Cast of Characters:
E Ruizzo-- https://soundcloud.com/ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (with The Eclectic Collective)

Thank you for sharing your time with me. If I can do one thing for you, keep that one thing to yourself, but manifest it through deep meditation. I will fuel myself using the psychic and spiritual essence you are sending to me, kind of like Cerebro.

Retrograde

Shared Mirror

In this state, waiting for outcomes, we travel through space and time, reaching out to the possibilities that both excite and worry us. Interspaced between what was and what is to be, we remain engaged.

Left on Read

LYRIC VIDEO : https://youtu.be/FhXG2eUCCJs
This Song is What Can Happen when I have a Bad Week or the Heavy Weight of the World is Spinning in my Head & my Imagination Kicks In :-)  
To HOPE  !!!
It was a Fast Write & Really Fun to Record ~~
Hope Everyone Likes It !
©2025 Donna Dior

UNREST IN THE GALAXY

Invisible Agony

Tiristor

A little song called Glow I wrote around 2018 timeframe. It's one of those that came together over time, especially the chorus, it was one of those back burner unfinished songs, but certainly never forgotten. I've always enjoyed playing this melody.  I made a few minor changes not long ago, with the arrangement and a few lyrics, and it really feels complete...finally. Ever meet someone where they put something in you that you feel like you can do anything?  I hope you enjoy this live take I did the other night on my old Baldwin. Thanks for listening:) All your support means so much, thank you!:) 

Glow 

I love your electric curls
I take in your midnight gaze
You shoot me that cute bright grin
And I escape a dark maze
I'm normally really shy
But with you 
I don't hesitate
I take your hand 
And run with the sky

I feel like a superhero
I got a grip that won't let go
Burning right into a lifetime
Everything you do is sublime
You're all I wanna know
Look at that Sunrise...Glow!

Out of this fluorescent world
Into eyes that shine so true
You've held my heart through it all 
It's always been only you 
Our harmony reaches high 
You and me 
We just elevate 
I'll keep you safe
Get ready to fly 

I feel like a superhero 
I got a grip that won't let go
Burning right into a lifetime
Everything you do is sublime
You're all I wanna know 
Look at that Sunset...Glow!

Instrumental 

I feel like a superhero
I got a grip that won't let go 
Burning right into a lifetime
Everything you do is sublime
You're all I wanna know
Look at that full Moon...Glow! Ahhhh 

I love your electric curls
I take in your midnight gaze
You shoot me that cute bright grin
And I escape a dark maze
Every time

All music written and recorded by 
© Daniel Colter Valentine

Glow (Original Song Live)

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Sena (Extended Mix)

https://ffm.to/theluck

New Zealand producer @HarryCharles follows up his sophomore album MOVEMENT with the new track 'The Luck', which marks a shift towards a more energetic and uplifting direction.

‘The Luck’ blends hook-laden melodies and bright synth layers with a driving deep house groove. It’s a clear evolution from the downtempo, organic moods of MOVEMENT, and signals a bold new chapter for Harry’s sound.

The Luck

Tom Nikso - Bows of the Dust (Jack Essek Remix) [Camel VIP Records]

Experience everything at www.x28project.com

Play the game: https://www.x28project.com/fro-quest/

"Shadows of Darkness" Music Video https://youtu.be/virdlkUtBXk

Who, or should it be said, what is X28 Project? The moniker has changed with the minds of the holding proprietors so many times throughout the years that the meaning is quite obscured. As of now, the mystery is magnified by the control of the ensuing days to which the existence is dependent. Once known as a conduit for progression, while still maintaining that philosophy, the humble resonance now seems to be an afterthought of something under the bored need for an exit. It should be noted that as of now the control prevails mainly within one governing entity. By the determination to construct, since 2006 there has been a steady release of instrumentation designed to combat the silence that once was harbored in the preceding minds. Intentions only to reverberate within one location and within one moment. This was unacceptable to the new direction that was necessary for the formulation of continuous angles of relief. Each outlet created has led to more tears of the consistency of that which is disenchanted. Disinterest seems to be molded in the wasted time. While unconcerned for plenty, there is a compulsion for furthering and augmenting the embrace. Inquiry is challenged day to day, yet it's something overwhelmingly vital. The delight in continuance should be cherished in the face of persistent lethargy. To this extent, the ensemble is present to absolve the anguish that is intimate to reasoning...