Amekaze Hanako-syokudo track'S

sc music creators II

JUST ANOTHER OVERVIEW, SIGHT, VISION...

Molletonné

LOVE SIGNS Feat. Alicatt & Paploviante

JOYFUL

Cool Tracks For First Sunny Days

Am I going to play or who is playing?（256）

Untitled Playlistyerodiallo no520

V/A - Electronic Scenes

I suffered from beat phobia in the previous work, but this time I used both rhythm and bass. While listening to the chords side by side, two vocal chips are accidentally entwined and completed. A lonely man and woman talking secretly without any reservations. It's like that. Actually, this is the first time I've felt something in "self-composed".

Chill & Hip & Adult Music (Op. 151) 2021 - 10 - 05 0137

Autumn in Japan is about 50 days, and no day has the same temperature. The wind you feel on your skin changes every day. And it's time to harvest a lot of food.
The Jomon people who lived at the foot of Mt. Yatsugatake in Nagano Prefecture from about 6000 years ago to 4000 years ago (early to mid Jomon period) made "Dogu" and buried them in the soil instead of decorating and worshiping them. Maybe I wanted to deepen the connection between the soil and ourselves. It is explained that the two clay figurines have a pregnant woman as a motif and that an elderly woman is a model. She was named "Jomon Venus" on the right and "Masked Goddess" on the left. It was excavated in Chino City, Nagano Prefecture. (The photo is a tourist poster of the city)

Autumn in Japan, the line of sight of clay figurines (work 147-B) 2021 - 10 - 11 1759

6 bars of a cappella followed by 2 bars of saxophone solo. This is the only work that was completed and later stretched back and forth with drums, bass, synths, and so on. I think that there is nothing that appeals to the finished work just by struggling to complete it if I make it like this. I think I couldn't come up with any ideas other than making it this way. When I listen to the songs of the artists who follow me on SoundCloud, I get more and more locked up in my shell.
Is it okay to compose music in a genre where the degree of freedom is much more guaranteed than pop music? It was completed while hesitating. Hmm.

Neither the theme nor the composition comes to mind (work 156) 2021 - 10 - 17 0113

Because I saw a movie, it's like movie music → Simple myself (work 166)

I watched a Hollywood movie at midnight on Saturday. That is "Ad Atlas". When I lost interest in the story, I started to worry about movie music in the second half. Somehow, electronic music that seems to have been heard. When I looked it up, Max Richter wrote it.
I listened to his "The Four Seasons (Deluxe Version)" a lot, so I realized that it wasn't common movie music.
So, I threw a cinematic sound source into my own work and completed it. I managed to get it done with Bitwig Studio presets.

Simple myself (work 166)2021 - 11 - 14 1213

I was able to make most of the parts as I wanted compared to the previous works. But only the bass track is still a beginner's sound and volume. I can't put a bass in my work. When I put in the bass sound, the song seems to break. This song is complete. My hope is to complete my music without joining any genre of electronic music. And it was my destiny that I couldn't freely play the bass track.

My music loses fate and wanders (work177) 12 - 13 1840

Pennsylvania

Crossing Over

Clic In To You

A Transatlantic Jam with my dear friend J.J. Terrell
Original music and mix J.J. Terrell
Added guitars and mix by Neno J. (me)

Check out J.J. Terrel on SoundCloud: @j-j-terrell

Artwork: Ukrainian born  Margaryta Yermolayeva.

Always with you (collab with J.J. Terrell)

“The inability to get something out of your head is a signal that shouts, “Don’t forget to deal with this!” As long as you experience fear or pain with a memory or flashback, there is a lie attached that needs to be confronted. In each healing step, there is a truth to be gathered and a lie to discard.”
― Christina Enevoldsen
Thanks goes to @TheAceOverlord for his feedback and sound enhancements!

One-Kind- Signal Index ft TheAceOverlord

Your will is the one that pushes history…That's what I put into it!!!
(あなたの意志は歴史を押す…そんな気持ちを込めました!!)

thank you for listening!!
Please wear it so that there are no accidents!!🙏
good luck composing!!😃✨
DAW: Cubase pro 12

Your will is the one that pushes history

By Phil Dutton & Les Corlett

Lyrics

I've been waiting for the winds to change, To blow me back to shore.
I've been drifting here for several days, It makes me want her more.
You can see I broke her heart - and I know I let her down,
I was careless in the ways of love. So what do I do now?

