Name: Yesway - Yesway - Howlin' Face by Yesway in En transition d'espace temps
Duration: 3 min 55 s
Description: This is our very first full length album! It truly depicts our growth together as songwriters and artists.

Wowwwwwwwwww. Ugh. This is so good. Magic.

It reminds me of Alex Winston, Birdy, and Kate Bush,but so distinctive in its own sound. Beautiful.

En transition d'espace temps

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In A Time Lapse is the representation of the bringing together all of life's experience and emotions into a single moment of time. Recorded in a remote monastery near Verona and written over a period of 2 years it is as epic and emotional as Divenire and as experimental and adventurous as Nightbook.

Available to order now: 
iTunes: http://po.st/EinSoundCIATLiT 
Google Play: http://po.st/EinSoundCIATLGP
 Spotify: http://po.st/EinSoundCIATLSpot

In A Time Lapse

Time Lapse

Experience

Seabear --- Hands Remember

This is our very first full length album! It truly depicts our growth together as songwriters and artists. 

Yesway - Yesway - Howlin' Face

Michael Tanner - Table Harp, Zithers, Bowed Strohviol 
Emma Morton - Voice
Alison Cotton - Viola
Gemma Williams - Clarinet

Arrangements by Michael and Alison. 
Recorded at Greenwitch in Lewes, East Sussex, 2014

A cover of the traditional song made popular by Shirley and Dolly Collins, featuring Emma Morton from Lutine and Alison Cotton from The Left Outsides/Trimdon Grange Explosion.

For the compilation accompanying the Film 'The Ballad Of Shirley Collins' - More info at:

http://shirleycollinsmovie.com/


Plinth - One Night As I Lay On My Bed

TREE - #PianoDay

“TREE” is a part of a composition written for Simphonie Cinétique, a collaboration between Ólafur Arnalds and Joachim Sauter. Re-edited and mixed for release in celebration of Nils Frahm’s #PianoDay and features Nils himself on celeste.

Composed, arranged and performed by Ólafur Arnalds
Violin: Viktor Orri Árnason
Celeste: Nils Frahm

Recorded at Durton Studio, Berlin.
Mixed at E7 Studios, Reykjavik.

See more about Symphonie Cinétique here:
https://vimeo.com/70897666

TREE

Alizbar (Элизбар) - Fairy Of Melted Snow (Celtic Harp - Кельтская Арфа)

I ain’t your angel, I ain’t your cure

The Tallest Man On Earth - 'Dark Bird Is Home' out May 11, 2015 on Dead Oceans

SCD/direct: smarturl.it/ttmoe
Amazon: smarturl.it/ttmoe_amazon
iTunes: smarturl.it/ttmoe_itunes
Independent stores: smarturl.it/ttmoe_indies

The Tallest Man On Earth - 'Dark Bird Is Home' out May 11, 2015 on Dead Oceans


Dark Bird Is Home

Buy Now!

The Tallest Man On Earth - "Dark Bird Is Home"

Stream my first single from my upcoming EP.

In Transition, is a feeling when everything around you changes for the worse and you start to lose yourself, Holding onto that tiny bit of hope that you will get over it. 

Album Art : https://www.instagram.com/vinaybhargav/

In Transition

The Bronze Medal - Show Me Land

From the album Wild Wild Country available September 21, 2018 on Western Vinyl.

Pre-Order Wild Wild Country: hyperurl.co/WildWildCountryOST

Los Angeles-based composer Brocker Way’s impassioned neo-classical arrangements act as a subtly  emotive force behind the hit Netflix series Wild Wild Country, gently nudging the audience’s perception, and at times brashly stepping out in front of the show’s subject matter. These fifteen pieces taken from the recording sessions of the docuseries’ original score serve to deepen the ecstasies and tragedies recounted in their visual companion, providing delicate color and weight to the story of the Neo-sannyasin cult and the trouble surrounding the commune they constructed in 1980’s Oregon. With its kinetic movement and narrative sense of melody, Way’s score tells its own story when extracted from the series and distilled into LP form.

At an early age Brocker began studying dance.  Taking the lead from his mother, a hip hop dance instructor herself, he began teaching hip hop dance classes at local gyms as a teenager, and continued this line of work through his high school years.  Contemporaneously, through a “fast track” educational program, he was allowed to enroll in college courses where he began obsessively studying composition, music theory, and orchestration, while also engaging in various musical endeavors with his brother Chapman who would go on to be one of Wild Wild Country’s directors.  As his younger sibling’s interests shifted evermore to filmmaking in the years that followed, Brocker found himself applying his hard-won knowledge to writing music for commercials and films. The Way brothers’ symbiotic pursuits would eventually culminate in a family-wide project, 2014’s The Battered Bastards of Baseball, a compelling documentary about the independent baseball team established in 1973 by their grandfather Bing Russell, narrated by their uncle Kurt-- who himself played on the team.

With co-directorial help from their third brother, Maclain, the Ways turned their familial cinematic efforts to the controversial story of Rajneeshpuram, a town established near Antelope, Oregon in 1981 by Indian mystic Baghwan Shree Rajneesh and his devotees. Working closely with his brothers and a skilled technical team including mix engineers Joey Waronker (Atoms for Peace, David Byrne, Beck, R.E.M.) and Tom Biller (Kanye West, Jon Brion, Kate Nash), and percussionist Neal Morgan (Joanna Newsom, Bill Callahan), Brocker’s Wild Wild Country vignettes are meant to reflect the outlook of each of the show’s interviewees rather than simply emphasizing their outward idiosyncrasies. Such an approach invites the listener to inhabit the myriad personalities and situations in the show from a virtual first-person perspective, sculpting a deeply empathic auditory experience capable of standing on its own as an album. In Way’s words “This kind of music gives us an idea as to the motives of each talking head, without actually scoring the motives of the character, and hopefully entices us as the audience to take the journey with them. When the Rajneeshees are building their town, you get to feel that and be right there with them. When Dave Fronmeyer is building his case, you get to feel the nobility he saw in his cause, and we hope to put you right in the room with him when he’s doing it. When a city inspector has to go onto the ranch you can feel the fear as you sit in the car with him. That’s the goal anyway.”

Way has an impressive ability to transmute the complex, conflicting sentiments of each of the series’ featured individuals into satisfying musical motifs that skirt folk-rock, ambient, contemporary electronic, and modern classical styles with measured ease. Hand picked from hours of Brocker Way’s most definitive sessions to date, the Wild Wild Country (Original Score) is a perfect companion to 2018’s best documentary series.

Wild Wild Country OST

Wild Wild Country - "Church and State"

Dave Noyes, Pat Corrigan, Todd Hutchison, Jason Ingalls, and Sarah Ramey

Portland, Maine

2004

Love - Seekonk

Roo Panes - Pacific

Available for download from Bandcamp (www.owlsoftheswamp.bandcamp.com)

Latest single from Australian indie-folk artist Owls of the Swamp. 

Featuring guest piano, Wurlitzer and backing vocals by Markéta Irglová.

Additional production, mixing and mastering by Sturla Mio Þórisson (Greenhouse Studios). 

Single artwork by Inner Voice Art (www.innervoiceart.com). 

www.owlsoftheswamp.com 
www.facebook.com/owlsoftheswamp

Yesway - Yesway - Howlin' Face

Yesway

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