Chase the speed

This week, I delved into the Grain Delay filter of Ableton‘s Live 12. While the difference from last week again seems minimal, Grain Delay offers quite different possibilities compared to Filter Delay. I must admit that I haven't spent enough time exploring the full potential of the filter. In WAV52 | 45, I have only used the filter in seven out of ten track bars. However, most of my time is spent composing music. This weeks scale is C Super Locrian. And it seems that this scale is particularly used in jazz and fusion music for improvisation and composing.

WAV52 | 45

Tactonico o despertar 6.m4a

READ THE ARTICLE: https://www.paynomindtous.it/sutarti-joshua-sabin-subtext/
@subtext-recordings
@joshuasabin

Edinburgh-based composer and sound designer Joshua Sabin is an experimental artist which has been working since the mid-2010 with extensive sample and field recordings manipulation. He released his debut record, called Terminus Drift, for the now Berlin-based label Subtext Recordings in February 2017. 

Sutarti is the latest Joshua Sabin's work which will be officially made available tomorrow, July the 5th in vinyl and digital formats. While his debut album explored humans' relationship with the environment, space, and ubiquitous digital technologies, Sutarti draws influence from the psychoacoustic features and the compositional structures existing within early Lithuanian folk music. In this record, Sabin taps into the exterminated field recordings archive of the Lithuanian Academy of Music and Theatre Ethnomusicology massively editing, distorting, pitching, filtering, and manipulating them to better exploit the emotional impact of the human voice on the listener's conscious (and unconscious) self.

We are very happy to present you the third episode in the overall 40-minutes-long Sutarti record, split into six separate movements. Sutarti: III takes on with more than 6 minutes of archival voices radical recontextualizations, which, at the same time, manifest from Joshua Sabin's very personal, interesting and inspiring artistic research, and also try to directly reflect and recontextualize the universal, ancestral potency of the Voice as humans' primary means to express themselves.

Sutarti 

Joshua Sabin - 'Sutarti: III' [PAYNOMINDTOUS premiere / Subtext Recordings]

clocked pulse trains connected to resonant filters, and to NIM boxcar integrators, with added sine wave mixture
recorded in one direct track
c HK @ studio 1

Sound Of The Week August 5 2019

Forever is in multiplicity and mutation. Musician and visual artist Nicola Tirabasso (VISIO), together with Haunter founders Daniele Guerrini and Francesco Birsa Alessandri called for a collective effort in order to celebrate these elements of experience. In opposition to linear notions of time itself. An attempt to let perceptions of future and past bleed together, to establish every moment as an infinite process of consumption and re-generation. A compilation of 33 artists, each contributing in their own peculiar style, adding their own blends to the palette and exposing the lineage of their work. It is precisely to state that the perennial immanence of difference is what constitutes the basis for true unity, that the curators have grouped an utterly diverse cast of contributors, whose output strikes a vastity of moods and textures, and grows out of very distinct intentionalities and backgrounds. Making kin without borders, letting mutual support evolve into a chimeric infinity.

Curated by Nicola Tirabasso and Haunter Records
Mastered by Jo at Tapewave Mastering
Artwork by Katja Novitskova & Kareem Lotfy
Cat. No. HR024 – All rights reserved.
℗ & © Haunter Records 2019
www.haunterrecords.com

Pubblicato da:
Haunter Records
Data di uscita:
4 Ottobre 2019
Copyright P:
℗ Haunter Records 2019

Katatonic Silentio - Eerie

Our compilation for 2020. Buy it here: https://xyzproject.bandcamp.com/album/xyztape-various-artists-2020

05. Evil Medvěd - Zyprexa

Out now on 12" and digital: bit.ly/37sEcpc

Sludge machine music slapped through the infinite mixing desk by SRS - the combined mind of Sunun and Robin Stewart. At any point Data Fossil’s giddy industrial riddims could collapse under their own weight. There are Sunun inputs and there are Robin Stewart inputs - but everything is offered up to their machines gladly for an output of nu-human-beat. Voices drift through the mix in hushed Italian and Robin’s gruff roboticized drawl, floating dub chords left hanging for cavernous subs and rattled bones, distant harps and arps, a sudden blast of trills. ‘Spit Fossil’ itself is a clipped noise-pop wonder - the aural equivalent of a lights-on Avon dancefloor with only the weirdest left standing.