Blue as I am I still have faith, I can turn this ship around, before it’s too late
Blue as I am I'll plead my case, before I run aground, before it’s too late

The sun and the moon shone down on me, It gave me time to think.
She's all I want, she's all I need to pull me back from the brink.
Sally said "Don't play that game!", "Your lies tore me apart".
"Why not be true with how you feel?", "Now's a good time to start".
I stood in amazement and nailed to the spot, My heartbeat started to race.
I took in the beauty that stood there before me, As she put me in my place.

Blue as I am I still have faith, I can turn this ship around, before it’s too late
Blue as I am I'll plead my case, before I run aground, before it’s too late

The sun  and the moon shone down on me, it gave  me time to think,
She's all I want, she's  all I need to pull me back from the brink.
Who am I fooling? No one but myself, I have to think this through.
What am I doing? I'm constantly screwing, everything up it's true.
If only the seconds didn't pass like hours and my mouth wasn't so damn dry.
I'd give her the reasons if I had the power, enough so I could try,

Blue as I am I still have faith, I can turn this ship around, before it’s too late
Blue as I am I'll plead my case, before I run aground, before it’s too late

Melancholy Blue

MELANCHOLY BLUE

Pierre Bordetti productions (c) 05/2023.
Composed, arranged, performed, and produced by:
Pierre Bordetti

An Jazz track inspired by one of the very 
beautiful photos brought back by Julie during a recent 
trip to Thailand.
Many thanks to Julie.

Un titre Jazz inspiré d'une des très
belles photos prises par Julie lors d'un récent
voyage en Thaïlande.
Un grand merci à Julie.

---- Pas à pas  -----

J'irais là où tu voudras,
j'ferais fi de tous les aléas,
et même parfois si je faiblis,
si je suis même anéanti,
je marcherais toute la nuit,
à tes côtés et sans un bruit,
malgré le noir et les embûches,
et même parfois si je trébuche,
j'irais là où tu iras,
te suivrais pas à pas,

Pas à pas

Pas à Pas (Step by step)

I've always wanted to compose hard rock and progressive rock. 
　But it is impossible. Because I can't play the electric guitar. 
　At first it was an ambient song, but over the course of two weeks, I slowly changed it to a heavier sound, added some guitar tones, and finally completed this song. 
　Is it a genre peculiar to Japanese "techno pops"?
YouTube　video
https://www.youtube.com/watch?v=942owQhsNJo

I Can't Make Hard Rock

"Slow Train" moment collides with late night attempt at practicing smooth arpeggios.  Further work required.  

On both fronts.
__________________________________________________________________

This Needing Time

Drop a cold lint rope, ease my troubled brow,
Turn my face to the clear light's shine,
Prop my soul with hope, please, somehow
Need some faith, in this Needing Time.

Hold a candle proud, lest to state my case
Plant my flag today, midst this earthly grime
Hymnals spangled loud, caress my teared face
Need some faith, in this Needing Time.

No need for big brand labels on this personal cross
My sanctuary, enabled, charts satan's loss
The seed of evil's wraith helped me draw the line
Need some faith, in this Needing Time

Graced with Agabus' blessings and Wednesday's Ash
Lay me sweetly, pray, 'neath avenue'd lime
Saved by Lazarus' dressings, and the scourging's lash
Need some faith, in this Needing Time.
_______________________________________________________________
Photo:  Kirkstall Abbey, Yorkshire - by Minda

This Needing Time

Boxy 2’s “Future Past Mind" remixed into a rock track
Featured voice electronic music composer Delia Derbyshire
BOXY 2 APPROVED ELECTRA VOLCANA @user-6008493 CREATION
Photo : Electra Volcano

[ d o w n l o a d a b l e ]

BOXY - Future Past Mind (REMIX By Electra Volcana)

LOVE SIGNS  feat. Alicatt & Paploviante
Vocals : Alicatt
https://www.looperman.com/acapellas/detail/21749/love-signs-feat-alicatt-130bpm-funk-acapella
Bass : Paploviante
https://soundcloud.com/paul-racle
Music Lillithe & Paploviante
Lillithe: Percussions , Arrangement and Production

