great "tribal" mood in the intro, love that part before the drums. Great track

digging the vocals, indeed works out very well.

Great! These alements all together really give a great groove.

Vocal Samples courtesy of:

Tourdille [https://www.looperman.com/acapellas?page=1&mid=Tourdille&dir=d]
Fragile [ also at Looperman but the link seems to be dead now ]

More on this 579th weekly Disquiet Junto project, Memory Serves (The Assignment: Rerecord a piece of music), at: https://disquiet.com/0579/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0579-memory-serves/

Memory Serves

The Euclidean Chromaticon | Memory Serves - disquiet0579

Disquiet Junto Project 0579: Memory Serves
The Assignment: Rerecord a piece of music.

Step 1: The goal of this project is to simply perform and record again something you’ve performed and recorded previously. Think about something you’d like to revisit.

Step 2: Now rerecord the piece of music you decided upon in Step 1.

Track notes:

Something a bit different this week and certainly something I couldn't perform in SuperCollider! 

For as long as I've been seriously making music (25-ish years) I've written songs as part of that continuum. Sometimes the songwriting has become my primary activity and other times it's been consigned to the background. My 30s during the 2010's were pretty interesting in that regard. I'd started off not writing lyrics (let along performing) for quite sometime and then mid-decade songwriting and performing became my primary creative activity. That's where and when this song, "Queen Tide" first materialised. 

It's a song that's been hanging around for about 7 to 8 years now and I've never been able to settle on a structure that feels quite right. Initially, it fell square into a strummed acoustic folk idiom and I'd often perform it under my Garden Ruin moniker with my friend Tom accompanying on guitar. I've included a video of a live performance from back in 2017 that gives an indication of what it sounds like and how I've attempted to record it in the past.

https://www.youtube.com/watch?v=cO0kNIsKyro

For whatever reason - and about 12 versions later - it just hasn't happened. As this year began, I realised I hadn't worked on songs in quite some time and thought it might be time to revisit some older material and see if it motivated me to work on some newer material. I was up super-early this morning and upon seeing the Junto prompt this morning my thoughts drifted towards revisiting "Queen Tide" and approaching it a bit differently.

Turning my thoughts to a song like "Queen Tide" could have also been the byproduct of the bizarre climactic interlude that has interrupted an otherwise straightforward summer here in Adelaide, South Australia. For the past couple of days, wind gusts have been huge, a cold southerly whipping from the Antarctic has dumped rain and the skies have looked volatile and foreboding. It's pure climate change stuff. "Queen Tide" is about climate change as well and is written from the perspective of wandering around my hometown of Normanville on the Fleurieu Peninsula in the aftermath of a climactic catastrophe.

One of the things I've always liked about the song is the use of an Em sus9 (or Em+2) chord in the main verse. My partner Lauren has often referred to this as the 'Twin Peaks' song, since the melody and structure does echo the TP theme a little bit. It's always sounded fine on guitar, but this morning I thought I'd change it up and find a way to replicate it on piano. I've been listening to a lot of John Cale's work lately as well, so I thought I'd drop the key by a few increments and sing it a bit lower.

So that's how it started and I spent a few hours on it with a few overdubs that turned into several. That was what became the 'kitchensink' version, completely with an 'iPad pedal steel' in the bridge and two simultaneous sets of algorithmically programmed drums. I've spared you of the 'kitchensink' version and presented a more sensibly austere version with a bit of additional keyboard accompaniment, restrained guitar and backing vocals.

[Disquiet_Junto_0579] Queen Tide (redux)

Sinny: real and programmed jam block, ratchet, coins, samplebrain
Stubb: typewriter sample
Zott820: cash register sample

Calculation (disquiet0579)

I had some fun with this one, a wrong take on Butterflies' life cycle. They are supposed to arrive to the prettier stage in the end but my track moves backwards, from a gentle and nice pastoral in the first section to a cheesy jazz ballad, then chaotic and quite ugly electro-acoustic free-jazz third section.
It's always the same "theme" with variations, that was my actual "exercise" here.
I used
Celesta
Vibraphone
Fretless bass
Drums
Piano
Synthesizers
Orchestral samples


DD, Friday 10 and Saturday 11 February 2023
Photo by Fleur

https://llllllll.co/t/disquiet-junto-project-0580-evo-evol-evolve

Butterfly Backwards(disquiet0580)

original track here
https://soundcloud.com/disquiet/helsinki-downspout
More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Raindrops Keep Falling On My Tin Foil Hat (disquiet0581)

Work on kick-starting a goal that you have had for a song. For this one, it was to introduce some percussion.

