Through the tear_05

paperweights
on the store’s comicbooks –
spring breeze

The author of the week is Takai Kito, a disciple of Yosa Buson. Despite becoming a professional haikai master in 1771, Kito remained one of Buson's most trusted disciples until the death of the great master and was the de facto coordinator of Buson's haikai group.

haiku by Takai Kito: https://rehaanengineer.weebly.com/semi-mechanical-moons-to-accompany-an-edo-period-haiku-by-takai-kit333.html

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF comiC [naviarhaiku587]

An electronic composition created using Pure Data.

Ruffled Pages (naviarhaiku587)

This is my submission to this week's Disquiet Junto assignment.

More on the 692nd weekly Disquiet Junto project, Combust a Move — The Assignment: Make music using fire for the rhythm track — at https://disquiet.com/0692/

Combustion Dub [disquiet0692]

Felt Piano
Soundscapes
String samples

Created by DD in the morning of Friday  April 11th in Paris, Jazz ballad inspired on the lovely "First Song (for Ruth)  by Charlie Haden, following the instructions provided on this challenge:
https://llllllll.co/t/disquiet-junto-project-0693-melody-sorted/

Step 1: Choose a familiar song for which you have access to the sheet music.

Step 2: Select a segment of the song, perhaps one round of the chorus and the verse — perhaps more, or less, after you finish reading these instructions.

Step 3: Write down all the notes (and their lengths) in the main melodic line.

Step 4: Alphabetize the notes, and also sort them by length, in ascending order, so an Ab goes before an A, and a quarter note goes before a whole note, and so forth. (You might also adjust for where the note falls relative to middle C, starting low and proceeding up.)

Step 5: Record results when all those notes are played in the sequence that was derived during Step 4.

Second Song (disquiet0693)

First Reeds

I took an unpublished electronic composition and passed it through various filters, in conjunction with some adjustments to dynamics etc, to produce a thinner and drier sound. I added a touch of echo for a smoother finish.

More on the 695th weekly Disquiet Junto project, Disquiet Junto Project 0695: Clean After Each Use — The Assignment: Put a piece of music through the dryer — at https://disquiet.com/0695/

Dry Run (disquiet0695)

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Stones and Wood "
credit : ipad9

Support us : 
Buy randomized generated music compositions at:
trampelfad.bandcamp.com

date:26.04.2025
https://www.youtube.com/watch?v=JRB8F8Q_KOg

https://www.youtube.com/watch?v=iaC2r1QsjeE

For Henry Moore

Tenative Uprising

Disquiet Junto Project 0696: Chain of Layers

The Assignment: Make music change by altering its layers.

Step 1: Record 10 to 15 layers of continuous sound.

Step 2: Create a piece of music in which you only change the relative presence of those individual layers from Step 1 over time. Some light effects and panning are certainly fine, but the majority of the impact should be how the prominence of the individual layers changes.

More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696/

Chain of Layers (disquiet0696)

Push2Shove - Oh So 80s Mix

All here, in reality, are works in progress and are therefore apt to change at any time. All those except XIII Sisters and RAW which, as many of you may have done, I literally gave away in return for their placement in a library. Something I won't be doing again any time soon. If you have a use for something you hear here please just ask.

 .ooO -------------------------------------- Ooo.

ChatGTP said of AI Music...
'Creative AI tools can be seen as sophisticated plagiarism software, as they do not produce genuinely original content but rather emulate and modify existing works by artists subtly enough to circumvent copyright laws'

Sometimes it takes a dispassionate, independent view to actually see the truth of it ...

 .ooO -------------------------------------- Ooo.

There are links to XiiixxiQ below. Your mileage may vary as to whether it decides to work on your system or not. It only runs on a Mac because I really don't have time to do all the necessary work to make it compatible with anything other than my 2015 MacBook Pro :-(. It is still being developed (for my own use) and improved, and I may yet get round to doing another release if I can find the time to tidy it all up.

Push2Shove - Oh So 80s Mix

x i i i x x i

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