New Album - PHANTOMGRID
Linktree : https://tr.ee/otNIlLp_aU
Booking : audrey@wartiste.com / booking@joachimpastor.fr
Management : sylvain@kidding-aside.com

A key figure in the French melodic techno scene, Joachim Pastor began his career as part of the Hungry Music label alongside NTO and Worakls. He quickly earned recognition as a distinctive electronic music producer ; his sound is both orchestral and cinematic in its harmonies, sharp and precise in its melodies.
In 2020, he signed with the leading electronic label Armada Music and released his debut album Greater Message. He followed up the next year with multiple singles and remixes, including Season and its reinterpretations, and scored the documentary The Final Season, about world rally champion Sébastien Ogier. In 2023, he unveiled Adrenogate, a festival-ready four-track EP, followed by Blank Page, a more introspective piece.

In 2025, Joachim enters a new artistic chapter, diving into a digital quest shaped by artificial intelligence. His aim: to push its limits and fuse with it creatively ; not to replace emotion, but to enhance it. He unveils Phantomgrid in early 2025, followed by Take Away the Pain and Field of Snakes, which hint at a more ambitious project: a new album - PHANTOMGRID.

Joachim Pastor now reaches over 1 Million monthly listeners, performing on major stages worldwide including Dour, Tomorrowland, Paleo, Solidays, and Delta Festival

Jim Rolland allies Jimmy Sax is a saxophonist performer, he play around the world (St tropez, Miami, Monaco, Cannes,St Barth,Dubai etc..)
Specialized in LIVE MUSIC : Free Jazz on House, Deep, Funk and Electro music.
He's the official saxophonist resident of Nikki Beach. (St Tropez , St Barth & Cannes Film Festival ) and also Producer,Composer,Singer & Saxophonist of The Durden Theory 

Music tastemaker

Label: https://soundcloud.com/insiderec
Website : https://www.inside-records.com

Contacts
 
For Management Enquiries:
Aude Malhere
aude@nowadaysrecords.com

For Booking Enquiries : 
Vincent Cron
vincent@bleucitron.net

Bio 
Fakear's electronic collages are inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. 
Having established a fervent fanbase in his native France, Fakear has gifted his globally-tuned dance music to an even larger audience after dates supporting Bonobo and ODESZA across the US and Canada. He’s made waves in the UK as well, garnering deserved notice from a consistently attention-catching figure herself—M.I.A.— who tapped the young phenom to produce tracks on her latest record and asked him to perform at her Meltdown Festival in London. His last record "Talisman" sees him tap in his old influences, but with the experience and techniques of his 10ish years experience in music producing.

Electronic Music, it’s more a matter of feelings than a specific genre.

Follow our Record Label:
@DeeperBeatMusic

Contact us: deeperbeatrecords@outlook.com

Daily sharing new vibes of friend producers and upcoming artists.

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

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