Related tracks: Like We Used To

Related tracks: It Won't Take Forever

Delicious Soundscapes Part II

In a word; Dynamic. A difficult production because of the rapid changes to level and pitch. Uses just one synth instrument (Thank you Vital Synth-Matt Tytel, thank you Mr. Bill) with sampled Rototoms and Drums. Let it lift you. Let it move you. [Ver. 32 -Master]

Forgiveness Act Two

Taken from the upcoming debut full length album (planned to be released mid-2024 - "Rock and Roll Kills").
(p) & (c), 2024.
youtube link: https://www.youtube.com/watch?v=jtnXGGtwzSQ
--------------------------------------------
lyrics:
Like we used to
---------------
We don't play in gigs like we used to
We don't play in the streets like we used to
We don't hang out in squares like we used to
and we don't drink ice cold beers like we used to

and now we grew up, became strangers we fell on trap 
and the days are not the same, like we used to...used to

We don't jam at all, like we used to
we don't grill outside the yard, like we used to
we don't party as friends like we used to
we don't say hello like we used to....used to

and now egos stood up, became cold and all that crap
and the years are not the same, like we used to...used to!

Rock and Roll Kills

Like We Used To

Hespérides

Official release date at this link below on 3rd March 2024:
http://tinyurl.com/4njvh6hz

LYRICS
As she picks up the pieces 
Her heart rate decreases 
She tried to catch her breath and find her feet 
Walking through each day fast asleep 

As the wind took their ashes 
Her stomach sick from sadness 
The sweetest angel came down to earth 
Now broken 14 years from birth 

As she moves on from the fourth
Tested by a familiar unknown force 
She tries to heal her wings and get some rest 
When the tide is in she always feels her best

As the wind took their ashes 
Her stomach sick from sadness 
The sweetest angel came down to earth 
Now broken 14 years from birth

The 12 Steps

The Aftermath

Pennsylvania

For 2

This is the latest in the Texas Tea series called 'Firstly'.  It's something I was working on and I got to a point where I felt it needed a kick.  So I said hmmm, self do you know anyone that plays killer synth and that might be open to adding something cool to this?  And of course I did.  Terry was kind enough to throw something together with short notice and I think it's great. 

The idea is the song is like drifting down a river but the river is not water it's the blood of innocent kittens - no it's not, it's not, relax. just seeing who reads all this,   it's a psychedelic river and as you float all these different sounds appear. It's a busy song but it is intentionally, so take your ADD meds and put on some headphones and see what happens !

Texas Tea playlist : https://on.soundcloud.com/sCZPTAQdsHfxRhwFA

Firstly

Firstly - w/ Tea R. Sea

same as previous upload, but with (my) voices added. see which you prefer...

See the original for details: https://soundcloud.com/user-432503709/flute-loops-jam

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here's some pictures I took:
https://500px.com/p/MrMark?view=photos

Flute Loops & Jam (*voices version*)

Psychomorpha w/RENTT

River Dancer

Taken from the upcoming debut full length album (planned to be released March 1st - "Rock and Roll Kills").
(p) & (c), 2024.
Youtube link: https://www.youtube.com/watch?v=80YWaTAt8Gc
-------------------------------------------
lyrics:
We've been through a lot, a lot of shit
now it's time to fight, fight against
against this depression and evil vibe
this is the time we will take over our lives

We've been submersed deep deep down
we've lost our faith into this evil town
we have to get back, get back to our own feet
we had enough, enough with this shit!

and now we have our head up high
we know what it's true and never dies
and now we step up with god's command
we won't take it anymore, not get stuck into the sand

It won't take forever just to reach our dream
it won't take forever to delete the bad scene
it won't take forever to hold your hand
it won't take forever to the promised land

it won't take forever to live again
it won't take forever to face the sun
it won't take forever, it won't take forever!

It Won't Take Forever

In the shadowed alleys of a metropolis plagued by corruption and despair, lurks a figure shrouded in mystery, known only as Trapezoid.