Quand on a la tête comme un bloc-note et qu'en plus on est resté un enfant avec tout son imaginaire et sa folie , cela donne une chanson amusante réalisée par deux copains qui ont 112 ans à tous les deux ... 😁😃
⛔ATTENTION⛔ !!! Contient des rimes en " otte et oque " pour ceux qui sont allergiques 😈
Compositeur/Musicien : Philippe SEGUINARD
Auteur-Mélodiste/Chant : Guillaume DULER
Chant : Sylvie TIRET
When your head's like a notepad and you're still a child with all your imagination and craziness, you get a fun song by two friends who are both 112 years old ... 😁😃
⛔ATTENTION⛔!!! Contains "otte et oque" rhymes for those who are allergic 😈
Composer/Musician: Philippe SEGUINARD
Songwriter/Melodist/Vocals: Guillaume DULER
Vocalist : Sylvie TIRET

Lyrics:
Dans mon bloc-note
Je dénote sans fautes
Comme un Don Quichotte
J'ai la tête qui flotte
Dans mon bloc-note
Ça funk et ça rock
Je change d'époques
Saute mouton saute !
Dans mon bloc-note
Je casse mes menottes
Je m'échappe du bloc
Les gardiens s'en moquent

Capitaine à docks
Sauve mes bébés phoques
Ma banquise part en flotte
Mon climat perd la note

Dans mon bloc-note
De bric et de broc
Pensées en bougeotte
Cerveau sans jugeotte
Dans mon bloc-note
L'araignée débloque
J'suis pas seul mon pote
On est en colloc 
Dans mon bloc-note
Y'a des anecdotes
Remplies de coyotes
A l'allure glauque

Capitaine à docks
J'en perds mes dreadlocks
J'tombe dans les compotes
Je veux sortir de ma grotte

Dans mon bloc-note
Y'a des phrases idiotes
Qui sont sans culottes
Petites patriotes
Dans mon bloc-note
J'suis pas un despote
Tous les mots me bote
Même les équivoques
Dans mon bloc-note
Je suis astronaute
Un peu cosmonaute
Même taikonaute

Capitaine à docks
Ouvre moi ta porte
Ma valise en plastoc
A reçu trop de chocs

Dans mon bloc-note
Des mémos en stocks
Les yeux à la coke
Je voudrais dire STOP !

In my notepad
I write without mistakes
Like a Don Quixote
My head is floating
In my notepad
It's funk and rock
I change eras
Jump sheep jump!
In my notepad
I break my handcuffs
I escape from the block
The guards don't care

Captain to the docks
Save my baby seals
My ice floe floats away
My climate loses its note

In my notepad
Of odds and ends
Thoughts on the move
Brains without gumption
In my notepad
The spider unlocks
I'm not alone, buddy
We're roommates 
In my notepad
There are anecdotes
Filled with coyotes
With a gloomy look

Captain of the docks
I'm losing my dreadlocks
I'm falling in the compotes
I want to get out of my cave

In my notepad
There are some silly phrases
That have no panties
Little patriots
In my notepad
I'm no despot
I'm not a despot
Even equivocations
In my notepad
I'm an astronaut
A little cosmonaut
Even a taikonaut

Captain of the docks
Open your door
My plastic suitcase
Has received too many shocks

In my notepad
Memos in stock
Coke in my eyes
I'd like to say STOP!

© Philippe SEGUINARD & Guillaume DULER  Novembre 2023

Bloc-Note 📔  (feat Sylvie Tiret) TRANSLATED

Sprinkle Me With Monkey Dust

(Free WAV Download available here under '••• More'; and eventually, as part of 'Last Call')

Greetings my SC friends. It’s been a strange few months, and I am excited to be back. But I have a feeling it’s not going to look like it did… at least for the near future. I’m having a hard time organizing my thoughts lately. And while the musical energy is flowing better than ever, my ability to write satisfying liner notes is feeling a little clogged (this will be my 6th attempt at this write-up). 

As much as I regret it, the write-ups may need to stay on hold for a while longer. But first, I wanted to share what happened (in the form of a write-up. Lol). 

For starters, it’s important to mention I’ve been an alcoholic since I was 15 (a 40 year relationship). And although I genuinely loved what a nice beer buzz did for my noisy mind, I also knew what toxic alcoholism looked like (from many examples in my extended family). So I knew I had my work cut out for me, if I wanted to overcome my genetic dependancy. 

Granted, I also have a ‘responsibility’ vein that runs deep. I did my best to prioritize my family and responsibilities first (‘don’t drink til 5:00. Don’t drink if ya have to drive’ kinda stuff), and I considered myself a ‘functioning alcoholic’. Truthfully, I was never ashamed of my drinking. As a teenager, the ability to not give a shit that I found in a beer buzz honestly saved my life. And it allowed me to unplug from the noise for many decades after that.

