 
D1.	Than (Vinyl Edit) 
D2.	Sky (Vinyl Edit)

Barem - After The Storm album mini-mix

8.Agosto

Read more on THUMP http://thump.vice.com/en_ca/track/christian-lffler-brings-introspection-to-the-club-with-york

@christianloeffler 

Christian Löffler - York

"Super Flu - Volkwein (Kollektiv Turmstrasse Remix)" - out today on Monaberry!!

Release:

After the unbridled success that was "Volkwein", Super Flu's collaboration with The Dortmund Philharmonic, the always on point Monberry label now revisits the package with the help of some fine contemporary remixers, namely Kollektiv Turmstrasse, Monkey Safari and Bebetta.

Super Flu, aka Herzblut Recordings regulars and German pair Felix Thielemann & Mathias Schwarz, really conjured up some magic with the original so these remixes, which reinterpret in fine style, are more than welcome.

First up are Kollektiv Turmstrasse, a rare act that infuse their sound with something more - extra soul, depth and meaning. On their remix of the title track, they go for a trademark deep, brooding and slowly unfolding vibe with subtle synth modulations, buried drums and a rising sense of tension.

The curious and off kilter German duo Monkey Safari are up next. First they rework 'Bratzke' with a sensitive sense of touch. Underlapping, rubbery drums roll below churchy and hymnal chords. Softly spoken vocals add intimacy and you can see this one really making for quite a moment on the right dance floor. Secondly, they serve up a digital bonus remix of the same track that makes less use of the vocal and places plenty of emphasis on their lush arrangement and true sense of musicality.

Lastly we have Bebetta, a playful producer who infuses her music with charming melody and a real sense of personality. She has also recently won the Tresor Newcomer Award for her impressive DJ sets around Berlin. Her version of 'Volkwein' is patient and spacious. Glowing harmonically it soothes mind body and soul with playful patterns and clever use of filters.

This EP is an elegant and magical release that proves house music can be so much more than a physical and functional thing, and can instead stir real emotion when in the right hands.

www.facebook.com/kollektivturmstrasse
www.facebook.com/pages/Super-Flu/…65485989?fref=ts
www.facebook.com/pages/Monaberry/…04540299?fref=ts

Super Flu & Dortmunder Philharmoniker - Volkwein (Kollektiv Turmstrasse Remix)

I wanted to make something deep and soothing with this one, nothing too hectic or in your face, but with plenty of interesting production to keep it fresh despite the subtle structure. I was toying with various names along the lines of some sort of introspective, peaceful theme, so I went for qualia - not exactly a specifically peaceful term, but something relating to introspection, and with a lot of interesting associated theory behind it. 

Qualia (preview clip)

"We swim around for hours 
Looking for a mate
Fish Love

We're swimming in the ocean
Isn't this great
Fish Love

When I was walking on the ground
There was nobody around
Fish Love

Now where ever I can see
There's someone there for me
Fish Love."

Recorded one night in Berlin, Germany.
Video: http://bit.ly/1jfR1rM

@marchoule


Watch The Video

Marc Houle - Fish Love

♫ Read More ♫:
http://www.deephouseamsterdam.com/london/premiere-luciano-7directions-original-mix

As Luciano needs little introduction we will just say this, you can guarantee he always comes through with a signature tune once a year.

And so 2015 throws up “7 Directions” featuring JAW on the vocal, a mesmerizing and low-slung track that’s already getting pole position in Luciano’s sets, ending his momentous off-Sonar show at El Poble Espanyol with it, as well as becoming a staple at his weekly Vagabundos residency at Space in Ibiza this season.

"7 Directions” is perhaps one of Luciano’s more understated productions; it’s a sprawling and sultry journey, with deft melodic touches and intricate production techniques, taking care not to become cluttered, rather using the space is enunciate the sheer hypnotism stored within and for JAWs vocals to glide over the listener without fanfare or dramatic clichés.

Today, we are very proud to exlusvely premiere the original mix of EP's eponymous title track. On this mix, brooding pads and spikey synths linger over a spacious drum pattern, live drum fills and claps bouncing off the bass pulses, as wandering keys usher in the unmistakable tones of JAW AKA Jonathan Illel, the musician and vocalist extraordinaire who ply’s his trade with the French electronic group DOP and as a guest on recordings from artists like Mirko Loko and Guillaume & The Coutu Dumounts amongst many others.

