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Patrick Delamere – Lead Guitars, Bass, Lead Vocals

Oliver Cobbin – Rhythm Guitar, Production, Mixing

Adam Thraves – Drums, Production, Mixing

Jack Kenny - Keyboards

Written by: Patrick Delamere


It's a Heavy Life

☆ ☆ ☆hope you like it ☆ ☆ ☆

💕PRESS ''R'' TO SHOW LOVE💕
@armorcollective

VAIN

Written and produced by Shayu
Artwork by Sonya Korotaeva

Mirny

Welcome Becca Mancari to Captured Tracks!

Hunter

Becca Mancari // Hunter (Official Single)

Buy / Stream:

Bandcamp (Buy Vinyl LP + CD): bit.ly/2xtnubc

Spotify: spoti.fi/2UKvKeO
Apple Music: apple.co/3dwP1Jm
Amazon Music: amzn.to/2QP6XoJ

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Bastard Jazz is proud to present the sophmore solo album by one of the gems of the New Zealand underground soul scene, Isaac Aesili. Woven through electronic soul, with threads of jazz, funk, R&B and house music, Isaac's ‘Hidden Truths’ is the stylistic unification of all his previous projects (Karl Marx, Funkommunity, Sorceress) into a dazzling and diverse body of work. Three years in the making, its depth is clear from the first listen, and is peppered with some of New Zealand’s finest soul and jazz musical talent, including two stunning female feature vocalists from New Zealand; Ladi6 and Rachel Fraser.

The album opens with an ominous instrumental ‘Mirror’ setting a dark a tone for the album the start, shimmering with shades of Dilla swing snapping over metallic chords and a graceful trumpet solo that enters midway through. Wild feat. Ladi6’ is a heavy downbeat future soul joint with stratospheric synths layered over driving beats that build alongside the elegant vocal weavings of New Zealand's first lady of soul, Ladi6, while ‘Player’ sees Isaac’s unique vocals tell a tale of dangerous seduction within a synth funk-driven dancehall cum house music that feels like the Gap Band on a tropical vacation. ‘Jungles’ is a deep, native and ocean-like soundscape that begins with syncopated synths and beats that collide dramatically into a frantic, sweeping synth outro, followed up by‘Realms’ , an intricately crafted song that has sonic elements from techno-house that are other-worldly accompanied by live drums that flip after the breakdown into a swinging conclusion of the album's first half.

‘Run Every Way’ is an epic percussion-driven electronic blues that begins with a vocal chorus from Isaac that could just as easily be interpreted lyrically as a warning about climate change as it could an expression of the inner-self, while "Refugee" is also a heavily percussion orientated joint that fuses romantic classical strings with otherworldly synth stabs and Isaac’s haunting vocals moving climactically into a tender coda conclusion. "Rain Gods" feat. Rachel Fraser is a heavenly pathway into Rachel’s luxurious vocals with clever lyrics merging the soaring synths and looped bassline into a short yet memorable chorus‘and ‘Steps’ is classic Isaac Aesili production including deep Rhodes chord changes, a knocking beat with layers of percussion, synths and horns providing a warm emotive accompaniment to Isaac’s vocals. ‘Last Minute’ is a simple yet sophisticated jewel of space and time that concludes the vocal tracks of the album in a proper soulful style, and ‘Maureen’ rounds out the album as an expressive instrumental outrolude that features Isaac’s trumpet.

Isaac Aesili is an Internationally acclaimed solo artist and the producer and creative force behind Funkommunity, Sorceress and Karlmarx. Isaac’s original productions have been supported internationally by DJs such as Gilles Peterson (BBC Radio 6 Music), Benji B (BBC 1), and Lefto (Belgium, Worldwide FM). His trumpet playing features on many collaborations including ‘Layer’ by Julien Dyne (Wonderful Noise/BBE) and ‘Midnight in Peckham’ by Chaos in the CBD (Rhythm Section). A world-renowned musician on both trumpet and percussion, Isaac is a member of the Lord Echo band. His music fuses Soul, Funk, Jazz, Afro and Latin styles with R&B, Hip Hop and Electronic music. Isaac’s much anticipated sophomore solo album “Hidden Truths” is out on Bastard Jazz (NYC) in 2020.

Hidden Truths

Buy LP / CD

Isaac Aesili - Jungles

Order 'The Mosaic of Transformation' at: https://ghostly.com/products/the-mosaic-of-transformation
Or at the retailer of your choice: https://ghostly.ffm.to/kaitlyn-aurelia-smith-the-mosaic-of-transformation

The Mosaic of Transformation

Kaitlyn Aurelia Smith - The Steady Heart

Vulture (Hubie Davison Remix)

CONDUCTOR, WE HAVE A FUCKING PROBLEM

THE PROBLEM I HAVE IS ACTIVIA BENZ FUCKING INCLUDED ME ON THEIR COMPILATION. LOOK AT ALL THOSE NAMES ON THE COMPILATION. WE HAVE A PROBLEM

ACTIVIA FRENZ DROPS THIS FRIDAY ON ACTIVIA BENZ BANDCAMP.

CONDUCTOR, WE HAVE A PROBLEM

Out July 31, pre-order it here: https://nsma-noise.bandcamp.com/album/knok-violet

@h_u_n_a share his new single ‘Violet’ the second track to be taken from his double A-side single via @nsma_noise.

An original and forward-facing statement of intent from the emerging producer. Two percussive, bass-heavy cuts see HUNA leaning into febrile glitchy rhythms, rattling breaks and subtle dissonance.

More exclusive music

Premiere: HUNA 'Violet'

Dust gathered under the wheels, filling the air around them as their speed steadily increased. They had not seen another car on the open road for miles and miles, and now the temptation to put their foot down on the gas had become such that their MPH had far exceeded 100. The momentum was freeing; the breeze that ruffled their hair and the soft warm air that tickled their noses was the perfect antidote to the confines of the city they'd come to escape.

Milan-based producer Piezo is gearing up for the release of his debut album Perdu, following a healthy string of EPs for the likes of 81, Version, Wisdom Teeth, Idle Hands and his own Ansia imprint. Hundebiss is the home for his new long player which flaunts contrasting elements, at times raw, low and pulsating and at others, crystal clear and digital. Further demonstrating his knack for crafting UK techno and bass-leaning electronics and IDM cuts, Piezo connects the dots between his Italian roots and the sounds of Bristol.

CONDUCTOR, WE HAVE A PROBLEM

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