But I wanted to do better than that, so I started making changes quite a while ago. Here’s a brief summary of how that unfolded:

1. Back in 2006 I concluded my negative headspace was the root of the problem (perspective is huge); so I altered my daily routines, knowing it would take years to undo the lifetime of programming that caused that thinking in the first place. I started consuming info that was positive and hopeful and loving (and avoided negative info like my life depended on it… which it did). And I did that intensively for the next 15 years.

2. But by January of 2023, I realized the beer buzz no longer quieted the noise and ugliness happening in the world (it all went too chaotic too fast). So if the crutch wasn't helpful, it needed to go. That’s when I tried Tai Chi (to give my mind something else to focus on). And it worked brilliantly.

3. Over the next 6 months, thanks to the calmer headspace created by Tai Chi, I cut my drinking tremendously (and for perspective, we’re talking 9-18 Natties daily… down to 3-6 Natties daily). The surprise outcome… the fog in my mind was clearing for the first time, and I was not prepared for sober adult Justin (man is my brain chattery when left to it’s own devices). So at the beginning of August 2023, I decided to take my Social Media break. That was more timely than I could have imagined, because…

4. On August 26th I was given the gift of Pancreatitis (the disease that lets you know ‘Wow, Dude. You drink way too much’). I went to the Emergency room with terrible intestinal pain, and I ended up in the hospital for 5 days. Long story short, I left the hospital sober, and have been that way ever since. And I’m genuinely happy about that… because thankfully, I did a great job preparing for that day.

So in a nutshell... I am back. But the writings may have to wait a while longer (at least until I figure out how my new clearer headspace works). Interestingly, I managed to produce almost an entire album of new music over my break, so I'll put those new songs up on SC over the coming weeks. 

And since I’m just a few songs short of completion, I’ll be releasing a very personal album (symbolizing my adventures with sobriety) very soon. It’s called ‘What Color Is Your Paradox?’, and I hope to have it on Bandcamp in February.

In the meantime, I’m happy to be back. And I look forward to seeing what all of you have been up to over the last few months. :)

 Big hugs from your blatantly open-book friend.
-Justin

Paradox?

Last Call

Here is a trio collaboration with the members of our respective duos:

Kyt of Kinsâme (Kinsâme) 
https://soundcloud.com/kiyotoyoshihara

And Mesmo (Pythyrsus)
https://soundcloud.com/mesmo1

And me^^

-------------------------------------------------

Chasse galerie chamane
Qui ensuque la camarde 

Voyez dans les cieux danser
Le festival des fous énamourés

Riront et iront rayonnant les ronrons
D'au-revoir en rêve révélant rubicond

Ces jolis geysers, joyaux de joie
Aux gentils gemmes des girons

Câline le cosmos
Connecte toi

En bouquets de Boketto
En vagues déjà-vu

---------------------------------------

Shaman gallery hunt 
Who chases the comrade 

See in the skies dancing 
The Festival of Enamored Fools 

Will laugh and go radiant purrs 
Goodbye in dream revealing rubicund 

These pretty geysers, jewels of joy 
To the kind gems of the laps 

Cuddle the cosmos 
Connect yourself 

In Boketto bouquets
In waves of déjà vu

Filesay Thimbleac Echysp ( Kinsâme & Pythyrsus)

I am so excited about collaborating with soprano Maribel Villarroel and arranger and pianist René Calderón. The lyrics are from the Pablo Neruda poem "Para Que Tú Me Oigas" in the book "Twenty Love Poems and a Song of Despair". Translated by W.S. Merwin. Permission has been granted by the Fundación Pablo Neruda.

Canciones para Pablo Neruda" is a book of musical scores for songs based on lyrics by Pablo Neruda and artwork from some of Chile's greatest artists: 
www.amazon.com/dp/9564163218

This song was also performed live at "La Chascona", the former home and now museum of Pablo Neruda in Bella Vista, Santiago: youtu.be/vzz8tY0CYLk?si=ZfYIat6iL69p2FW4

YouTube: https://youtu.be/r4c6Fo1UvS8?si=opQNgKjXoVPf7HgX



Para Que Tú Me Oigas (Letras de Pablo Neruda)

Para que tú me oigas mis palabras
se adelgazan a veces
como las huellas de las gaviotas en las playas.
                                                                                                                                  Y las miro lejanas mis palabras.
Más que mías son tuyas.
Van trepando en mi viejo dolor como las yedras..                                                                                                               
                                                                                                                            Ahora quiero que digan lo que quiero decirte                                                                                              para que tú me oigas cómo quiero que me oigas. 

