The first half of Quintet Suite No. 4, which includes Quintet No. 7 and 8. Expanding rail and native habitats makes ethical room for all the displaced refugees, and they can even help to build them. 3D-printed soilcrete and hemp construction. Upgrade rail, the gigapress, ethical habitation, and population dispersion via drone delivery. Rediscover the ways of the Native Americans and live in balance with nature and each other. Ethereal interface with nature's sublimity.
I experimented with A-B-A (or Sonata) form here yet have since concluded that through-composed is a better form. Sonata form is a relic of the puritanical past, and I am attempting to discard pedantic use of sets, but rather a more open approach.
This piece is highly influenced by my great respect for the native Americans, and their journey across the Bering Strait, belying an advanced understanding of ocean currents and geography acquired by Western nations only later. They cultivated new plants for sustenance and medicine demonstrating amazing survival prowess. Native Mythologists enriched the chronicles of awe at nature's sublimity and introduced the ethics of environmental coexistence.  As such, I attempted to pay tribute to their unheralded accomplishments by rhythmically referencing Native American folk tunes.

String Quintet No7

TGIF

Hollon

HOLLON

Player's Club

GLORIOUS

WHATCHU KNO ABOUT ME

PROCEDURE

MEGAN: ACT II

Motion

Houston’s own KenTheMan delivers her next single of the year, “Crazy Bout Me,” produced by Bigg Cuz, Will No Sleep and Avo No Sleep.

Crazy Bout Me

On this special day, coincidentally Anthony Linell’s birthday, we are glad to finally publish the recording of his set from the latest Rhythm Büro event in Kyiv, which took place in September 2024.

@anthonylinell

Anthony Linell - Rhythm Büro Podcast 022

PREMIERE - Martyn Hare - Imbalance (Fernanda Martins Remix)

Release: Emetic XLI
Catalog number: EMETIC041
Artist: Martyn Hare
Remixer: Fernanda Martins
Release Date: 12th May 2025

Emetic contunies to shatter boundaries with every beat and releases yet another auditory onslaught for the dancefloor. Hare weaves intricate and punchy drum patterns with brutal soundscapes that electrify the senses and redefine the genre, not once but three times. Finishing off the EP is hard techno pioneer Fernanda Martins’ explosive remix, a blistering reimagining of 'Imbalance' that amplifies the originals raw energy. Essential.

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Listen to more mixes, premieres and releases here - https://linktr.ee/jadedlondon

PREMIERE - Martyn Hare - Imbalance (Fernanda Martins Remix)[EMETIC041]

A native-born Texan, John Michael Pekowski, PhD (b. 1975) began composing music at age 11. Simple improvisations on the family upright piano were followed by electronic compositions in BASIC code on the TI-99 computer.

In Junior High (1988) he was elected President of the Science Club, served as Social Chairman of the band, was awarded the John Philip Sousa Award, and was a featured soloist on trumpet. In High School (1994) John was section leader, co-principal trumpet of LYSO, Jazz One soloist (TTU Band Camp), and TMEA All-State Concert Band participant.

He was a member of the Texas Tech University Jazz One, Symphonic Band (1994-2002), recorded with the fee-improvisation ensemble YATE, his dissertation greatly advanced our understanding of the hierarchical organization of pitch-interval cycles within a voice-leading context, and was in contention for the Graduate Achievement Award.

The world premiere of his composition Jest of Moonlit Point for Pierrot Quintet, took place in 2024 and was performed by the Texas New Music Ensemble conducted by Bill Tacket. In 2021 Forest of the Birdsong for soprano sax (David Dees) and piano (Nataliya Sukhina) was premiered at Crickets Theater / Buddy Holly Hall.

Dr. Pekowski continues to compose classical instrumental. Recent works include String Quartet Suites No. 1-9 (2019-2022), Jest of Moonlit Point for Pierrot Quintet (2024), Brookhollow Bayou for Solo Flute (2024), and Suite for Orchestra No1-No2 (2023-2025).