Classical Focus

Nikos Ibarra Mante, pianist
Recorded on a Yamaha Arius
Recording date: 19 July 2013

Edvard Grieg - Lyric Pieces Book V, Op. 54, no. 4 "Notturno"

Henry Purcell (1659-1695)
King Arthur (London, 1691)
or The British Worthy, Z 628

Aria (Cold Genius) : “Great Love, I know Thee now ...” 
                                    
Balthasar-Neumann-Ensemble / Thomas Hengelbrock
Staged concert performance from November 2006
Forum Ludwigsburg, Ludwigsburg, Germany

Purcell : King Arthur (1691)(The British Worthy), Nr.24 (Cold Genius)   Great Love, I Know Thee Now

Enrique Granados - Allegro De Concierto, Op. 46

This is the Hutchins Consort, which uses instruments from the "New Violin Family". I performed the solo on a treble violin, which is tuned an octave higher than a typical violin.

Sospiri, Op.70 - Edward Elgar

John Cage: Early Piano Music

In a Landscape

Motherland

Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso)

Brahms - Symphony No. 3 In F Major, Op. 90 - III. Poco Allegretto

Songs from the Arc of Life

Après un rêve, Op. 7, No. 1

Field: Complete Nocturnes

Field: Nocturne No. 2 in C Minor, H. 25

Gordos (Banda Sonora Original)

Gordos

Interprètes : Xavier Fassion et Jeanne Barbieri 
Musique : Xavier Fassion

Super ordinaire ! | Le cou de la girafe

Performed by Paula Van Goes, saxophone, and Oleskii Ivanchenko, piano, live in Broby Hall at the University of Miami on February 22, 2017.

Live Recital Broby Hall 2.22.17, University of Miami

Schwanenlied by Fanny Mendelssohn

Si tu voyais son cœur (Bande originale du film)

Générique de fin

The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891.

Although quite an early work, the arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys, and achieves evocative scenes through music. His view of a musical arabesque was a line curved in accordance with nature, and with his music he mirrored the celebrations of shapes in nature made by the Art Nouveau artists of the time.

Arabesque No. 1. Andantino con moto

This arabesque is in the key of E major. The piece begins with parallelism of triads in first inversion, a composition technique very much used by Debussy and other Impressionists which traces back to the tradition of fauxbourdon. It leads into a larger section which begins with a left hand arpeggio in E major and a descending right hand E major pentatonic progression.

The second quieter B section is in A major, starting with a gesture (E-D-E-C♯), briefly passing through E major, returning to A major and ending with a bold pronouncement of the E-D-E-C♯ gesture, but transposed to the key of C major and played forte.

In the middle of the recapitulation of the A section, the music moves to a higher register and descends, followed by a large pentatonic scale ascending and descending, and resolving back to E major.

Source:

Wikipedia:
https://en.wikipedia.org/wiki/Deux_arabesques

Debussy Amazon
https://www.amazon.com/Claude-Debussy-Essential-Collection/dp/B00I6CEZQO/

Debussy Spotify
https://open.spotify.com/album/0Mmayh49XRWTXp53uf3jtF

Best of Debussy iTunes
https://music.apple.com/gb/album/claude-debussy-the-essential-collection/819582576

Debussy Compilation
https://listen.tidal.com/album/26275698

Claude Debussy
https://www.deezer.com/us/album/7429526

Best of Debussy Playlist
https://www.youtube.com/watch?v=eXtAfPp-70I&t=76s

Claude Debussy - The Essential Collection

Deux Arabesques, L.66: No.1 Andantino con moto

Apple Music

Descobrindo Tesouros: A Magia de Maria Josephina no Piano Infantil de Mignone

Valsinha

Solo Piano II

Rideaux Lunaires

Silence : Musique calme et apaisante

Minuet in A major, D. 334

Vivaldi: Concerto for 2 Cellos, Strings and Continuo in G Minor, RV 531: 3. Allegro

3. Allegro

Reverie

Sibelius: 13 Pieces for Piano, Op. 76: II. Etude

Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano)

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Classical Focus

Yann Dortindeguey