https://www.facebook.com/rp.referencepoint/
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Long time collector, DJ, compilation compiler, radio presenter in the past, and sometimes record hustler! 
As well as mixes from myself on here, also included are edits done together with a friend back in 2009 through to 2013 under the La Homage moniker.... 

Editing and reworking of tracks for DJ use, and also just for our own pleasure of working on tracks that we have both enjoyed over the many years of collecting and spinning out and about. Most tracks featured are usually restructured for our own personal indulgence, some of them will also work in a DJ enviroment we hope!&#13;
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We started doing edits in early 2009 and have noticed in the meantime that other people have also covered some of the same tracks, but no matter, hopefully our versions can add something to the great edit library that gathers pace day by day.&#13;
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Our musical taste is wide and varied, and will be reflected in the tracks featured. &#13;
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"Re-Edits are for life, not just one evening"...&#13;
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Record label run by Nathan Jenkins (Bullion). Pop, not slop!

Illco, DJ, Recordcollector, wide musical interest, HipHop, Soul, Crossover Soul, Nothern Soul, Funk, Reggae, Disco, Psychedelic Rock, Folk, and so on.. Keep it Bronx! 

If you wish to book me, just drop me a message and my manager Jerry Heller will get in touch with you! 



https://www.junodownload.com/search/?facet%5Blabel_facet%5D%5B%5D=tony+johns+edits
https://tonyjohnsreworksedits.bandcamp.com/

Tony Johns is known for his impressive edits and remixes of various tracks, spanning genres like disco, funk, and house. Tony Johns’ remix process is quite fascinating and involves several key steps to transform original tracks into his unique edits. Here’s a general overview of how he approaches his remixes:Track Selection: Tony starts by choosing a track that resonates with him. He often looks for songs with strong melodies, vocals, or grooves that he can build upon.

Listening and Analysis: He listens to the track multiple times to understand its structure, key elements, and potential areas for enhancement. This helps him identify which parts to emphasize or modify.

Isolating Elements: Using digital audio workstations (DAWs) like Ableton Live or Logic Pro, Tony isolates specific elements of the track, such as vocals, basslines, or drum patterns. This allows him to manipulate these components individually.

Adding New Elements: He often adds new beats, synths, or instrumental layers to give the track a fresh feel. This could involve creating entirely new sections or enhancing existing ones.

Effects and Processing: Tony applies various effects like reverb, delay, and EQ to shape the sound. This step is crucial for blending the new elements with the original track seamlessly.

Arrangement: He rearranges the track to create a new structure that maintains the listener’s interest. This might involve extending certain sections, adding breakdowns, or creating build-ups.

Mixing and Mastering: Finally, Tony mixes all the elements together, balancing the levels and ensuring clarity. The mastering process polishes the track, making it sound cohesive and ready for release.

Tony’s remixes are known for their ability to breathe new life into classic tracks while maintaining the essence of the original. His attention to detail and creative approach make his edits stand out in the remix community.




DISCO DJ | A&R for SOL DISCOS | WINE LOVER | HAPPY FATHER

Booking thomas@jawfamily.com


Have a check on WAX POETICS mix & Article
https://www.waxpoetics.com/listen/jamaican-disco-and-boogie-by-waxist-selecta

Dance, No One's Watching - the new album from Mercury Prize winners Ezra Collective, is an ode to the sacred, yet joyous act of dancing. The album musically guides you through a night out in the city, from the opening of possibilities as a new evening spans out ahead, to dawn’s final hours as the night comes to a close. 

Written during a blistering 2023 which saw Ezra Collective tour the world, and become the first jazz act to win the Mercury Prize, Dance, No One's Watching is a documentation of the many dance floors they encountered. From London to Chicago, Lagos to Sydney, dance and rhythm connect us. These songs are a testament to that spirit.

Ezra Collective: Femi Koleoso - Drums, TJ Koleoso - Bass, Joe Armon-Jones - Keys, James Mollison - Saxophone, Ife Ogunjobi - Trumpet

In today’s electronic music world there are not many artists who can lay claim to a legacy like that of DJ T. Born in Dusseldorf, DJ T. (aka Thomas Koch,) re-located to Frankfurt with his family in the late 70s. During his formative years, he fell for the hypnotic grooves of disco, inspired by his parents’ record collec-tion. At the age of nine he was already completely enraptured by music and that love affair continues until this very day. He began an obsessive quest to collect music, feeding his soul with everything from Disco and Hi-Nrg, through to early Hip-Hop and Electro, Soul, Funk and R’n’B. The groovy, infectious rhythms of all those genres continue to permeate into the music he makes and plays today, providing an intrinsic part of his sound ethic. 
He took up breakdancing, before becoming a DJ, playing at private parties ini-tially before landing his first professional gigs in the late eighties. This period proved to be a pivotal moment in his life as Acid House swept through Europe, landing in Frankfurt and taking over with the launch of Sven Väth’s legendary Omen club in 1988. The first wave of House and Techno took hold and T. was there at the forefront, absorbing all the fresh new sounds from Chicago, Detroit and the UK. He picked up a residency at the infamous Music Hall and held resi-dencies at countless clubs across the city during the next 10 years from Plastik and Dorian Gray to The Box. By the end of the nineties, he was one of Frank-furt’s best-known selectors. 
In 1989 DJ T. tapped into another side of his creative energy to set up Groove Magazine. Identifying a gap in the market and fuelled by a need to satisfy his own desire for specialised music journalism, which focused on his interests – namely underground dance music. Under his leadership the magazine was launched into the public’s consciousness and he guided Groove to become one of Europe’s premier dance music publications, which it still is today. 
DJ T.’s progression continued at a pace, as he launched his own club, Monza, using the experience gained through a decade of club events and tours under the Groove Magazine banner. He also invested his skills and knowledge into con-ceiving Get Physical – a label, which remains one of the world’s best- known House and Techno platforms. Though he left in 2010, T. still occasionally A&Rs for the label, lending his uncanny ability to uncover new talent to the seminal label. 
Production-wise, he has been consistent ever since his debut release, the ‘Mon-sterbaze’ EP with Steve Bug, which was released on Poker Flat in 2000. Since then, T. has released several well-received EPs, a slew of remixes and three al-bums, ‘Boogie Playground’ in 2005, ‘The Inner Jukebox’ produced with Tho-mas Schumacher in 2009 and ‘Pleasure Principle’ in 2011. His special touch has also been employed by numerous labels to curate compilation mixes , including ‘United Under The Ball – 30 Years Of Disco’ in 2011 and ‘The House That Jack Built Vol 1 & 2’ in 2012. In 2013 he celebrated 25 years of DJing with a very personal mix compilation, followed also by ‘Body Language 15’ and col-laboration with Defected and Strictly Rhythm to celebrate the latter’s 25th anni-versary. DJ T.’s reputation for being a master selector has been cemented by these superlative collections of music, each of which has received widespread praise, often featuring many of T.’s own edits of classic tracks. 
Despite so many accolades, his passion for music remains staunch, recently making several key changes to his professional life that have inspired him to explore new terrains. With hot new releases on AUS Music, Moon Harbour, True Soul and Jackathon representing his continued to desire to push his crea-tive boundaries. 
A highly-skilled DJ and producer and an A&R with an uncanny ability to dis-cover a nurture new talent, DJ T. is a master selector and one of the industry’s most influential figures.

yammerz is following