"7direction(s)" is available 7 December on Cadenza Records

♫ Read More ♫

Premiere: Luciano ft. JAW - 7direction(s)(Original Mix)

Gaiser - Oolooloo

Heartthrob - Baby Kate

Plastikman: Mind In Rewind (2003) MINUS18

Underworld - Rez

CAT No VIEW005
COMING SOON as Digital EP in primary digital stores and as and as Vinyl 12″

“It took me only a few minutes to realise that André is one of these rare individuals that make you feel instantly “at home”… I understood quickly then that the music I discovered earlier on labels like Moods & Groove or Simple, was a real mirror of his soul…”
It is indeed on a cold day of that 2008 Berlin autumn that André & myself had a tea time & decided to work together. André decided spontaneously to record fresh material especially for the label, more than 6 months before our first release. This says a lot about the common trust that was born that day, much before the hype surrounded the man.

The result of this saw the light some weeks later in the form of Vehemence Of Silence, a track of indeniable power which breathes long years of djing & Berlin afterhours as much as uncovering close impressions of André’s emotional outcome. This is what made me feel that track like a whisper to my body & soul and what makes me so proud to release it today… More than 10 months down the line, André improved it, tested it on the floor till a final club listening session in the middle of the Berghain dancefloor where we both knew it was ready to be shared…

This special track needed of course outstanding alternative perspectives and it didn’t take me long to propose my old friends Martin Iveson & Danilo Plessow (both amongst André’s favorites) to give it their magic : Atjazz managed to bring the track in subtle afro territories twisted with early Prescription echoes while Motor City Drum Ensemble’s version translates an unexpected Techno jam reminiscent of the best early Soma days. The EP is completed by a fantastic dub by André himself and a second original called Dark Edge, a sophisticated & raw deep house joint.

A&R and words by Dairmount

SELECTED SALES FACTS

    * André Lodemann is one of the rising German producers of 2009. After releasing already on Mark Grant’s Moods & Grooves and Will Saul’s Simple, André created this year Best Works, his own imprint with Daniel Best.
    * André released 3EP’s on Best Works which were received with huge acclaim from every side including the hit ” Where Are You Now?” that hit club charts worldwide. The track became one of the most important summer anthems of 2009.
    * André became highly demanded in recent times : a full Ep will be released this autumn on Freerange and he recorded remixes for established labels such as Shield’s Rebirth, Joey Negro’s Z Records, Dj Yellow’s Composite & Dark Esser’s Wolfskuil
    * An exclusive new track of André will be included on the third episode of Dairmount’s Perspectives serie end of october
    * Atjazz is one of the most respected long runners of the House scene since the early nineties. After closing down his legendary Mantis label early this year, he created his own Atjazz Record Company to focus on his own output & made several remarkable apparitions this year on OM, Papa, DSOH or Yoruba with solid remix works.
    * Motor City Drum Ensemble is one of the most in demand German producers of our times. Thanks to his blend of moody Detroit influences and fresh ” b boy” sampling attitude, Danilo Plessow took the world by storm the last 18 months with featured works on his own MCDE & Four Roses, 2020 Vision, Mule Musiq or Quintessentials. 2009 will see him remixing heavyweights like Steve Bug for Pokerflat, Dj T for Get Physical or Jazzanova for Verve…
    * Stay Optimistic, an exclusive new track of MCDE featuring Nu Soul sensation Stee Downes, will be released in october as part of the 3rd volume of Dairmount’s Perspectives serie.

