Trippy groovy Techhouse, Ambient, Electro, Techno, Leftfield Electronics Vol.IV

In Search Of New Horizons

26.5 (Nu-)Disco  ; Funky electronics ; Electro - tronics

In Search Of New Horizons with Paddy Brennan  15.03.21

In Search Of New Horizons With Roya Brehl 08.03.21

In Search Of New Hoizons With Ben Platt  01.03.21

GoneWest - In Search Of New Horizons 22.03.21

Jesse Fahnestock - New Horizons Mix

In Search Of New Horizons With Brian Mason

@andrasfox recorded live on the uno rooftop, march 11 2017.

up for a limited time only. 

www.unodanceclub.com

www.unodanceclub.com

András Live @ UNO Rooftop Garden, March 2017

Tracklisting : http://programs.bayfm.org/the-shizzle/2019-01-30

A Space Age Freak Out 
Dj mix from UK dj / radio announcer John Paynter  

John is an avid record collector and a passionate music fan since the heady days of punk. He is also a member of the Psychic Graffiti team who host a long running night in Leeds a position which he still holds to this day.

John has a keen music sense and love of psychedelia, punk, funk, electro and dub helping him gain a well-deserved DJ reputation.  John now hosts his own monthly radio show, “A Space Age Freak Out,” on Kmah Radio UK where he showcases the very best and latest, psychedelic tinged electronic dance music.

https://soundcloud.com/yeadonred
https://www.facebook.com/aspaceagefreakout/

The Shizzle 30 Jan 2019 : John Paynter

We are happy to welcome Cologne's Space Commander @darioklein on board of our intergalactic sound platform. Enjoy the spaced out trip he prepared for you! :)

DARIO KLEIN: SPÆCIAL MIX 128

Tracklisting : http://programs.bayfm.org/the-shizzle/2019-02-06

Uj Pa Gaz is a DJ/Musician and electronic producer based in Tirana, Albania. His music touches on electronic, slow disco, acid, balearic all with his distinctive sound.

He has three EP's under his belt on the tici taci label plus a handful of singles and remixes on Dogs & Vultures, Nang, Sub:sonic with more in the pipeline.

As a dj he has a reputation for his music choices and this mix is a winner from start to finish 

https://soundcloud.com/ujpagaz
https://www.facebook.com/ujpagaz/
https://soundcloud.com/ticitaci

The Shizzle 6 February 2019 : Uj Pa Gaz

Space commander @svenallan of Swedish superstyler DJs Trailer Trash Disco has Something Spaecial for you....

SVEN ALLAN: SPÆCIAL MIX 129

Perhaps one of the most fundamental and integral elements to this musical scene within which we operate is the ability to be able to support friends and push creative expression forwards in a meanigful manner. Big or small, if you can play a tune, then we'd like to listen. 

Macca is a friend of the website and has been actively involved in electronic music for many years having run and promoted parties up north for a long time. As a disc jockey he is unassuming and kind hearted, keen to showcase the eclectic nature of his own collection whilst ensuring that a happy go lucky ideology can go a long way. 

This mix was recorded after hours in East London at the locally renowned Behind This Wall venue, a low key affair with a tasteful soundsystem and big soul. 

We invited him to showcase his worth below as he talks shop.

Read & Download

Macca: The 'Monday Is Okay' Mix

An all vinyl mix I threw together today. Hope you enjoy it.

N.F.O. / Delta Rain Dance - 118 [Delta Rain Dance]
Eho Kates - Observation Via [Kimochi Sound]
Ma Spaventi - Una Picolla Amaca [Sequencias]
Avalon Emerson - Wastelands And Oases [K7]
Nesa Azadikhah - No Morale [Verdant Recordings]
Jesse - Possibilities [Höga Nord Rekords]
Area - 	Effortlessness (Benjamin Brunn Gold Plated Diamonds Version) [Kimochi Sound]
Chris Moss Acid - AL Terrific [Art-Aud]
Persian - Questions (edit 1) [Existence Is Resistance]
The Jaffa Kid - E-Smith [Deeptrax]
JRMS - Solo [Gudu]
N-Gynn - DSL [Warm Fiction]
Astrometric - Cinematic [Vapour Trail]
Neinzer - Rassalin [Where To Now?]
SW - Bck To Ftr Hrdcr [Loveit]

