From the upcoming record Love's Crushing Diamond

talk softly, walk slowly

info @ http://mutualbenefit.tumblr.com/post/56334992756/hello-above-is-advanced-falconry-the-first-song

<3

mutual benefit - advanced falconry

"turn your phone off friend, you're amongst friends and we don't need no interruptions"

From the LP 'The Double EP: A Sea of Split Peas' 
Out through Milk! Records (Australia),  House Anxiety / Marathon Artists (UK) and Mom + Pop (USA).

'The Double EP: A Sea of Split Peas' is available now on iTunes: http://smarturl.it/seaofsplitpeas
And for the first time, is available to pre-order in North America: http://courtneybarnett.com.au/pre-order-in-north-america

ANONYMOUS CLUB was written by Courtney Barnett

www.courtneybarnett.com.au
contact: nick@lookoutkid.com

Anonymous Club

Throughout the months I worked on Savage Hills Ballroom, I became possessed by a concept. If we had the ability to accept our blemishes, seeing that it's our fuck ups & flaws that make us distinct & force us to advance as individuals & as a society, we could start understanding each other. The world swims in judgement. It makes us feel good to think someone else is worse than us. We're born into this mindset - & much of it is rooted in self-loathing rather than merely learning from our weaknesses. We bury who we really are because we don't think anyone will accept us. SHB is grounded in satire. It is a microcosm of a perfect society, decorated in gold & elegance to serve as a mockery of how we present ourselves to those around us. I wrote I've Seen as a farewell song to this ballroom..just gonna stay a while longer. See you outside. +++ WASTING 4 U +++ 

 .Trevor Powers 

Savage Hills Ballroom: http://smarturl.it/ylshb

Youth Lagoon - I've Seen

Hall of Horrors

Taken from upcoming EP "Kindness"

Spotify: http://bit.ly/shouldhavesptfy
Apple: http://snip.ftpromo.net/shouldhaveapple
GooglePlay: http://snip.ftpromo.net/shouldhavegp
Amazon: http://bit.ly/shouldhaveamzn
iTunes: http://snip.ftpromo.net/shouldhaveitunes

Should Have Known

Mermaid

Sam Evian - Next To You 
Vocals by Kazu Makino of Blonde Redhead

In 2017, Owens co-produced Kazu Makino's solo album. The Japanese vocalist, songwriter and multi-instrumentalist, best known for her work in Blonde Redhead, has now returned the favor by lending her distinctive vocals to the You, Forever album track, "Next to You"

Order You, Forever: http://samevian.lnk.to/YouForever

Next To You

Next To You (Feat. Kazu Makino)

Sam Evian - Next To You (Feat. Kazu Makino)

Rare Feeling

Solar Pilgrim

No Horizon

AEIOU

Hard Drive

Stream 'The Drifter' : https://dadbod.fanlink.to/thedrifter

Dad Bod is comprised of 4 members, 3 of whom are brothers; with Michael Marinos on vocals and guitar, Matthew Marinos on bass guitar, Marcus Marinos on the drums, and Ben Ostler on lead guitar. Their sounds are an array of indie overtones with jazz, pop and rock influences.

Stream

Dad Bod - The Drifter

Jenn Wasner and Andy Stack of Wye Oak have spent most of their lives in Baltimore, Maryland. But after two years of constant touring with Civilian, their highly lauded 2011 album, they landed on opposite sides of the country with an unforeseeable future ahead. Despite this newfound uncertainty, the two bandmates embraced their physical distance, passing ideas back and forth, allowing new work to evolve in their respective solitudes. Shriek is Wye Oak’s fourth full-length and the culmination of their intent to express the emotional and intuitive self by acting out animalistic exclamations through cathartic release. It is their most personal and confident declaration yet.

Newly inspired by playing bass, Jenn took up songwriting in a setting where the guitar did not dictate harmonic boundaries or require a call-and-response relationship with her voice, a hallmark of previous Wye Oak records. With her phrasing freed, now it is often Andy who interacts with Jenn’s vocals, playing syncopated and meditative keyboard parts, and the duo’s collaborative arrangements provide a backdrop in which both the arcs of melodies and the new rhythmic elements flourish.

To engineer, mix, and co-produce, they brought in Nicolas Vernhes of the Rare Book Room in Greenpoint, Brooklyn, whose inventive and forward-thinking approaches to production complemented their new direction. The result is a record of indisputable humanity. Shriek is a complete narrative of disorientation, loss, renewal, and empowerment.

AEIOU

Wye Oak

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