Tilos Rádió

❤️🌏❤️🌍❤️🌎❤️🪐❤️🦆❤️📀🥗📀🥗📀 ̵̨̛̱̥͕́̎́̐͝/̸̠̜̅̐͊̋̿̐̓\̸̧͔̰̳̦̣̪̈̏̓ ̴̡̛̅͐͛̀̽🥏/̶̱̼̣̤̰̲̣̈́̋͌̿̄̍̊\̴̲̣̝̀͜ͅ💥 ̸̝̮̟̹̀̆̋̿ ̴̤̻̀🥭(̵̙̺̳̩͐͗́͑͋̓̕͜ͅ(̵̺͖̤͌͂͑̐̕o̶̢̘͔̒̈̑̒͊🔵:̸͎̟̯̂̓̌:̶̢͙͙͕̠̩͆(̷̮͍͚̫͚͂̍)̵̳̗̊(🪐 - 2

Steve Reich Retrospective

1 Matt Baldwin - A Playlist for Psilocybin

Discover Weekly Archive 1 - 3

chillzone usa

Congotronics, Esantronics, Arabtronics and related

Albela - Utopia (Ideological Records)

Our Way To Fall (Yo La Tengo)

Electric Counterpoint: II Slow (Steve Reich)

Steve Reich - Music For Mallet Instruments Voices And Organ - 432 Hz Healing Frequency

steve reich - electric counterpoint, I: fast (unmixed)

Available now! 

Buy there album here:
https://culprate.bandcamp.com

1. Whispers (Part I) 
2. Florn 
3. The Memoirs Of Gregory Otterman 
4. Acid Rain 
5. In The End 
6. Void 
7. Without 
8. Within 
9. Yin 
10. Whispers (Part II) 
11.Relucent feat. ZES

Like Culprate: www.facebook.com/culprate
More Culprate: www.soundcloud.com/culprate
Follow Culprate: www.twitter.com/culprate
Coming soon: www.twitch.tv/culprate
Merch: www.store.culprate.com

Deliverance

Support!

Acid Rain

In 1976, the american classical composer Steve Reich develops a new musical writing. Based on rhythm and beat, the music of Steve Reich mark its transition to a modern language. 
Therefore, he becomes a precursor of electronic music.
By working this remix of the sequence VII, i wanted to pay tribute to his fundamental vision.


Music for 18 musicians, Section VII remix.(Original by S.Reich)

Silas Patlove, clarinet & bass clarinet
(photo credit: http://www.vivianmaier.com)

New York Counterpoint (Steve Reich, 1984)

So I've decided to try and tackle the immensely complex harmonies of Brian Wilson! One of my favourite Beach Boys tracks this one was originally planned for the ill fated SMiLE project but ended up being released first on the 20/20 album. 

Our Prayer (The Beach Boys Cover)

"Lucky Dollar City" is seven songs by Queens based duo, Trabajo. 

"Organechs" is a series of six short albums released on cassette. Each part of the series features music by a different band of artists and a visual piece by James Moore. Why are these albums collected together? I think it is cool.

Rococo Heart - Trabajo

A ethnic remix of a New Age classic from Ashra's 1976 track 

Ashra: Sunrain - Exile Ethno Mix

Side Liner (Remix Assassin) - A Hand To Hold (Deep Psy Trance)

Tamalpais High At About 3 Jam-(David Crosby Cover)

formsinspace : tenor sax
mrkeyboard2.0 : piano
luizfermont : bass
yodrums : drums
loudeangelis : bells, finger cymbals, chimes

videos : 
https://www.youtube.com/playlist?list=PLQ-CxbnzE3CibFoApwjJtFq3qvRhpQAY8

avant garde jazz : 
https://www.youtube.com/playlist?list=PLQ-CxbnzE3CiobknZY4ZBvpWjLQHgfenA

Alice Coltrane - Lord Help Me To Be video
https://www.youtube.com/watch?v=6Gta4zpExfs

Alice Coltrane - Lord Help Me To Be (cover) 
https://www.youtube.com/watch?v=zPS4SrM3bRk

