xquisite releases is proud to present the new album by Eazyhead

a mutant descent into blissful psychic torment, guided only by the spectre of a band, communicating via telepathy from limbo/Manila

Recorded by Eazyhead in 3 days August 2022 at Mush Room Jam
3 tracks recorded in the next 3 months with Diane Z. Pam
Extra guitars on "Cancelcultured" by Arang Kadabada
Album Artwork AI Generated by EAZYHEAD™
Produced/Engineered/Mastered by Tristan Ortega
Follow EAZYHEAD: https://linktr.ee/eazyhead

Eazyhead - I Really Know

Eazyhead - No New Manila

Eazyhead - 3D

Eazyhead - Suffocation

Eazyhead - Cancelcultured

Eazyhead - Live Thru Diss

For seven months Russia has been waging a disgusting war in Ukraine. Constantly, we learn new horrific truths about what the occupiers have done on the land, that they proclaim is theirs. We believe Ukraine will be free again and rightful judgement will be brought upon those, who hide their violent, genocidal intentions behind the mask of lies.

With our first compilation - ‘Soteria’ - we want to aid the fight for freedom, that is still ongoing. We at Xpone stand strongly in support of the Ukranian people and against the Russian terrorist regime. We don’t acknowledge the new territories annexed by the occupier, nor the old, and condemn the blatantly fake "referendums" that took place from 23-27 September 2022 on the territories of self-proclaimed “DNR”, “LNR”, and the occupied Zaporizhzhia and Kherson regions.

All proceeds from this release will go to Livyj Bereh — a volunteer organisation, which helps to rebuild the homes of those affected by the Russian invasion, as well as provides constant aid for the Ukranian military.

We thank everybody, who participated and all those, who are willing to support the cause.

Design by lovvlifer
Mastering by qwqwqwqwa

XCOMP01

Mori Mori - Ashes

View from a glide after red snake smoke

Sam Wolk "Trop-plein" excerpt from new cdr on Salon available at http://saloncdr.blogspot.com/

New stereo improvisations by Sam Wolk. Max/MSP, Acoustic objects and feedback, SP-404, Saxophone (Max Lesser), Voice (Charmaine Lee)

The trio of improvisations which follow are variations on a single idea.  Running a Max/MSP patch and interacting with it is a method of transducing energy from one form to another.  Electrical energy drawn from the grid is ultimately transformed into acoustic energy emerging from speakers along with the accompanying, over-flowing waste energy [entropic release].  The ephemeral, unstructured heat released in the process of generating structured acoustic energy [the composition] takes multiple forms: the discarded acoustic energy of computer keys pressed while manipulating the patch, the kinetic energy of hard drives whirring as data is read from disk into the patch, the thermal energy of CPUs radiating out and the acoustic energy of fans loudly attempting to reroute those heat flows.  In this trio of variations the central theme is feedback.  These ephemeral energy fluxes associated with keys, fans, disks, and CPUs are subjected to recycling [feedback] as the energy they produce is transduced by a contact microphone and the computer's internal microphone back into electrical audio flows which serve as the input to the Max patch itself.  As such, manipulating the audio at the human-computer interface generates the very energy flows which are transduced into the audio to be manipulated in the first place... The computer processes its own unstructured flows of waste energy back into structured audio [the output of the patch].  The machine is not treated as an abstract, universal computational device whose digital nature renders its physical existence irrelevant.  Instead, as it harvests its own unstructured heat and processes it into structured audio, its physical identity is embraced for what it is: a concrete, individual, material machine imbricated in a larger system of energy flows. 

Recorded at the Harvard University Studio for Electro-acoustic Composition, 2016. 

Special thanks to Jeff Witscher. 

Play loud.

Sam Wolk "Trop-plein"

Premiere performance of "clouds" by the Birch Creek Festival Orchestra (Door County, Wisconsin), Brian Groner, conductor in 1996.

Eazyhead - Live Thru Diss

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