# Love's  Unity - BOUKHA Paris

Ballade Sur La Vieille Europe Et L'amour De La Vie *  Chapter II

Reflections Progressive House Live Studio Session 017
This one’s for the true Progressive House Fans🕺
Feel the music. Feel the energy.
Pure old-school rave – raw, real, and unfiltered.
Sounds to unwind too, let your soul drift deep into an uplifting state of mind that Echoes from the underground.
Follow the #Reflections💫 
THE SOUNDS OF THE UNDERGROUND LIVE sessions #017 https://www.facebook.com/share/1FDFVW2Vbd/
House of Oldies Rare Records. 
HG1Studio Thailand. 
Share the Love 😘
If you Love it❤️ then bloody Share it ✔️😉 
Please make this Mix to hot to handle ✨
HG1Studio Thailand making Music Real 🎧
Many thanks to all the New & Old followers

Reflections Progressive House Live Studio Session 017

Aether

“Resistance” is a captivating clash of sounds — a bold fusion of genres. Its tension mirrors life’s own struggles — moments when chaos and harmony coexist, feels like fighting to stay grounded while everything around you shifts. The sound pulls you in through sheer curiosity, reflecting how the act of  resisting is both painful and powerful.






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Resistance

Future

"Odessa 2075" is a futuristic, dystopian pop story – a youth tale about life, loss, and awakening in the city of Odessa in the year 2075.

[Verse 1]
The harbor sleeps beneath the drones,
rusted ships with silver bones.
Children trade their names for bread,
but who remembers what was said?

A woman hums in static rain,
her voice repeats a long-lost pain.
Was she ever real, or just a sound?
Can silence ever be found?

[Chorus]
Odessa 2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

[Verse 2]
A boy builds wings from broken code,
his faith a glitch, his heart a node.
He flies above the temple’s ash, 
but where do fallen angels crash?

[Chorus]
Odessa  2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

[Bridge]
In the opera house of zeroes,
a child replays the end.
Was this the fall of Eden,
or just a way to mend?

And in the hush between two beats,
a question starts to rise,
if every sin was born from love,
then who decides what dies?

[Verse 3]
The satellites hum psalms of steel, 
I wonder if they feel what’s real. 
Can prayers be sent through fractured air, 
and who’s still listening there?

[Chorus]
Odessa 2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

[Outro – Bridge]
In the opera house of zeroes,
a child replays the end.
Was this the fall of Eden,
or just a way to mend?

And in the hush between two beats,
a question starts to rise,
if every sin was born from love,
then who decides what dies?

[Outro – Chorus]
Odessa  2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

Odessa 2075 [Extended Version]

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9 Damn Days - Handed Down By Faceless Judges (To The System)

Why? No Likes For Damn 9 Days, Rest Assured, I like You All

9 Damn Days - Verdict By An Anonymous Tribunal (To The System)

Why? No Likes For Damn 9 Days, Rest Assured, I like You All
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9 Damn Days - Handed Down By Faceless Judges (To The System)

Hey everyone! Happy Friday and happy listening 🙏😊
My new EP Sleep Train is out now — a journey through ambient and psychedelic soundscapes, inspired by the mysterious world of the 1993 game MYST, and exploring themes of sleep and the subconscious.
I hope you’ll enjoy the ride!
— AWITW

https://awitw.bandcamp.com/album/sleep-train

About "Sleep Train":
With my little sister, when we’re about to go to bed, we say: ‘all aboard the sleep train.’ My sleep train is often a recurring journey for me — a quest through landscapes both unknown and strangely familiar: a lost forest where a cursed village is inhabited by peasants struck by misfortune, a river where I canoe on poisoned waters, a mountain whose endless path eventually leads me to the gates of another world — the very moment I wake up. I drew inspiration from excerpts of the soundtrack of the 1993 game MYST to compose this EP, as its universe and my dreams are not so far apart.

At The Gates

Sometimes It´s Better To Keep Silent (Ddha Qabra Remix) - Alexander Volosnikov

Finnish Folk Riddim

Everything said has already been said! But…

Coronardefekt is an electronic music project from Halle (Saale), Germany, that has been developing the connection between sound, technology, and emotion since the early 1990s.

My journey began in 1992, when a fascination with electronic sound generation and synthesizers laid the foundation for everything that followed. Influenced by Depeche Mode, Front 242, Delerium, Front Line Assembly, Dead Can Dance, and many others, I began creating my own sonic worlds – dark, driving, and emotional.

My music moves freely between Electro, House, EBM, Hip-Hop, and experimental sound structures – everything that inspires, excites, and moves me. I produce with a variety of synthesizers and analog sound sources – including the Yamaha MOXF6, Microkorg-S, Deepmind 12, Arturia Microbrute, Yamaha DX7, and Behringer TD-3-BU – with Ableton Live as the creative hub.

Each track is created with a focus on atmosphere, texture, and emotion – an expression of my personal sound journey. So far, all releases have remained private, but the essence lies in the creative process itself: sound research, sound design, and the pure joy of electronic music.

I don’t see myself as a product, but as an ongoing experiment – a project that grows, transforms, and continually redefines itself.

“Music is not a destination, but an eternal journey – and the processing of emotions.”