Alice Coltrane - Something About John Coltrane video
https://www.youtube.com/watch?v=pNyjuheqF_o

Alice Coltrane - Something About John Coltrane (cover) 
https://www.youtube.com/watch?v=7S4KQ945E8E

Alice Coltrane - Stopover Bombay video
https://www.youtube.com/watch?v=Bc4oIj5W1zo

Alice Coltrane - Stopover Bombay (cover) 
https://www.youtube.com/watch?v=oUEyKtyoM38

Joe Henderson & Alice Coltrane - Earth (cover) 
https://www.youtube.com/watch?v=6kEcO7UgJW4

Joe Henderson & Alice Coltrane - Earth video
https://www.youtube.com/watch?v=EQIoYFfaPdU

Alice Coltrane - Journey In Satchidananda (alternate) video
https://www.youtube.com/watch?v=pllp7u6Blhg

Alice Coltrane - Journey in Satchidananda (alternate take) 
https://www.youtube.com/watch?v=lG5-BQ07Qmc

Alice Coltrane - Journey in Satchidananda (cover) 
https://www.youtube.com/watch?v=U9VC5efncWs

Alice Coltrane - Journey in Satchidananda video
https://www.youtube.com/watch?v=yDNKm1S-5fo

Alice Coltrane - Something About John Coltrane (cover)

NOTES FROM Michael Rother (For Australian Tour 2012) 

Recorded 1971 in Hamburg. Original release 1972 on the first NEU! album

Klaus Dinger and I recorded Hallogallo and the other tracks of the first NEU! album with Conny Plank, the legendary producer, in late 1971. We did not ask a record company to pay the studio rent because we wished to remain completely independent but we had little money and therefore we were forced to finish the recordings in only 4 nights. We didn´t rehearse at home or even discussed our ideas before we entered the studio. Klaus and I started out from scratch and each of us only had visions of the music that we wanted to produce. In the first step we recorded basic tracks together, with Klaus playing drums and myself on guitar or bass. We worked like action painters when in the next step we individually added overdubs. It was thrilling and also frightening because there was absolutely no certainty that we would end up with an album and, if so, would find a record company for it. I guess we were very fortunate. Recording overdubs for Hallogallo I suddenly had a wonderful feedback on my guitar with which I could play thoses long drifting notes that hover like clouds over our basic tracks. Conny Plank contributed a lot of creativity to the recording process, he picked up our intentions with great sensitivity and was a wizzard at the mixing desk. Hallogallo is one of my favourite tracks of all time. The minimalistic drone and the optimistic fast-forward movement of Hallogallo is still close to my heart. In my view it is one of the best examples of my collaboration with Klaus Dinger.




Neu! - Hallogallo

The label is turning five, and it's celebrating with a 2xLP compilation of unreleased work from artists who have graced the label over the period! 
Exclusives from Tolouse Low Trax, Geena, Iueke, Domenique Dumont, Inoue Shirabe, Raphael Top-Secret and more...

TOLOUSE LOW TRAX - RAUT

Live at the Crypt Jazz Club, London June 2017. 
Alina Bzhezhinska - harp, Tony Kofi - sax, Larry Bartley -bass, Joel Prime - drums.

Live at The Crypt

Alina Harp plays "Journey in Satchidananda" by Alice Coltrane

I recorded all 8 parts of Steve Reich's monster Cello Counterpoint at Real World Studios in October 2009 in glorious binaural surround. The official programme note is below:

A blog post about the recording process is here: 
http://blog.bowers-wilkins.com/music/discussing-sound-quality/peter-gregsons-real-world-recording-blog/

--
Cello Counterpoint (2003)  is scored for eight cellos and can be played by a soloist with the other parts pre-recorded or by a Cello Octet. It is in three movements, fast, slow fast.

The first and last movements are both based on a similar four chord cycle that moves ambiguously back and forth between c minor and Eb major. This harmonic cycle is treated extremely freely however, particularly in the third movement. As a matter of fact, what strikes me most about these movements is that they are generally the freest in structure of any I have ever written. The second, slow movement, is a canon in Eb minor involving, near the end of the movement, seven separate voices.  