      WHAT DJ’S SAY…
          o ” Another brilliant EP from RWAV. This is left of centre electronic dance that’s helping push things forward whilst paying so many respects to the past. I think the Brighter Day dub is my fave here but all tracks will definitely be getting plenty of plays. Atjazz bangs it especially! “
            JIMPSTER (Freerange)
          o ” Lodemann is quickly becoming one of my favorite artists. This track is incredible! Has such emotion… and those claps! And such great remixers to compliment this work. Best of the best here… 5/5 easy…”
            ALLAND BYALLO (Nightlight Music, Utensil)
          o ” Lodemann is pretty mind blowing. I love how this track progresses, and the way all the percussions play off eachother toward the end of this song. Great work! ” – PEZZNER (OM Records, Physical Graffiti, Freerange)
          o ” You guys are killin it. Another top release!” – BASIC SOUL UNIT (Philpot, Still Music, Versatile)
          o ” MCDE mix is fantastic ” – TREVOR JACKSON (Output, K7)
          o ” Atjazz mix is lovely. Brighter day dub good too ” – MARK FARINA (OM Records)
          o ” Atjazz & MCDE Mixes for me…” – MANUEL TUR (Freerange, Ovum)
          o ” Serious stuff here …Maximum support one this EP! ” – MASTER H (Soma, Komplex De Deep)
          o ” Really like the original version a lot and will def play it on the show…” – ANDREW JERVIS (Ubiquity)
          o ” Great EP – love it! Some of my favourite producers get to remix Andre’s tasteful original and what comes out is twisted b-boy house, just the way we like it! ” – ALEX DALLAS (Drumpoet)
          o ” Realy love the original mix will play a lot…” – LAURENT GARNIER (FCom, Pias)
          o ” The Atjazz mix is fab (as always) and Dark Edge got that smooth’n’sexy deep touch…hot! ” – MAD MATS (Raw Fusion)
          o ” Awesome tunes !!!!! full support ! ” – DJ HELL (Gigolo)
          o ” Really like ‘Dark Edge’, fabulous track! RWAV come up with another winner! “
            NEIL QUIGLEY (Urbantorque)
          o ” It’s been a long time since i liked 5 tracks on one ep. this is awesome. simply can’t pick a favourite. can’t remember myself giving a 5/5 before either ” – RUSS GABRIEL (Ferox, Mobilee)
          o ” A beautiful package all in all, I really love the original and the Atjazz Perspective sounds great for lazy summer days. MCDE manages to top everything again though with this deep and melancholic MONSTER. I’d tick 2 hearts for that one! ” – DEETRON (Music Man)
          o ” Awesome EP. hard to pick up one track here !! i would say my favourite versions are original and MCDE “
            ART OF TONES (RWAV, 2020 Vision)
          o ” Real cool 8t house groove!” – GILB’R (Chateau Flight, Versatile, Innervisions)
          o ” The Atjazz mix is beaitiful. I love it…” – ROCKY (Xpress 2)
          o ” a brighter day dub is the one for me. mcde perspective points it my way too… ” – VIDIS (Silence Music)
          o ” The Atjazz + MCDE mixes are my favourites… ” – THE REVENGE (Delusions Of Grandeur, Jisco)
          o ” Love the MCDE remix…” – TIM SWEENEY (Beats In Space)
          o ” This one sounds awesome!” – STEVE MIZEK (Little White Earbuds)
          o ” High quality music as ever from andre ” – CHARLES WEBSTER (Defected, Miso)
          o ” Superb EP. All tracks sound fat. Like the original, Dark Edge and the Atjazz Remix. Good work! ” – JC FREAKS (Phonica)
          o ” very phat and deep package, the motor city drum ensamble and the atjazz perspectives are the two mixes for me… “
            MARLOW (RWAV, Objektivity, Moon Harbour)
          o ” All these mixes are great especially loving the MCDE mix ” – HARRI (Subclub Glasgow)
          o ” Like the whole package, especially the original & the mcde version. thanx, will play! ” – WESTPARK UNIT (Farside)
          o ” Another great release. Liking the Atjazz and Original Mix of Vehemence Of Silence. Keep them coming ..”
            SHELDON PRINCE (Traxsource)
          o ” Very nice – mellow house – good remixes – original strong..” – SLAM (Soma)
          o ” like the dub mix. very nice. will play it…” – KAROTTE (Cocoon Club)
          o ” Another fantastic release on RWAV! Andre has an incredible sound & I love the way his trax can suddenly take a turn into the unexpected, as he does on the original. All the remixes sound great as well & Dark Edge is probably the track I will end playing most, but time will tell… ” – DARKO ESSER (Wolfskuil)
          o ” RWAV does it again! Our favorite new label in the shop doesn’t dissapoint. Atjazz and MCDE’s remixes are the standouts! “
            DERON DELGADO (Stompy)
          o ” Respect to André. Great works in the last days. I love this release. Great remixes from Danilo and Martin. Today my favourite is Atjazz point of view ” – NACHO VELASCO (Garito Café)
