Teuf 3

Hard-Fast-or-Nasty series

- short tracks of ruff dance music

- uploaded from 09/2020 to 02/2021, the majority in the 12/2020 - 02/2021 interval, except for these older ones:
. . - Tati au Miel "The State, The Industry, ... Lover" (#19): 10 months,
. . - SMOK (10. Oasis Agonico)(#20): 10 months,
. . - RIZARDI "Crazy (Az Punk) #GFP"(#6): 9 months,
. . - PERLAS "Dh - Wtj - Ack"(#18): 9 months,
. . - Fire-Toolz "Antihero"(#8): 8 months,
. . - Wizatec "Meaner then my Demons"(#16): 7 months.

- Thunder(Thyeo) "I NEED SUM..."(was #3): - REMOVED by owner (don't know when, I noticed it on March 19, 2021); SMOK was added today, 2021/03/19, to fill the whole left by the removal.

The other series (short tracks) so far are:
- "Calm and Steady" (lower energy levels)
- "MiddleLane", and "Superdance" (the middle, or ambivalence)
- "Funky-Dub-Trap" (self explanatory)
- "Fantaisies" (for professional dancers only)
- "Minimal"
- "Dark"
- "BreakB-Jungle-DnB"

There is little overlap between them, mostly between: *
. . A) MiddleLane, Superdance
and
. . B) all other series
* Increasingly there is some overlap between "Calm & Steady" and "Funky-Dub-Trap"... and now more so with "Minimal" and "Dark". I'm trying to keep it to a minimum.

HK_Hard-Fast-or-Nasty_tracks_41

Dark tracks series (short tracks)

Dance music with lots of reverb, echo, and aggressive atmospherics, to summon demons and other mean creatures (see Dungeon and Dragons, or horror films).

All of these tracks were uploaded between 11/2020(earliest) and 02/2021, more than half in 2021, except for the following older ones:
. . - WILSONDUB "Lanez"(#18): 2 Y,
. . - Astrea "Raged"(#20): 12 - 23 mo,
. . - Sapiens Minds "The Wall"(#6): 11 mo.

Dark yet plenty flavorful.

HK_Dark_tracks_34

Watt Hellz records 999

Teuf

Meet her at the Love Parade

On The Beach

On The Beach (CRW Remix)

Bienvenue dans mon monde  ( version final )

T'es drogué

Rétrofuturist-tek

Petage de plomd

SUPPORT🌻 : https://dyssebel.bandcamp.com/

Youtube🎥 :  
https://www.youtube.com/watch?v=TPllNNKjScg

Support 🌻

TotenTanz

Free download ;)

Youtube🎥 : https://www.youtube.com/watch?v=LiVQIlc5OGY

SUPPORT🌻 : https://dyssebel.bandcamp.com/

SERUM SOUNDSYSTEM : www.facebook.com/SerumSoundsystem/

Incantation Chapter 2

vídeo : www.youtube.com/watch?v=tme_tUq7vG0&t=8s
my remix is the epic track of The Másters...

protect the nature!, because by destroying nature she it loses the power to protect us! think about it!

real love for us! cheers

The Wall (Assá Remix)[video in description]

Title: Crazy (Az Punk)
BPM: 235

HARDCORE BEAST pres.
CRAZY CRAZY CRAZY CRAZY PUNKCORE🐻⚔
bandcamp & Streaming Available!!!!!!!
69 JPY
https://noisejackleonberger.bandcamp.com/track/crazy-az-punk

Twitter:twitter.com/xxRizardixx
Instagram;www.instagram.com/rizardithehardcorebeast/

Bandcamp

Crazy (Az Punk) #GFP

Download for free: https://fire-toolz-other.bandcamp.com/album/antihero

This is a lazy black metal cover of an Appleseed Cast song, from their 1998/first album, The End Of The Ring Wars.

TEOTRW made a huge impact on me as a 15 year old. I remember discovering Deep Elm Records from a magazine ad I saw at Tower Records. I ordered the CD, along with Cross My Heart's self-titled EP, over the phone with my grandmother's credit card. It was always nice chatting with whoever was taking my orders because I didn't really know many people back then who were familiar with bands like this, back when 'emo' was an underground punk movement, and not a word thrown around to describe any song with a guitar. I'm sure the guy knew I was really young, but he treated me like I knew what I was talking about. And he never asked me if my grandmother was okay with me using her credit card. (She was.)

TEOTRW is a dirty, nasty, noisy, dissonant, saccharine, out of tune, off-key, absolutely perfect and beautiful soup of gut-wrenching, heart-wrenching, ear-wrenching emo/post-hardcore. It's a fantastic record that will never be topped. 'Marigold & Patchwork' and 'On Sidewalks' alone are songs that could've been a 7" that defined the genre. But for some reason, AC's early stuff isn't as popular as some of the legendary Mineral and American Football releases that came out around the same time. I really don't understand why. Maybe it's because AC never broke up.