Cello Counterpoint is one of the most difficult pieces I have ever written, calling for extremely tight, fast moving rhythmic relationships  not commonly found in the cello literature.

The piece is a little more than 11 minutes in duration and was co-commissioned by the Koussevitzky Foundation in the Library of Congress, the Royal Conservatory in The Hague and Leiden University, for cellist Maya Beiser.

© Steve Reich

Cello Counterpoint by Steve Reich

from Electronic Gamelan Music / Social Harmony 2017

"The sounds gathered on this cassette are excercises in live polyrhytmic structures and minimal melodic music. They are in no way trying to represent or to imitate traditional gamelan music from Java or Bali. You could look at it as a mere impressionistic view through obvious inspiration. 
No special (micro)tunings were used on these pieces (except on the track 'Gamla Krobo'). All parts were preprogrammed on a number of polyphonic sequencer tracks and afterwards played and modulated in a live manner during the recording process. By seperately modulating each tracks' timing and thus manipulating the overall rhythmic structure of the piece, an effect, closely resembling an ensemble of live performers was archieved. Thanks for listening" David E.

Electronic Gamelan Music

Karawitan (Electronic Gamelan Music)

Balungan (Electronic Gamelan Music)

Husbandry:
Carina Zachary – Vocals
Jordan Usatch – Guitars, Bass VI
Arnau Bosc – Bass, Vocals, Synth and Percussion
Andrew Gottlieb – Drums

Produced, Engineered, and Mixed by Jon Markson
Mastered by Brad Boatright at Audiosiege

Spylacopa Remix of Elder Spencer Deery by John LaMacchia

Trumpet on Misery is a Butterfly by Dave Levy
Recorded August 2017 at The Mix Palace in Hempstead, NY
and The Gallery in Brooklyn, NY

Art direction and Design by Arnau Bosc
Photography by Nathaniel Shannon

All Songs © 2017 Husbandry except Misery is a Butterfly, written by Blonde Redhead ©2004 4AD Ltd. All Rights Reserved

husbandry.nyc | aqualamb.org

Bad Weeds Never Die

HUSBANDRY - MISERY IS A BUTTERFLY (Blonde Redhead Cover)

Listen / Pre-Order - http://smarturl.it/Prefuse73-Sacrifices

The first single from the forthcoming 'Sacrifices' LP from @prefuse73
Digital released 15th May, Vinyl available June 15th

Artwork by John Herndon

Sacrifices 

Listen / Pre-Order

Prefuse 73 - Basinskitarian

https://soundcloud.com/ash-walker-music
https://soundcloud.com/yazzahmed

Exclusive to the compilation, Cosmic Vibrations that is out Now!

Download / Listen here:

CosmicVibrations.lnk.to/Album

Download / Listen

Ash Walker Feat. Yazz Ahmed 'They Have Lost Jesus' [Out Now]

Vacuum Boogie 
Truly 
Argonaute II



release date : 7/9/9

digital few weeks later.



Vacuum Boogie

PATRICK GRANT
FIELDS AMAZE  and other sTRANGE music
new recording + bonus tracks

1. KEEPING STILL                                                                         
percussion quintet

2. FIELDS AMAZE
homemade gamelan & microtonal keyboard

3. A VISIBLE TRACK OF TURBULENCE I  
flute, clarinet, & piano

4. EVERYTHING DISTINCT: EVERYTHING THE SAME
three keyboards in Gb just intonation & three percussion

5. A VISIBLE TRACK OF TURBULENCE II
flute, clarinet, & piano

6. IMAGINARY HORROR FILM - Part 1                                                   
electric chamber ensemble
     
     The Accident - Hospital - Nine Months Later
     Daily Living (Gnossienne) - Baiting the Trap - Going for a Drive

