https://distrokid.com/hyperfollow/andrewleto/side-trip
Written, produced and composed by Andrew Leto

Side Trip

“Aquarella Mode” is a track that blends melodic house with an elegant and engaging electronic sound. The track opens with ethereal pads and dreamy atmospheres, immediately creating a sense of suspension that captures the listener. The true protagonist is the voice of Nikol Apatini, the same recognizable one from “Rhythm Taking Over” by Dennis Sheperd & Freak E Beatz. Her warm and enveloping timbre gives the track emotional depth, alternating between moments of sonic introspection and controlled bursts of energy, creating a perfect balance between atmosphere and movement. Minimalist Re-born’s production once again demonstrates remarkable maturity, capable of highlighting the vocals without sacrificing the track’s electronic energy.”
(by Rosario Simeoli)

Aquarella Mode EP

Aquarella

Just a short 1 hour set to keep everyone going, nice slow climb up with an epic ending, hope you enjoy, will get round to some new sets this week, but having a bit of a busy moment

Electric Universe by DJ MickyTeK - Melodic House & Techno Sept 2025

A journey through the night... In the sky, the stars are tied together with invisible strings, reflecting the hidden bonds within the human soul. With every step, an unseen force pulls two strangers closer. They never speak, their eyes never meet, yet their hearts beat to the same melody. Two souls who have never known each other are drawn into the center of the universe by an invisible bond. A connection beyond time, beyond space—an energy that can neither be seen nor touched. And yet its power is strong enough to silence every storm. As the music rises, the bond carries them into a realm where only one truth remains: the strongest connection between people is not born of words, but from the vibration within silence. And in that moment, through the hypnotic waves of melodic techno, their hearts become entwined by the invisible threads of the universe.

Linear, Krupica - Invisible Bonds [Vanta Black]

no limit

Titel: Universe
Produzent: Thomas Marko

🔥 Thomas Marko – Electronic Music Producer 🎧

I would be happy about support!

Follow me on Spotify:
open.spotify.com/intl-de/artist/3…OqT_6xUk24hzTvBw

Follow me on Facebook:
www.facebook.com/profile.php?id=100042099557576

Follow me on Instagram:
www.instagram.com/thomas080383

Follow me on Tik Tok:
www.tiktok.com/@thomasmarko870

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www.youtube.com/channel/UCDna6JCVWzONlnw_iTflZaA


Universe

🎧 Melodic Deep Track Premiere

Thomas Schwartz, Fausto Fanizza, Serra 9 ft. Jova Radevska - I Can No Longer Hide

📅 Out Oct 24th, 2025
🏛 Label: Adesso Music
🎧 Buy: www.beatport.com/es/release/i-can-no-longer-hide-extended-mix/5393739

—
💥 Like the vibe?
Repost, leave a comment, and follow to support the artist & label!

📡 Discover more:
▶️ Subscribe to our YouTube premieres: bit.ly/2Vscwee
🎵 Follow our Spotify playlist: spoti.fi/3eKJDW4
—

🎛 Artist: Thomas Schwartz
▶︎SC: @thomasschwartz-2
►IG: www.instagram.com/thomasschwartz
►FB: www.facebook.com/ThomasSchwartz.music

🎛 Artist: Fausto Fanizza:
▶︎SC @faustofanizza
▶︎IG: www.instagram.com/faustofanizza
▶︎FB: www.facebook.com/faustofanizzamusic

🎛 Artist: Serra 9:
▶︎SC @user-280640286
▶︎IG: www.instagram.com/serra9music
▶︎FB: www.facebook.com/Serra9music

🎛 Artist: Jova Radevska:
▶︎SC @jova-radevska
▶︎IG: www.instagram.com/jovaradevska
▶︎FB: www.facebook.com/ova.radevska

🏛 Label: Adesso Music
►SC: @adessomusic
►FB: www.facebook.com/adessomusic
►IG: www.instagram.com/adessomusic
—

🌐 Stay connected with Melodic Deep:
▶︎ SC: @melodicdeep
▶︎ IG: instagram.com/melodicdeep
▶︎ YT: www.youtube.com/melodicdeepamsterdam
▶︎ FB: facebook.com/MelodicDeep
▶︎ SP: spoti.fi/3eKJDW4

📩 For promo/feature requests: promo@melodicdeep.com

Buy on Beatport

PREMIERE: Thomas Schwartz, Fausto Fanizza, Serra 9 ft. Jova Radevska - I Can No Longer Hide [Adesso Music]

“Gaia” is a deep, organic house journey — an instrumental piece filled with warmth, rhythm, and natural energy. Gentle tribal percussion, wooden textures, and flowing basslines blend with atmospheric pads to create a soundscape that feels earthy and alive. The track captures the essence of a sunset over the Earth — calm, powerful, and deeply connected to all living things.

Perfect for travel moments, meditation, sunset festivals, or simply drifting into the flow of sound.

