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BASIS PODCAST 006: Tauceti

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BASIS PODCAST 006: Tauceti

[TYPEBEAT]

1. 사람에게 지구는 어려워
2. @l0stisland
3. Epaksa 이박사
4. PAUSE 止マレ! (Instrumental)
5. leeblogman97@gmail.com
6. 아, 제길 (feat. VENKO)
7. 비디오뮤직
8. FOMO (feat. VENKO)
9. 기대면 추락위험 (feat. 로아, 얼돼)

Produced by Layer One, 로아 @l0stisland, VENKO @kodongnam, 얼돼 @errdayjinju
Arranged by Layer One, 로아 @l0stisland, VENKO @kodongnam, 얼돼 @errdayjinju
Mixed by Layer One, 로아 @l0stisland, VENKO @kodongnam, 얼돼 @errdayjinju
Mastered by Layer One, 로아 @l0stisland, 얼돼 @errdayjinju
Art Direct by 로아 @l0stisland, @l8r_magazine, @bqua_
Post Production by 로아 @l0stisland

FOMO (feat. VENKO)

비디오뮤직

Epaksa 이박사

Mountain Refuge x Release Party 藥​在​山​裡 專輯發行派對 DJ Set - ZELIA

Closure - this time over 
 Do you know how i feel?

Free Download

closure

vibing way of the sun 
shooting rays into my room
lazy days like these
should I wake up
or just lay down?

Rhyme with me, enjoy some metaphysical exercise🎵

Lyon-based artist Tauceti has emerged as an intriguing talent in recent years. As a producer, Tauceti leans into the more obscure areas of lustrous techno and hazy ambient. On her four-tracker "47038", she fuses these aesthetics to produce a collection that bridges the dancefloor and introspective listening.

"Minya Konka" opens the EP with gnarly drums and a luminous synthline, oscillating between dense and airy soundscapes. "Minghun" melds droney textures with wintry pads, stirring up a macabre atmosphere. On a driving note, "Plum Blossom" uncoils with rolling kickdrums and aqueous stabs, forming a lithe and limber 4/4 number. The closing tune, "Queqiao", is a beatless slow burner set against a soupy backdrop, pierced with light-sabre-like FX. It summarises Tauceti's polished sound design, which bleeds throughout "47038", and showcases her explorations into dusky, cinematic techno and noise-led sounds.

47038

B1 TAUCETI / PLUM BLOSSOM

ZEL.ζ - 08/01/2024

Producer:  晟 ⏆ SHENG
Mixing, Mastering Studio: Spot Music Studio
Art Director : Chen-Huang Chian @ Aminus Ltd. 
Photographer : Chien-Wen Lin @ MW Studio 
Cover Design : Chen-Huang Chian @ Aminus Ltd.

Intro | 引

晟 ⏆ SHENG

參與過
臺灣 淡水古蹟博物館《波響 ─AudioVisual》音像表演
臺灣 觀音山蓄水池特展《霧地》w/ 知覺野人 / 似人非人＿HAOS
臺灣 藝術家進駐工研院計畫 Arts@ITRI《光景考現》
香港 線上平台 HKCR 線上演出 w/ Cheng Daoyuan
臺灣 Nespresso《Travel of Essence Time》
法國 CHRONIQUES 雙年展《Modernological Urbanscape》
德國 線上新媒體展 Salon Oblique《HEIYE 2020:⿊業貳零貳零》 
法國 白晝之夜 臺北場2020
臺灣 臺中歌劇院《夏夜光⾳祭:城市聲溫》
臺灣 臺南藝術節《八八》
日本橫濱現代舞藝術節 亞洲競賽單元
臺灣 adidas Originals《OZWEEGO Launch Event》
西班牙國際藝術節 MAZDANZA
國家兩廳院三十週年演出 《眾聲之所》
法國城市藝術節 白晝之夜 台北場 2018
北師美術館做夢計劃17 一個人的美術館 -寂靜敲⾨-
日舞影展 主競賽世界紀錄片單元 《塑料王國 》  
國立故宮博物院《藝域漫遊 -郎世寧新媒體藝術展》
香港聲音藝術組織CMHK SoundAnchor 22
空總C-LAB再基地《Sleep 79》 ...等演出創作。

本名顏晟文。作品跨足 實驗聲響/電影/劇場之間，風格遊走在探究真實(Acoustic) 與虛幻失真(Glitch)的聲⾳⾯向中。

現著重於聲音的取樣調變(Resampling, Modulation) 顆粒合成(Granular Synthesis)，融合擬音(Foley)，環境音和田野錄音(Ambience/Field Recording)加上測試音效和傳統樂器(Test Tone/Traditional Instrument)。企圖呈現出融合 東/⻄方 世界觀的電子音樂場景，藉以創造出屬於未來台灣/世界的電子聲響。

Yan Sheng-Wen (Sheng) was born in Taipei, Taiwan. He is a sound artist, music producer and sound designer. whose works crossover between experimental sound/film/theatre, and exploring the sound aspect of real acoustics and illusory glitch. 

Recently, his works and performances have been presented in many events, including Modernological Urbanscape - French art platform CHRONIQUES, HEIYE 2020 - Nuit Blanche, Berlin based platform Salon Oblique and Lacking Sound Festival, And It Come to Pass - Taipei Fine Art Museum, The Invincible Swiftness of The Golden Crow - Spain’s contemporary dance festival Masdanza, Nordic - Yokohama Dance Collection, Electric Indigo - National Theater & Concert Hall 30th anniversary event, The Serene Gallery - DREAMIN project MoNTUE, A Peacock Made of Light - Giuseppe Castiglione New Media Art Exhibition National Palace Museum and Audiovisual Praxis - Sonic Anchor #22 CMHK. He also released his first studio album 晟 ⏆ SHENG (self-titled album) in late 2019.

Sheng's current project combines a variety of elements and techniques, such as granular synthesis, Foley, ambient sound, field recording, test tones, and traditional instruments. In an attempt to create an electronic sound that belongs to future Taiwan.

Intro | 引

晟 ⏆ SHENG

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