7. THE WEIGHTS OF NUMBERS a.k.a. Fractured Fictions
three electronic keyboards & drum kit

8. IMAGINARY HORROR FILM - Part 2                                                  
electric chamber ensemble
     
     Cemetery - Hitchhiker No. 3 - Unsuspecting Victim
     Under the Knife - Evening Prayer - New Day to Face - End Title

9. IF ONE SHOULD HAPPEN TO FALL
singer vs. thesaurus

Patrick Grant: piano, keyboards, electric guitars, gamelan, percussion 
John Ferrari: drums & percussion
Kathleen Supove & Marija Ilic: keyboards
Barbara Benary: additional gamelan
David Simons: Balinese percussion & theremin
Keith Bonner: flute
Thomas P. Oberle: clarinet
Darryl Gregory: trombone
Martha Mooke: viola
Maxine Neumann: cello
Mark Steven Brooks: electric bass
Alexandra Montano: vocalise
Lisa Karrer: lead vocal on If One Should Happen to Fall

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC - Garry Rindfuss: mixing engineer - Sheldon Steiger: album mastering - Patrick Grant: producer

Cover photo Cuming Co. Supercell, June 14, 2013 taken by Dave Rebot and used with permission. Flowchart graphic by Peppergreen Media. Album artwork, layout, and design by Eric Iverson. Peppergreen Media logo by Steve Ball. CD image collage inspired by Elément bleu XII, 1967 by Jean Dubuffet, photo credit: sTRANGE Music archive.

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

02 - Fields Amaze

FREEDOM SONG FOR TOMORROW

(ASCAP)

MOKSHABLACK@GMAIL.COM

RELEASED

'LANDLOPER'

New album from @littlepeoplemusic, out Jan. 11, 2019 via @FutureArchiveRecordings.

BUY/STREAM --> http://smarturl.it/landloper
_____________________________________________________________

'LANDLOPER' is Little People’s first release since 2015, where he returns with an album that is both beautiful and complex – much like the journey it took to release it.

In 2014, Laurent Clerc – aka Little People – decided to move to Portland, OR to allow himself to concentrate on writing new music. Laurent spent a fruitful year in Oregon, drawing inspiration from the wild beauty of the Pacific North West. Shortly after his move, a new EP and a successful 6-week North American tour opening for Odesza followed. It’s around this time that the first sketches of 'LANDLOPER' started to take shape.

For Laurent making music is all about the process – each sound used on his latest album were created with a technical idea in mind. Either with a modular synthesizer or using digital means, Laurent draws inspiration from the set of tools at his disposal. Electronic music is a giant playground to explore and tinker with. The new album has a warmth and lofi aesthetic that is at odds with Laurent’s meticulous nature – but everything has been crafted to be deliberately just so. Constantly looking to add imperfections to beautiful sounds – rendering them more abrasive and alive. There are contrasts between the lush string quartet arrangements and off kilter angular beats, with subtle details in each track which co-exist alongside broader melodic themes. The music on 'LANDLOPER' travels through a number of sonic palettes, borrowing elements from different sub-genres to eventually form a cohesive whole.

Laurent worked with a number of collaborators this time round – expanding beyond just instrumental works. Whilst in Portland he worked with Reva Devito (HW&W Recordings) whose vocals were chopped and re-purposed – providing a vocal thread throughout the whole album. Laurent also collaborated with Rahel Debebe-Dessalegne (Hejira, Matthew Herbert, Floating Points) making up three key songs on the album. The lead single track Skies Turn Blue which features Tif Lamson (GIVERS) was an effortless collaboration between 2 very different artists.

Track Listing:

01. PDX
02. Skies Turn Blue (feat. Tif Lamson)
03. How To Navigate
04. Embrace (feat. Rahel)
05. Tonight
06. Don’t Give Up (feat. Rahel)
07. Lozenge Less
08. All The Wonders (feat. Rahel)
09. Rouge
10. Slow Shimmer
11. Maybe It’s Wrong
12. Talk To Me
13. Sponk
_____________________________________________________________

More about Little People at http://futurearchiverecordings.com/little-people
_____________________________________________________________

Landloper

BUY/STREAM ALBUM

Little People - PDX

1:10 (or 1:29) (Mark enter), 3:03 (3:22) (Frankie brought out by guys), 3:22 (Frankie lights) 4:56 (Start to gather bride and groom together to bring to center stage, make the focal point, and then transition off "stage" so they can have their first dance!)

