Core LP(XM5)

Mastering: Angel Marcloid @ Angel Hair Audio (angelhairaudio.com)

Album Art: Jaxon Demme @_kazooie

Core

ice is dripping. candles are out. the foreplay over.

Our selection of lustworks are anticipating your next move…

INDEXOXO<3

A third volume of nocturnes devoted to whetting all thirsts -
a salve to soothe all burns of desire.
For where there once was love,
ever shall its void fill with longing.

@user-951049725-782254964 @ikezwanikken @kingsofty @djbirdbath @vasesound @mikemidnight @raw_silk @kind_tree @milliamusic @rreinartz @connaharaway @cybermission @pppainterrr @murphyet

INDEXOXO<3

Conna Haraway - Mesmeric

https://objectblue.bandcamp.com/album/chaos-discoideum

chaos discoideum

bandcamp

chaser

What happens when dubby drum & bass meets Dischord’s post-punk colossus Black Eyes? “Break” is the new EP from NY’s Relaxer, the long running alias of Daniel Martin-McCormick (Black Eyes, Ital and co-founder of Dripping), and it signals a decisive shift in his music.

Prompted by friends to write a drum & bass live set just as Black Eyes was reuniting, the results didn’t quite fit the d&b genre. But it felt right. Quick, nimble, with room for the ferocity of his favorite post punk and some of the spaciousness of dub. Evergreen vibes, really, but seen from a fresh perspective.

Honed over a period of two years, the five tracks on “Break” fuse Relaxer’s careening, technoid sounds with free jazz-tinted drum programming, snarling sound design and spacious echo trails. It’s a perfect fit for 29 Speedway’s future-facing, exploratory anti-genre approach to electronics. The tape features two remixes by the singular DJ Marcelle and mastering by Dubplates & Mastering. Daniel tells his side of the story below:

“Two years ago my friends who run the drum ‘n’ bass party Headznite asked me to write a live set for a Ukraine fundraiser they were putting on. Right at the same time, my punk band Black Eyes was having our first practices in 20 years, which meant I was re-training my body to scream at top volume and high registers and to lay into my guitar at full force. In those same months, Dripping was forming and ideas were flying for crazy, boundary-pushing lineups. I had just finished writing the meditative composition suite “In Softening Air” and was feeling the call; it was time to let it rip.

Everything poured into that live set for Headznite, and a new style was born. Relaxer had begun as a decisively techno project, but pushing the BPMs and working in drum breaks tweaked the formula enough to cut any lingering ties with that ethos.

Over the next two years I kept on it, writing more, recording, pushing the technique and exploring the sound. “Break” is the first time any of this work has been made public. Sometimes a detour can hack your brain. My first dance 12” as Ital was supposed to be a one-off side project to my punk band and it ended up taking over my life. Now punk music is calling asking for the debt to be repaid. Fuck it.”

Written & recorded by Daniel Martin-McCormick, 2022-2024.
Mixed by Daniel Martin-McCormick & Sol León, with assistance from Sphente Shepherd.
Mastered at Dubplates & Mastering.
Art & design by Brian Mark.
Thanks to Headznite for the prompt.

Jackals

Experimental duo 'games' present 4 new recordings that show off their full-spectrum production. A hauntingly exciting and beautiful escape from silence, Quarter Tone Sub is an exploration of bass, distortion and compression – reinterpreting composition and engineering.

Written/Produced by Jorge Camacho & Lawrence Goodwin
Mastered by Ike Zwanikken
Art by Jorge Camacho

stimul8

Taken from SBKT069: Nahash - Fleurs Mortes
Vinyl + Digital: 15th May 2025

Nahash returns to SVBKVLT with Fleurs Mortes, a striking sophomore album that stands apart from fleeting trends and extravagant sound design. This record is an unfiltered reflection of Nahash's musical education —one shaped by the raw energy of ‘90s rave, hip-hop and dancehall afterparties, and the deep crates of his parents' extensive jazz and Afrobeat collection, taking influence from the anarchic spirit of Spiral Tribe to Dillinja’s legendary remixes of Björk, infused with heavy doses of Wu-Tang, DJ Premier, John Coltrane, and Archie Shepp.

Building on the themes of 2020's 'Flowers of the Revolution', this album envisions a future liberated from dystopia and oppression—a hopeful dream expressed through endless dub delays, ethereal reverbs, rave-infused drum hits, and, unexpectedly, live trumpet.

This record was years in the making, finally taking shape during a whirlwind European tour with SVBKVLT labelmates—late-night conversations, cold drinks, and ice cream fueling its final form.

The flowers may have withered, but a new season is on the horizon—one filled with love, renewal, and the scent of grilled lamb chops.

Photography: Tina Blakeney
Design: Amber Jean
Mastering: Raphael Valensi

Fleurs Mortes

Preorder

Nahash - All the Flowers are Dead

Listen to "CHANG" by jjjacob taken from "FLORAS" out on May 21st via katharsis

Pre-order: https://katharsis-label.bandcamp.com/album/floras

FLORAS is the new album from katharsis founder jjjacob, releasing on May 21st to mark the five-year anniversary of the label’s first output. A celebration shaped by time, patience, and transformation, FLORAS is an assemblage of seven tracks - each with its history. The oldest dates back to 2018; the newest bloomed only months ago. Initially intended for other projects or collaborations that never fully took root, these compositions have been reworked, reimagined, and refined - transformed by years of quiet attention. Stylistically, the release moves between the physical and the introspective - crushed drumbreaks, poignant basslines, grand synth melodies, and obscure granular vocals.

Each track is like an ancient, fluorescent flower rediscovered in a distant cave, alien in form yet deeply familiar. Cyclical in structure, they mirror the seasonal processes: emerging, flourishing, decaying, returning. There’s a strange botanical logic at play, as patterns and shapes reappear like genetic echoes, and even discarded stems sprout new life. Melodic ideas and textural procedures reverberate across tracks like shared ancestral material, connecting them like a hidden underground network. Some tracks still bear traces of feedback or collaboration that never fully materialized - ghost limbs and branches that helped shape the whole.

Built from ambient textures, hard-hitting percussion, and sonic details that reward deep listening, FLORAS is a meditation on growth, time, and potential. The release reflects not only a shift in jjjacob’s personal process, but also a new chapter for katharsis itself: after five years of near-monthly releases, the label now turns toward a slower rhythm - giving each release more space to breathe, settle, and take root before moving on. 


Links:
jjjacob
https://soundcloud.com/jjjacob
https://jjjacob.bandcamp.com
https://www.instagram.com/jjjacobdk
katharsis
https://soundcloud.com/katharsislabel
https://katharsis-label.bandcamp.com
https://www.instagram.com/katharsislabel

artworks & mastering by jjjacob

pre-order / bandcamp

jjjacob - CHANG (katharsis)

Fourth and final premiere "Ciphercut“ by @genus-aix is out now. In "Ciphercut", Genus Aix reveals a new facet of his sound, leaning into a bass-heavy, raw, and darker sound aesthetic. The track adds a post-dubstep-tinged edge to the compilation, evoking the feel of a slow-motion moshpit.
—
Artwork: Alexander Turovsky (www.instagram.com/alexanderturovsky)
Mastering: Christoff Riedel (www.instagram.com/christoff.riedel)
Catalogue Number: cime010
Release Date: June 16th, 2025

Genus Aix - Ciphercut

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listen on spotify:
open.spotify.com/artist/5pUhNfROqnPIMIb1nVqBsU

echoing

@107_18
@huzlr

booking inquiries: xenmodelmusic@gmail.com

Core

‎Xen Model