✨ Genre: Deep Organic House
🌍 Mood: Earthy, Emotional, Atmospheric


Gaia

Aether (V 2.0)

Song and Lyrics by Wingshredder
https://soundcloud.com/wingshredderofficial/shades

Music remix by Progeny -1

Beyond the blues I am Still
Point your arrows at the sky
Don't let anyone
Break your stride as you fall
From wall to wall
I can't see your eyes
I can't reveal your lies
Are you from this world or mine
I'm travelling down
Down this path of light
I'm travelling down
Shadow become a shade
I am just another
Shimmering leaf
Drifting to the ground
I've fallen in love with you
And I don't know your name

Shades - Wingshredder *Progeny -1 Remix*

Music video : https://youtu.be/j0MPhq5wskg

Hypnotic techno for peak‑time—get lost in a fantasy rave through an amber gate.
Dark melodic techno + warehouse energy; a mythic trip in Ultra 3D.
Driving 125 BPM techno—enter the prism forest and don’t look back.

Stream / download / buy ➜
(●'◡'●)
https://music.apple.com/us/artist/grass-patch-bum/1596136340
(❁´◡`❁)
https://soundcloud.com/grasspatchbum
☆*: .｡. o(≧▽≦)o .｡.:*☆


The Story  ᓚᘏᗢ  ➜
I. The Basin That Breathes

The basin had no sky in the ordinary sense. It wore an amber crown that dimmed and brightened like a thought, and its dunes were made of glass-fine dust that held the footprints of yesterday’s wind. Beneath that crust lay pipework built by fungi older than regret—hyphae gears, mycelial bellows, and a long engine whose heart ticked in a ribcage of basalt. The basin did not shake when it woke; it inhaled, and the dunes dipped in a slow, respectful bow.

Aralune walked the rim, and if you must call Aralune a person, do it gently. Aralune’s skin was interleaved glass and moss—translucent planes crossed by dim rivers of biolum. The face was a moon cut from green stone; the hair, not hair at all, but braided hyphae threads that whispered the weather. Around the throat hung a single coin-moth—alive but patient—fastened with a loop of frost-wire like a quiet promise.

Aralune had come because the basin’s spores were speaking again. Every thousand breaths, the plain told a story in geometry—spore-script rising in the air, making corridors where there were none, doors where there had never been walls. And tonight was a rarer hour, one spoken of in fossil tongues and recorded as a rumor under the shell of a mirror tortoise: the Turning, when light itself could change its mind.

They were not alone. On the near slope, a phalanx of mirror tortoises began their climb. Their shells were domes of tempered reflection, plated like old armor and banded with narrow rings that contained the history of distances. From their mouths drifted tiny chimes: not sound, exactly, but pressure adjusting to the telling of a name.

At the crest, a cluster of eel-shaped entities surfaced from the dunes in spirals. They were not wet, yet they gleamed; their bodies were tubes of clear crystal, and in their hollow centers flowed silver smoke that made numbers by accident. They carried nothing and could carry anything, if asked the right way.

Farther in, towering above a meadow of cap-lamps, stood the Oracle of Spores—a cathedral mushroom with gills like bookshelves and a stem carved by wind into the shape of a patient bell. The Oracle did not move. Ridges of biolum rose and fell, spelling interviews with silence.

Aralune placed one hand on the dust and felt the engine’s intake. A long breath. The crown brightened; the rim shadows tightened. It had begun.

II. The Procession of Things That Never Learned to Be People

The basin thrummed; the eel-choir threaded themselves into braided cables, their glassy bodies weaving an aerial towline from ridge to ridge. The coin-moth on Aralune’s neck unfurled and lifted—a silver disc with a body no thicker than a sigh. In flight it wrote faint glyphs that fell apart the moment you understood them, the way dreams do when you open a door.

Continues on the website.


ಥ_ಥ
Merch Shop : https://grass-patch-bum-shop.fourthwall.com
o(*^＠^*)o
https://open.spotify.com/artist/3q0KcTUD3hmRdi1SUWd6VL
https://grasspatchbum.bandcamp.com/
https://grasspatchbum.com/
ㄟ(≧◇≦)ㄏ
Support the tunes:
https://paypal.me/grasspatchbum


#techno #trippyvisuals #technomusic #visualizer #undergroundtechno #musicvisualizer #4kvideo #4kvisuals #psychedelicvisuals #peaktimetechno #hypnotictechno #drivingtechno #melodictechno #aimusicvideo

When Light Decides to Turn - Trippy Music Video @ YouTube

Everything said has already been said! But…

Coronardefekt is an electronic music project from Halle (Saale), Germany, that has been developing the connection between sound, technology, and emotion since the early 1990s.

My journey began in 1992, when a fascination with electronic sound generation and synthesizers laid the foundation for everything that followed. Influenced by Depeche Mode, Front 242, Delerium, Front Line Assembly, Dead Can Dance, and many others, I began creating my own sonic worlds – dark, driving, and emotional.

My music moves freely between Electro, House, EBM, Hip-Hop, and experimental sound structures – everything that inspires, excites, and moves me. I produce with a variety of synthesizers and analog sound sources – including the Yamaha MOXF6, Microkorg-S, Deepmind 12, Arturia Microbrute, Yamaha DX7, and Behringer TD-3-BU – with Ableton Live as the creative hub.

Each track is created with a focus on atmosphere, texture, and emotion – an expression of my personal sound journey. So far, all releases have remained private, but the essence lies in the creative process itself: sound research, sound design, and the pure joy of electronic music.

I don’t see myself as a product, but as an ongoing experiment – a project that grows, transforms, and continually redefines itself.

“Music is not a destination, but an eternal journey – and the processing of emotions.”