-το sample είναι από την ταινία "Ο Βασιλιάς" του Νίκου Γραμματικού

13Α33

Whiplash, is a German born and raised, Greek DJ and resident of OSM Tapes collective in Thessaloniki for the past few years.  Heavily influenced by the early 80’s EBM and Acid House movement, Whiplash’s sets are known for their genre bending. Whether it’s fusing Industrial leaning textures with Detroit flavoured tracks, punchy EBM with more straightforward Techno or melancholic Trip-hop with Dark Wave and Post Punk elements.

Athens-based electronic music project XVIV operates in the liminal space where sound fractures the monotony of everyday life, inviting you into a cosmic playground where the mundane gives way to the transcendent. In a world where time feels increasingly compressed and the future seems perpetually out of reach, XVIV’s music carves out a temporary escape—a space where the weight of the present dissolves, and the possibility of something other flickers into existence. Repetition acts as a conduit for hypnosis, cyclical rhythms and raw textures blurring the boundaries of time, merging the stark reality of now with a dreamlike state of hyper-focused immersion. It’s as if the music taps into a forgotten pulse, a rhythm that feels both ancient and eerily futuristic, pulling you into a trance where the past and future momentarily collide.
In this immersive journey, the traditional roles of artist and listener dissolve. The sounds invite you to actively engage, creating a collaborative field where the boundaries between creator and audience blur. This isn’t just music to consume; it’s an invitation to co-create, a shared act of resistance against the isolating forces of a world that demands constant productivity and passive consumption. Drawing inspiration from punk’s rawness, dub’s spatial decay, and techno’s primal drive, XVIV weaves drone’s meditative dissonance and experimental noise into a seamless, fluid architecture. Layers of bass and fragmented vocals coalesce into mantric patterns that resonate like a forgotten ritual—a pulse that dissolves the self into something vast and interconnected.
The music’s repetitive pulse invites listeners to immerse themselves in its current, transforming passive reception into a collective journey—a shared merging with its transient flow. This is music as a temporary autonomous zone: an ephemeral space where the narrative of routine dissolves, replaced by the immediacy of the amplified present. It’s a space where the noise of the everyday fades, and for a moment, you can feel the cracks in the system, the glimpses of what could be. No grand claims, no prescriptions. Only voltage. Not music to hear, but to fall into.