Alex Steiner - Friday the 13th Vinyl Mix

Recorded by @clotur for The Memoir, 2020
All tracks written and produced by @clotur
Artwork by Gabriella Holmström
Curated by @hypnus

01. @clotur - Forbidden Dimension [@warok-music]
02. @clotur - Angular Motion [@thegodsplanet]
03. @clotur – Signals [@areyoualien]
04. @schultzmusic - Ator (@clotur Remix) [@warok-music]
05. @clotur -  Hyperspace Travel  [@warok-music]
06. @clotur - Paradigm Shift  [@warok-music]
07. @clotur – Unreleased  
08. @clotur - Turbulent Flow [@thegodsplanet]
09. @nferee - Rawness of Terrain (Clotur Remix) [@kornarion]
10. @clotur & @jclaurentmusic - The vault [@warok-music]
11. @clotur - Transpose the system [@warok-music]
12. @clotur – Unreleased
13. @clotur – Unreleased
14. @clotur – Old Memories (Unreleased)
15. @clotur - Harmonising the creation [@thegodsplanet]

Love and light

Support his label

Page 53: Clotur

@myles-mac is perhaps best known as co-founder and curator of trusted electronic music platform and mix series @melbourne-deepcast, but his list of credentials stretches much longer than that. A fixture of Melbourne’s underground for the past decade, Myles has cemented his reputation as a respected DJ and curator through both Melbourne Deepcast and his famed Lost Weekend club nights. His eclectic and diverse selections - both as an individual DJ and as one half of the 90s house duo Project 95 (@proj95) - have meanwhile earned him space on lineups across Australia and overseas. 

While Myles, like many of us, has found a sense of calm in downtempo and ambient music the last few months, in his Patterns of Perception 75 he switches gears. Here, Myles seamlessly fuses some of his favourite fast, spacey techno and energised broken rhythms with moments of pure, atmospheric euphoria. The resulting hour and a half feels like a triumphant return to the club: offering both a brief escape from our current moment and a much needed reminder of the energy that can only be created by a dance floor in full flow.

Links:
@myles-mac
https://www.facebook.com/mylesmac
https://www.residentadvisor.net/dj/mylesmac

@melbourne-deepcast
https://www.facebook.com/Melbourne.Deepcast
https://www.melbournedeepcast.net/

Patterns of Perception 75 - Myles Mac

Episode no 6 @radio80000! Time goes by so fast and today’s guest mix comes from @kondukukonduku , thanks again for being part of this serie. 🍂🌿🍃

Enjoy this fantastic mix!

Konduku & Marie Montexier/Pistache FM November

Video here > https://www.youtube.com/watch?v=G3FHEv4n5Rs :)

Jamie Tiller @ HÖR (Berlin) 15.10.2020

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

As usual in good tradition now here at Trushmix. Cato Canari is back  with another new years mix! Deep, tech, trance, emotional, techno and the harder sounds, surprising like we always get from the Tokyo based Norwegian underground man. Always on point!
A more subtle and darker leaning party oriented mix. Somehow a reflection of this past weird and off year. But there is light in the tunnel! We keep it rolling and we keep it positive!

Again as last years reminder for this year to come as well.
Hope it will be a way better year for everybody. And as always let's keep peace and unity in mind, respect each other and let the good vibes take over for 2021! 100% and more!

Enjoy!

Trushmix.com

Trushmix 169: Cato Canari

Montreal-based DJ, producer and label owner Francis Latrielle, better known as Priori, joins us for the 79th edition of the Phonica Mix Series.

Priori has become a firm favourite of ours here at Phonica over the past couple of years. His releases, which crossover through many electronic genres, from house and techno to IDM and ambient, have been picked up by such labels as Echovolt and Dust E-1’s Dust World in recent years, although much of his musical output, including his phenomenal 2019 album, ‘On A Nimbus’, comes via his own label, NAFF, which he co-runs with fellow Montrealer Ex-Terrestrial.

Head on over to Off The Record to check out the full feature, including an interview, where we talked about his past, present, and future plans, life in lockdown, Montreal’s music scene, and more. Enjoy!

Phonica Mix Series 79: Priori

All things Paisley Dark Records and A Space Age Freak Out
https://paisleydarkrecords.bandcamp.com/follow_me