WhyWho6

Lisloughrey

Phone Home - I'll Be Right There

late to the lipid party ... it's cool to be late, right?

user364304579 - Lipid Funk [BLIPID FLIMK reMIX]

Amos’ Flat is a three part album by VASE in collaboration with Opal Tapes & INDEX:Records: an odyssey of sonic manoeuvres through ambient, bass and IDM. This trilogy reveals VASE dissecting compositions down to sparse rhythmic explorations, disruptive power shifts and nebulous bass bliss.

Amos’ Flat: Room 1 will be sculpted into the physical form of a 12” vinyl record, released by INDEX:Records, followed by Opal Tapes reeling out Room 1 & 2 on double Cassette Tape. 

Room 3 transcends into the digital, where VASE passes the brush to fellow artists, to rework into their own decorative pieces. Featured artists for Room 3 include Basic house, Fis, Katsunori Sawa, Shelley Parker and PYUR

releases October 26, 2019

VASE
Soundcloud: https://soundcloud.com/vasesound
Facebook: https://www.facebook.com/musicvase/
Index Records
Soundcloud: https://soundcloud.com/indexrecords
Facebook: https://www.facebook.com/indexrecordsindex/

Opal Tapes
Soundcloud: https://soundcloud.com/opal-tapes
Facebook: https://www.facebook.com/opaltapes

PREMIERE: VASE - Resolve (Index Records/Opal Tapes)

[ATPN005]
ENTRAVE_Slowdroids EP

1.Stalactic situations
2.Fragile funk
3.Orb funk 2a
4.Slowdroids
5.Utopia funk 2b

2020, new decade, new release.

« Slowdroids » is a collection of 5 tracks of melodic computer funk.
Entrave gives us some solid 808 and 101’s groovy combinations, well accompanied by melodic leads.
Let you dive into this sensual braindancey EP, which sends hope and joy for the winter, where jerky breaks meets the lights of some classy FM pads.
It’s for sure a great way to begin this new year and a good reminder that, more than ever :
WE ARE TOGETHER.

©+Ⓟ Antipattern.dpt 2020. All rights reserved. 
Written and produced by ENTRAVE, Paris. 
Mastering by TEMUDO, Portugal. 
Artwork by Pierre Louis Thirion. 
Graphic Design by Hugo Fauvez. 
Antipattern.dpt logotype by Martin Payot.

[ATPN005] ENTRAVE_Slowdroids EP (snippets)

54 Minute Mirage

A Rubicon Fantasy

Opening track from the upcoming Grøn album "Aldrig mere vinter"

Pre-oder the album here: http://infinitewaves.net/products/678178-grn-aldrig-mere-vinter

Digital pre-order here: https://groen.bandcamp.com/album/aldrig-mere-vinter

Grøn "Blegt forår"

Melancholic voyage through post-trap, emotional ambiance and field recordings with @ani.ani.dj from Soleil Rouge collective.⁠
⁠

STREAM RADIO FLOUKA

ANI DJ (Soleil Rouge)  | Radio Flouka 12/10/2020

isolation beats
bass station2, minilog, sh101 and some breakz

Poitiv2

UVL is proud to release two new side-long compositions from Max Eilbacher. Edition of 150 three color risograph print.

Digital Sketch For Strings
One morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.

Spectral Masking Room Construction
A work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.

- Max Elibacher, 2020

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