comfort in chaos

record label @expertsonly

Todd Edwards created an innovative blend of rhythmic, cut-and-paste vocal samples, rubbery baselines and slapping percussion that helped propel Britain's Sunday club scene into the genuine phenomenon of Speed Garage.

Management: Micky@CircleEightMGMT.com

Booking (UK/Europe): mike.robinson@arcade-talent.com

Affiliations - Instereo - Guesthouse - Fogbank - Instant Groove - Ammo - Disco Legends - Ultra - Pornostar 
Legendary for his role in the birth of the electronic music scene in the Baltimore / Washington DC area, Charles Feelgood has built a reputation as a DJ in the international dance community through his versatile remix skills and a a Dj style that incorporates many styles of House Music.

An Integral part of the Baltimore/DC scene, Charles if often credited with helping  put the scene on the house music map. In the early nineties he joined forces with fellow DJ Scott Henry to launch Fever, a club event that introduced the sounds of electronic music to his hometown. The first event of its kind in that region, the night exploded in popularity almost immediately, attracting upwards of 2,500  people. Featuring such top-notch, internationally renowned talent as Paul Van Dyk, Derrick Carter, and Carl Cox, the biweekly event ran for over 7 years.

Maintaining a seven-year residency at Fever helped springboard Feelgood's  danceable brand of house to widespread exposure across the East Coast. His popularity quickly bloomed thanks in part to his legendary mixed series, "Time to Get Ill." His first major label release came on Warner Brothers Imprint F111. He soon developed a club-heavy touring schedule that regularly took him to famed clubs all over the East and West Coasts, Canada, Europe, Asia and South America. In 1999 Charles Moved to LA and has since been ingrained in the SoCal EDM scene, playing Clubs and Festivals from SanFrancisco to SanDiego. "Being based in such a culturally diverse music scene was really a catalyst for me to experiment with my sets and really begin to mix it up a bit ".

Charles has been busy in the studio as usual, with several releases making it in the top 100 Chart on Beatport and top ten on several  digital music sites worldwide. In 2010 Charles saw several releases on Major and Independent labels such as Instereo and Burn The Fire - remixing everything from Lady Gaga to P Diddy, and a breakout track called "Hands" on Ultra that made the Beatport Top 100 chart several weeks running with an Alex Kenji remix. Look for the new Mix Cd on Dirty Fabric Chicago to hit the streets in 2011 with several of his own original tracks.

Constantly in demand all over the world for his ability to light up dance floors with his sets of funky or tech drenched house, Feelgood has received numerous accolades in his fifteen year career. These include being named Baltimore's Best DJ several years, and being included in Dj magazines top 100 Dj's several years running. Playing gigs from as far away as Russia for the Audi Car Company to working the crowd at 2007's Cochella Festival - Charles is the consummated dance floor rocker - summing up his musical mission in one sentence: "I just want to do what the name implies, to make people have a good time and go home with a great feeling.







Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Ycats2399 is following