Hi........ I am an old skool raver...... come from back in the day... 1992.... style... my first rave was 12 DALSTON LANE!! the mighty Labrynth.... not sure yet... if that was a good thing but I never looked back...  still have mad love for HARDCORE but my new love is HOUSE... music that is still moving forward... I will be posting my mixes and shows from www.HOUSEFREAKS.co.uk & www.DREAMLONDONUK.com  if you would like to tune in live....... I play on Housefreaks.... 10pm to 12pm Wednesdays...... and i played on Dream London   Fridays... 1pm. to 3pm.. but have had to give this up as to busy. you could just add me up on FACEBOOK thank you for you interests... FEEDBACK is very welcome! :) Rave Monster :) x

The second summer of love in England 1989, never to be forgotten by all of those that remember with a passion. M25 orbital warehouse/aircraft hangers/farmers fields, not forgetting The Hacienda Manchester. Over the next few months we will be uploading mixes from '88-90. Watch this space ;>

Was concieved in the arches, ma mum says carl cox is ma real dad lol, mon eh tan, fuck all the haters, ma mixin abilities say wot a cant put into words, infact, a can, listen up and pay attention coz ul miss something good, hands up who remembers slipmats, self taught back in the day, musics the love of ma life and its time to give something back for all the years of enjoyment, hopefully many others, wherever yous are, mind the good old days, watch this space... 
infact, listen to this space, stevie wonder says it works better that way, onwards and upwards, here we fuckin go!

Dj, Promotor (Santa Cruz de Tenerife)

Profile For lovers of Oldskool House & Rave from 88 onwards 
and the new Era of (House, Disco, Funky House,Tech House, Latin Afro House)

A trio production team that make electronic dance music inspired from the hardcore breakbeat scene. You can contact us directly on Sound Cloud or email tryunitymusic@gmail.com

The label was established in 2018 as a means to release the back catalogue of renowned Jungle Techno label Underdog Recordings, which ran from 1993-1995. It quickly expanded from beyond the original goal and now reissues sought after, rare and classic records from the Jungle, Rave, Bleep House, Techno and Jungle Techno genres.

The Vinyl Fanatiks aim is to track down and work with the original artists from the early 1990’s, to reissue their music on vinyl only, and to support the record hunters and vinyl diggers from around the world with quality pressings and superb mastering; a way to show respect and share the story of those that created these incredible records.

The vision is not to focus on the obvious artists of that time but to dig a little deeper and find those that came and went but their legacy still holds true to this day. Some of these producers only released one record and vanished soon after but their music still resonates into the 21st century, accumulating new audiences across the globe, far beyond the catchment of the UK pirate radios and muddy fields of 25 years ago. What happened to these artists? Its Vinyl Fanatik’s mission to find out!

Each record captures a moment in time, a vibe that was true and innocent from a period when music was far more synonymous with rebellion and anarchy than today’s finely polished productions and conformist club pop. This music itself bred on the outskirts of society, fuelled by the passion of the rave, its lineage stemming from the Acid House era of 1988. Often produced on minimal equipment, with minimal skills and knowledge, its audio blueprint transcends to new generations, a rawness that no expensive audio plug in could ever create in this present day.

Vinyl Fanatiks wants to pay homage to these young producers who forged the foundations of the multi-million pound EDM scene we have now. Each of these artists has their own tale to tell, their own memories to share. Limited by their own geographical status within the UK, they somehow still all managed to connect and influence each other, years before the internet, mobile phones and social media that we have today. But the music knew no limits and had no boundaries, transcending generations to this day.

Bringing The Experience Back To Music

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