Success (DJ Cam, Thievery Corporation Remix)

Whities 021 - Bambounou
Release date - 22nd February 2019
Buy - https://whities.bandcamp.com/album/whities-021

A - Temple
B1 - Tour
B2 - Seize-Sept

Mastered and cut by Neel at Enisslab.
Photography by Oskar Proctor. 
Sleeve design by Kia Tasbihgou and Alex McCullough

021 - Bambounou: Temple / Tour / Seize-Sept

Vinyl / Download / Stream: https://lnk.to/1408

"14/08" is the first pre-single of JJ Whitefield’s solo debut album "Brother All Alone". On the new German Neo-Jazz label Kryptox / K7. Guitarist and producer JJ Whitefield is kind of a legend to many funk, hiphop and afro connoisseurs around the world. Before joining the Kryptox label he released albums on Ninja Tune, Stones Throw, Now Again and Daptone with his bands Karl Hector & The Malcouns, Poets of Rhythm, Whitefield and Rodinia. 
He also was the band leader and co-produced the two comeback albums of Ebo Taylor for Strut Records. The German multitalent has been living in San Francisco many years before coming back to Germany and now recording "Brother All Alone" - a Jazz Funk album with some of the best young heads from the new Berlin Hipster Jazz scene. The album could make some waves as Whitefield has prominent fans all over the world: From L.A. guys like Madlib, DJ Shadow, Dan Auerbach or Kemasi to UK Jazz heads around Gilles Peterson scene. Many of the albums of his former bands are cult. So this next step in his carrier could get some attention too!

JJ Whitefield - 14/08

See here for more info: https://wp.me/pwcbn-kVk

Pleats Plead EP

DJ Plead, 'Baharat' (2019). Courtesy Nervous Horizon, London.

Brian Eno - Deep Blue Day (Edit)

KH - Only Human

New Barker [@Voltek] 12” out Friday, June 28. Vinyl only, hand-stamped, peaktime optimised.
New Barker album, ‘Utility’, out late summer on double-vinyl, digital formats, CD and LTD edition.

BARKER001

Maximum Utility

Buy 12"

Barker | Maximum Utility

Get Centred
After an intrepid new phase in the label’s history - initiated by the “Solidarity Forever” series and followed by releases from Katerina, Mujaji The Rain, Gladkazuka and also Matias Aguayo’s “Support Alien Invasion” (w/ “Crammed Discs”) - Cómeme is happy to announce a new release by a wonderful and unique artist, who chooses to walk adventurous paths beyond nowadays musical normativity, and media spectacle: JOE. (You might already be acquainted with his releases on the ever-exciting “Hessle Audio” label)

On his first EP on Cómeme, JOE invites us to “Get Centred” via fresh sounds, perfect beats, and unusual time signatures – difficult to play, and easy to dance!

Get Centred

Juno

Joe - Get Centred

Shadowax’s debut EP on трип nikolai reptile is a fun-filled package of effervescent techno and mutant bass jams.

02 Ochen

Hold Your Horse Is

Biblical Violence

Caribou / Irene

O.B.F - AKOUPHENE

Four Tet ‎– Parallel
©Text Records
December 25, 2020⠀

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
  ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
Uploaded in low quality. For listening purposes only*
~If either label, artist or third party copyright holder does not agree with their material being uploaded, please message me directly for any copyright issues and the recording will be removed immediately~

Email: manndarin@protonmail.com

Parallel

Four Tet - Parallel 9

Hi,i share music in High Quality and with Spiritual Frequencies,thanks for anybody that supports me with a donation.

Steve Reich - Music For Mallet Instruments Voices And Organ - 432 Hz Healing Frequency

Xouman