          o ” Outstanding Ep . This Is Quality ! ” – CHRIS UDOH aka WAMDUE KIDS
          o ” wow, what a package! great artists, great label! ” – BENNY RODRIGUES
          o ” Fantastic. Love André…” – IGOR (Ibiza Sonica)
          o ” Amazing remix coming from Atjazz, can’t wait to play this on my show! Much respect from Western Australia “
            PAUL GAMBLIN (RTRFM 92.1 Western Australia)
          o ” Nice collection of songs and styles.I like the Atjazz remix the most and “Dark Edge”.Will play it for sure. Thank you so much! “
            WILLIE GRAFF (Freerange, Cielo NYC)
          o ” Quaity release, all tracks are very useable, Atjazz remix comes out tops for me, but all in all very good stuff “
            LEIGH MORGAN (Urbantorque)
          o ” MCDE Mix is killer!!!! ” – YANNICK LABBE aka TRICKSKI
          o ” Loads of quality stuff on here, love the remixes but this little gem at the end is the one for me. Acid, soulful yet shuffly, it’s got a lot going for it! ” – DOMU (Trebleo, Papa, 1Extra)
          o ” Lodemanns dubmix is fantastic, sthe groove on Atjazz mix is suuuuper, as always with RWAV it is all top top quality, what can i say – full support! ” – CHRISTOFFER BERG (My Sonic Mountain)
          o ” Atjazz Perspective!!! deep ‘n dope! ” – GERD / LITERON (4Lux, Fortek)
          o ” All about the MCDE mix here, another deadly addition to his recent purple patch ” – CHRIS DUCKENFIELD (Swag, Odori)
          o ” Oh damn! Atjazz is on some other shit that i need to get on!Love the remix by atjazz.Its going right into front of my cdbook!” – TRINIDADIAN DEEP (Prescription Future Vision)
          o ” I´m a big fan of Lodemann! Once again a truly original deepster. Cool release! My fave is the original but i think i will be playing the others also ” – ROBERTO RODRIGUEZ (Frozen North, Freerange)
          o ” Love the original dub & AtJazz remix, MCDE remix too, all the mix are great anyway ! Dark Edge is dope too ! wow ! these chords ! ” FABRICE LIG (Third Ear)
          o ” Top quality stuff as usual from Room With A View ! My favourites here are MCDE and Atjazz Remixes. Will be playing a lot “
            NACHO MARCO (Loudeast, Pacha)
          o ” Can’t go wrong with Lodemann & atjazz in the same pack. I’m full on with you guys!” – DJ YELLOW (Poussez, Saw, Ovum, Composite)
          o ” Good release! especially the two rmx`s by Atjazz & MCDE are great!” – LIAPIN (Connect Four, Outils Du Connaisseur)
          o ” Dis is soooo fucking biig!Oh my daaaaaayz can’t wait 2 drop that ! ! ! Lodeman is sick… Remixes r DOPE too , chartin/playin 4 sho’” SIMBAD (BBE, Still Music, Raw Fusion)
          o ” Sounds more the soulpatrol box way than his recent best works output. martin has done a brilliant job as well “
            MICHAEL RUTTEN (Soulpatrol)
          o ” AtJazz totaly rocks it. my favorite without a doubt! “
            NITZAN HERMON (Fine Art)
          o ” Just SUPER – all the mixes are HOT…..Lovin’ it!” – BROTHERS VIBE
          o ” The Dub is sick! Lovin it!” – ONIONZ
          o ” Best release so far!!! Original version is really a good piece of art! ” – JOEL ALTER (RWAV, Gigolo)
          o ” Honestly i think the original is really boring and thats why even my favourite artists at the moment like atjazz and mcde couldnt deliver anything spectacuar too. no points from me this time. It doesnt reach the really high standart of the releases so far “
            LOVEBIRDS (Freerange, Winding Road, Buzzin Fly)
          o ” I’m going for the Motor City Drum Ensemble remix and the Dark Edge track but this whole release is just pure class! “
            SWIRL PEOPLE (Aroma)
          o ” MCDE remix is full of Juicey Goodness. Spot on! ” – JAMES HUXLEY (Pulse radio Sydney)
          o ” Quality as we come to expect from RWAV ” – SHUR-I-KAN (Freerange, Dark Energy)

            Also loved & played by Dixon, Fred Everything, Agnès, Steve Sole, Nick V, Michael Reinboth, Nick Holder, Cloud, Trevor Walker, Andrei Peev, Murray Richardson, Jon Freer … 

Vehemence Of Silence EP

André Lodemann - Vehemence Of Silence

A Girl Between Two Worlds

What's a Girl to Do

Fatima Yamaha - What's A Girl To Do

M83 - In Church (Luciano Remix)

Flipping the record over, we hear Robag shift Vondelpark's pop tune further into dubbed-out DJ tool territory with “Habay Latoff NB”, placing it atop a hand-cranked mechanical pulse that's more tech than house. The vocals are reduced to a mere atmospheric aspect, letting Robag's buzzing and clattering do the talking, as the underlying drawn-out melodic phrases breeze past, with plenty of auditory curveballs to make your ears smile. Grab the vinyl version now—R&S won't be offering these remixes digitally until later in the year.



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LRK