More on this 597th weekly Disquiet Junto project, Goal Line (The Assignment: Get started on a plan by getting over getting started), at: https://disquiet.com/0597/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0597-goal-line/

lending library [disquiet0597]

A multiple recording made with found instruments, a little reverb added.

More on this 598th weekly Disquiet Junto project, Mixmaster Mic (The Assignment: Record the same sound with multiple mics; mix the results), at: https://disquiet.com/0598/

The image to the “cover” of this project is from an 1880 U.S. patent.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0598-mixmaster-mic/

Polymic (disquiet0598)

All credits for the fantastic samples used in this piece of music go to @marcus_fischer

[disquiet0600] Spirit

Full album in free download here https://archive.org/details/refugees-from-beyond-no-sales-allowed/
More free music on Radio Free Albemut h o r s n o r m e https://radiofreealbemut.tumblr.com/
or on the netlabel archive https://archive.org/details/le-colibri-necrophile?sort=-date

Pressure Cooker by Invisible Illusion (Full album in free download in the description)

Release Link:➡️▶️  https://go.protonradio.com/r/rl9n50nW8Sldw
SoundCloud Artist Page: 

https://soundcloud.com/djsekho











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Only Deep...
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⚡ Follow us on YouTube ☞ www.youtube.com/channel/UC_6aUgRYZqkyyPW7nHho9EQ
🎩 Vk // ☞ vk.com/camelviprecords
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🎵 Istangram ☞ www.instagram.com/camelviprecords1/
🎧 Facebook ☞ www.facebook.com/CamelVipRecords/
🤖 Soundcloud 2 ☞ @user-432005380
☢️ Facebook Group ☞ www.facebook.com/groups/45636176303
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 🧌  Buddha Organic House  10 ☞ https://sptfy.com/QwSC
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👻   Buddha Organic House    15  ☞ https://sptfy.com/QwSK
*️⃣  Mandala 1  (Organic House & Ethno Deep)  ☞ https://sptfy.com/QwSO
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☣️  Mandala 4 (Organic House & Ethno Deep)  ☞ https://sptfy.com/QwT0
☢️  Mandala 5 (Organic House & Ethno Deep)  ☞ https://sptfy.com/QwT3
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🌀  Mandala 7 (Organic House & Ethno Deep)   ☞ https://sptfy.com/QwT8
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Traces of the Saz

𝐒𝐞𝐫𝐤𝐚𝐧 𝐆𝐨𝐤𝐦𝐞𝐧 - 𝐓𝐫𝐚𝐜𝐞𝐬 𝐎𝐟 𝐓𝐡𝐞 𝐒𝐚𝐳 (Camel VIP Records)

Radio Crik Crok lands in Rome with ReelWorld

Italy's Radio Crik Crok continues to grow with the launch of a new FM frequency in Rome and a fresh new jingle package from ReelWorld.

Radio listeners in Rome can now hear the station on 104 FM as well as online and on mobile.

The station have just taken delivery of their new on-air sound having signed up to ReelWorld’s One CHR updating jingle service.

Reacting to the station’s new sound, Emanuele Finestauri, the station’s owner, said: "Reelworld ONE really makes the difference to the sound of the station. It raises the quality and recognisability of our brand for the audience, it's fantastic!”

ReelWorld ONE comes in two formats, AC and CHR, and gives stations the opportunity to select a huge starter kit of jingles at the beginning and then receive new jingle themes every month. It’s even possible to build a bespoke package of jingles from the expanding library of hundreds of themes. The updating service also includes monthly updates of beat-mixed intros and produced IDs.

ReelWorld ONE is already used by major stations in France, Germany, Sweden, Portugal, Norway, Poland, Romania, and the UK as well as across the USA. European clients include Cadena 100 Spain, Rix FM Sweden, Ado FM France, and Radio 1 Norway.

Radio Crik Crok ReelWorld ONE CHR 2015

Herein lay the rambling musings of a English Musician based in York

The Euclidean Chromaticon | Memory Serves - disquiet0579

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