Hear More / Buy Now

SRS - Spit Fossil Dub

Known for his icy and atmospheric sounds, APEAK bursted onto the scene in 2018 with 'Creed' - a spectacular debut, followed by 'Desolate' EP, released on Signal Life.

Now part of the Noah Kin (Exploited Body) founded Changeless label, APEAK has released two projects 'Grey Skies' & 'Empyrean' both in 2020. 'Grey Skies' features vocals from Deadvoss and WTNS, and pulls inspiration from ambient, techno and pop music, all to create an interesting composition. APEAK has a sense for melodies sung by disembodied, synthesised voices meshed with cavernous drums and heady soundscapes that come together to form a distinct and singular palette. 'Empyrean’ is an exploration of celestial and terrestrial motions through stoic juxtaposing landscapes. Incorporeal voices glide through impenetrable metallic forestation, where only the dancer is present in a dissident state of mind. A monochrome neon glow phosphorescing through the night air, calling for disarray.

Alongside Exploited Body, APEAK remixed Posh Isolation and Northern Electronics affiliate Varg2TM's "Placing My Iphone X Facing up to See When U Answer My Texts” from his album 'Crush' in 2019.

@apeak @changelessrecords

SYNAĒ 11 - APEAK

☼ EB25 - digital and Limited Edition tape
☼ @zhe-pechorin

After a long wait, Etang Brulant is absolutely stunned and delighted to bring you serbian musician Zhe Pechorin and her new solo release, « Boundary Lessons ». After several appearances on Various Artists these past months (Amek, Minor Adjustments...), a 20 minutes live jam released on Ōtium and a cassette on Holy Geometry two years ago, « Boundary Lessons » seems to crystallize the mental universe and her thoughts network in a touching and highly personal way.

Using deep pads and pristine synths drowned in an ethereal reverberation without ever slipping into a cacophony of lost or forgotten frequencies, the melodic composition of Zhe Pechorin demonstrates a calm and peaceful state of mind, yet torn apart by an overwhelming melancholy, sometimes subtly pulled out of its torpor by noisy addings and the discrete trespassing of damaged leads. Through the listening of the whole album and the meaning of titles, one can feel a strong sense of loss ; almost a mourning process or a heavy nostalghia, adhesive to the skin and the mind and dangerously craving for recognition. Homesickness of an unknown time, of an unknown land, of an unknown past - or a real and more painful impression of regret, one can choose the shape of its interpretation. 

-------------------

Composed, produced and mixed by Zhe Pechorin
Mastered by Catartsis

"one day
we'll no longer
long for
home"

dedicated to my only one - to Nikolina

Boundary Lessons

Zhe Pechorin - Bounday Lessons (+ SOLD OUT > REPRESS IN APRIL)

Presented as a re-creation of two live sets performed in 2019, Patrick Gallagher deftly melds field recordings, a "fairly standard" synthesis toolkit, and prepared electric guitar into two peerless electro-acoustic compositions comprising his debut for the enmossed x psychic liberation (ENXPL) series.

As the album's title implies, "Set In the Bardo" embraces indeterminacy in all respects. An extreme range of timbral variety and complexity is employed, from pure sine waves to nearly-incomprehensible sonic blasts. With a formal education in mathematics, Gallagher's astute arrangements modulate between smooth glissendos and abrupt interruptions, reflecting the compositional process used: salvaging hitherto-abandoned recordings and live snippets from the artist's archive. Post-processing was eschewed on the album in order to preserve the improvisatory nature of a live performance, giving an organic quality to the album which is often lost in academic compositions.

While "Set In the Bardo" was created in pre-pandemic times, it also functions well at this particular juncture of history. We have been 'set in the bardo' ourselves, and Gallagher has made an engrossing set of pieces - encapsulating and unfolding sonic uncertainties as we venture through trying times. Well worth many listening sessions; high volume and high fidelity during playback are recommended.
credits
releases January 29, 2021

Patrick Gallagher is a sound artist and composer currently residing in Philadelphia, PA. Gallagher arose from the North Carolina avant-garde underground, perfecting compositional processes with numerous live performances; as well as cassette and vinyl releases on Tone Log, Hot Releases, Refulgent Sepulchre, and other independent labels.

Set In The Bardo

ENXPL05 -Patrick Gallagher - Set In The Bardo (Side A)

Prague based audiovisual collective and music label. 

Since 2014, founded by Oliver Torr and Marek Silpoch.

05. Evil Medvěd - Zyprexa

XYZ project