Trapezoid

MAY from SPRING A Symphonic Poem

Harmonic Glitch

This one was started in 2016, and back-burnered 'til now. Strong synth groove and unexpected trappy percussion give it a tangible sense of drive and movement. Not related to the artist/singer AViVA in any way. 

[Ver. 49_UAD]

Aviva

in my eyes
of ice and mint
quench my thirst
i am the desert

And in her scent
a calling card
taste of the woods
and the open ocean

in her voice, the peyote cry,
of the Indian fire, and what the north wind made

in her eyes inside the lashes
those water tears are your prison

the sad was sad but after her
words on the paper in a song
and you listen

fingers hold iridescent rings
each one is suitable for every situation

the man she loves
knows a thousand ways
to use the tie
between madness and passion

Invio: 19 ore fa19 ore fa
SK
nei miei occhi
di ghiaccio e menta
placare la mia sete
sono il deserto

E nel suo profumo
un biglietto da visita
sapore di bosco
e l'oceano aperto

nella sua voce, il grido del peyote,
del fuoco indiano e di ciò che ha fatto il vento del nord

nei suoi occhi dentro le ciglia
quelle lacrime d'acqua sono la tua prigione

il triste era triste ma dopo di lei
parole sulla carta in una canzone
e tu ascolti

le dita tengono anelli iridescenti
ognuno è adatto ad ogni situazione

l'uomo che ama
conosce mille modi
usare la cravatta
tra follia e passione

Ice Mint

Sk & Tubo    Ice Mint   (Testo di Sk)

🌞⛱🌊🔥🕺🏼🌬⚡🌕🌈🍦💓🎶⁂©
🎸©Lyricist, Mixing, Mastering, Pro License & Creator: Lady ElectroTrek
***

TITLE: A TALE TOO TALL
_______________________________________________________________________
LYRICS:
(Verse 1)
I climbed a hill that touched the sky
The clouds bowed down as I walked by
The sun applauded every step
A story too big to forget

(Verse 2)
The river whispered my own name
Said you’re the one who bends the flame
I lit the stars with just one hand
And danced across the desert sand

(Chorus)
Oh I’m the one who caught the breeze
I lassoed lightning with such ease
A tale too tall but oh so sweet
I made the world skip to my beat

[Verse 3]
The mountains knelt to let me pass
I painted rainbows on the grass
The moon once asked me for advice
I told her shine and don’t think twice

(Bridge)
The ocean said it knew my face
It swore I gave it all its grace
The winds they carried every word
Of every song I sang unheard

(Chorus)
Oh I’m the one who caught the breeze
I lassoed lightning with such ease
A tale too tall but oh so sweet
I made the world skip to my beat

I Made The World Skip To My Beat

A Tale Too Tall

Experience everything at www.x28project.com

Play the game: https://www.x28project.com/fro-quest/

"Shadows of Darkness" Music Video https://youtu.be/virdlkUtBXk

Who, or should it be said, what is X28 Project? The moniker has changed with the minds of the holding proprietors so many times throughout the years that the meaning is quite obscured. As of now, the mystery is magnified by the control of the ensuing days to which the existence is dependent. Once known as a conduit for progression, while still maintaining that philosophy, the humble resonance now seems to be an afterthought of something under the bored need for an exit. It should be noted that as of now the control prevails mainly within one governing entity. By the determination to construct, since 2006 there has been a steady release of instrumentation designed to combat the silence that once was harbored in the preceding minds. Intentions only to reverberate within one location and within one moment. This was unacceptable to the new direction that was necessary for the formulation of continuous angles of relief. Each outlet created has led to more tears of the consistency of that which is disenchanted. Disinterest seems to be molded in the wasted time. While unconcerned for plenty, there is a compulsion for furthering and augmenting the embrace. Inquiry is challenged day to day, yet it's something overwhelmingly vital. The delight in continuance should be cherished in the face of persistent lethargy. To this extent, the ensemble is present to absolve the anguish that is intimate to reasoning...