Antihero isn't even my favorite song on the album (it's probably 'Stars' because it's really noisy and has a saxophone), nor is black metal my favorite kind of music. But I was working on a Fire-Toolz song, about the same tempo/key/feel of this cover, and I kept thinking of Antihero while I was working on it. Then that evening, as I was brushing my teeth, the idea for the song, and the artwork, immediately came together in my head. So I woke up the next morning and busted it out by 5pm. I could've done a little better, and been more creative with the transitions and extraneous BS like I usually do, but I didn't really have the time. LOL.

Enjoy, & please support Appleseed Cast. They are an incredible band, very humble and creative people, and have been creating beautiful emo-tinged post-rock for over 20 years. For some reason these dorks don't have an official site anymore, and their Bandcamp only has like half of their discography posted, so if you do the Spotify thing, dive in here: open.spotify.com/artist/0MkAzpDHUZpuDnWGUII4RN

Antihero (Appleseed Cast cover)

Bonne écoute :)

SUPPORT🌻 : https://dyssebel.bandcamp.com/

Youtube🎥 : https://www.youtube.com/watch?v=Ih2SSP7HBOQ

SERUM SOUNDSYSTEM : www.facebook.com/SerumSoundsystem/

SodomiNation

A1 .Mugen H8 "Power Of Fear" Fifth Era Remix   Watt Hellz Records 999 extrait (dispo à la vente)

B1 .Doom Hk "Valse Nocturne" Watt Hellz Records 999 extrait (dispo à la vente)

A2 .Fifth Era " I X myself from your world "  Watt Hellz Records 999 extrait (dispo à la vente)

Duodécima referencia. KTPEP012

Un manifiesto a lo crudo, lo básico, lo elemental.
La disección se resuelve dando vida a nuevos objetos en envases asépticos y estructurados.
Los cortes precisos abogan por una estética intrínseca e inconsciente.
La técnica queda relegada a un objeto ya muerto y descuartizado.
Un baño de pintura acentúa este atisbo de nueva creación.
Los paquetes se apilan en las estanterías a la espera de un nuevo creador.
Los desechos quedan perdidos, en el limbo.
La ausencia de miedo hace que el progreso sea posible.
La muerte está presente; La transformación la finta con elegancia.
La necesidad de cambio, esa sensación difícil de aceptar.
Dificultad engendrada por la concepción del miedo.
La evolución es inminente, necesaria, implacable.
La destrucción crea; La creación requiere destrucción.
LiveIsDead, el nacimiento de una nueva muerte.
Siempre paciente, a la espera de una nueva vida.



Todos los tracks se han obtenido de dos actuaciones en directo emitidas en diferentes proyectos. Este EP representa la muerte de estas actuaciones sacrificadas en pro de una nueva forma de expresión que nace de la experiencia física y mental pero también individual y colectiva. Su objetivo es aportar, integrar, evolucionar objetos creando otros preparados para un nuevo proceso.

AleMal.

------------------------------------------------------------------------------

Twelfth reference. KTPEP012

A manifesto to the raw, the basic, the elemental.
Dissection is resolved by giving life to new objects in aseptic and structured packaging.
The precise cuts advocate an intrinsic and unconscious aesthetic.
The technique is relegated to an object already dead and dismembered.
A bath of paint accentuates this hint of new creation.
The packages are stacked on the shelves waiting for a new maker.
The waste remains lost, in state of limbo.
The absence of fear makes progress possible.
Death is present; transformation feigns it with elegance.
Need for change, that hard-to-accept sensation.
Difficulty engendered by the conception of fear.
Evolution is imminent, necessary, ruthless.
Destruction creates; Creation requires destruction.
LiveIsDead, the birth of a new death.
Ever patient, waiting for a new life.


All tracks are taken from two live performances issued on different projects. This EP represents the death of these performances sacrificed for a new form of expression born from the physical and mental experience but also individual and collective. Its aim is to contribute, to integrate, to evolve objects creating others ready for a new process.

AleMal.

FreeDL

Alemal - Where Are My Friends

-6dB Master / 24bit WAV

Pre-Master version.

Mathematics - SNIPPET (unsigned)

B2 .Doom Hk "Necromaster" Watt Hellz Records 999 extrait (dispo à la vente)

Hardcore Passion

Hardcore Passion [Original Mix]

St.Valentine’s Day

150-170-200BPM
GET HUHHHHHHHHHHHHHHHHCORE

SampleSampleSampleSampleSampleSampleSample

B1 .Doom Hk "Valse Nocturne" Watt Hellz Records 999 extrait (dispo à la vente)

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