Llanto de viejas bocas, sangre de viejas súplicas.                                                                              Ámame compañera. No me abandones. Sígueme.                                                                           Sígueme, compañera, en esa ola de angustia. 

Pero se van tiñendo con tu amor mis palabras.                                                                                       Todo lo ocupas tú, todo lo ocupas. 

So that you will hear Me (Lyrics by Pablo Neruda)                                                                                          

So that you will hear me
my words
Sometimes grow thin
As the tracks of the gulls on the beaches. 
And I watch my words from a long way off.                                                                                           They are more yours than mine.                                                                         They climb on my old suffering like ivy. 
Now I want them to say what I want to say to you to make you hear as I want you to hear me.

Lament of old mouths, blood of old supplications.                                                                                             Love me, companion. Don’t forsake me. Follow me.                                                                                      Follow me, companion, on this wave of anguish. 

But my words become stained with your love.                                                                                                     You occupy everything, you occupy everything.

Para Que Tú Me Oigas

Vidéo : https://youtu.be/jckflDtyfUQ

Je sors..
Texte : Sanzen 
Chant : Julia 
Musique : Alain Illos

La nuit comme un écrin,
lendemains juvéniles.
Des lumières se devinent,
j'irai ce soir en ville.
Je sors ce soir,
retrouver ma jeunesse,
les regards qui scintillent,
ma nuit adolescente.
Je sors ce soir, en ville,
pour une célébration,
je sors me réjouir,
le brio dans leurs yeux.
Gardez moi du déclin,
lendemains juvéniles.
Je sors me réjouir,
les lumières de la ville.
Ce soir, adolescent,
ce soir, reconnaissant.
Pour ce qui est à venir,
mon coeur juvénile.
La nuit est un écrin,
les lumières,
les lendemains...

I leave

The night as a jewel box,
youthful tomorrows.
Lights can be seen,
I'm going into town tonight.
I'm going out tonight,
back to my youth,
glittering eyes,
my teenage night.
I'm going out tonight
for a celebration,
I'm going out to rejoice,
the brio in their eyes.
Save me from decline,
youthful tomorrows.
I go out to rejoice,
the lights of the city.
Tonight, adolescent,
tonight, grateful.
For what's to come,
my youthful heart.
The night is a jewel box,
lights,
the tomorrows...

Je Sors.... ( avec Julia )   translated after the French text

FREAK LOVER

This track is inspired by the iconic theme music from the Airwolf TV series composed by Sylvester Levay.

Watch the video on Youtube:
https://youtu.be/APCurYQ5XSs
https://youtu.be/e4LdmTuOD6M

Final Battle

PREMIERE: OGBR00 - Unknown Sounds [SSR058]

The tone of the saxophone melts away. It is a world of music where humans are not involved. A complex world of melted tones and gathered tones. After I start making music, someone else has the power to make decisions on my behalf.


ON A COOL SPRING DAY IN LONDON TOWN
I WAS COMING OUT OF THE HYDE PARK HOTEL
WHEN AN OLD BLACK CAB CAME SLOWING DOWN
AND THEN SHE POPPED OUT LIKE TINKER BELL

A FEW CASUAL WORDS ABOUT THE WEATHER
STILL
I REMEMBER THEM UNTIL TODAY
AND HELLO GOODBYE FOREVER
EXCEPT WHAT HAPPENED THE NEXT DAY
MUCH TO MY SURPRISE

THERE SHE WAS AND THERE WAS I
THAT’S WHEN THE DEAL TEAM BECAME A DREAM TEAM
OH YEAH

AND IT WAS LOVE AT SECOND SIGHT
A TWO TIMES HEART REACTION
THE REST MY FRIENDS IS HISTORY

NOW THE YEARS FLEW BY LIKE A RIVER 
AND THE TEAM STILL STANDS ON ITS FEET
LONDON MOSCOW DUBAI AND DENVER
LIZ YOU AND I CAN’T BE BEAT

OTIS TESSA AND MILO
A BERNEDOODLE NOT JUST A POODLE
OH NO

I LOVE A LOVE AT SECOND SIGHT
A TWO TIMES HEART REACTION
AND THE REST MY FRIENDS IS MYSTERY

FUNNY I SPEAK IF I WERE YOU, MAN
COS I GUESS I KNOW HOW YOU FEEL
TO HAVE THE MOST WONDERFUL WOMAN
NOT TO FORGET ALEX AND WILL 
OH NO

AND IT’S LOVE AT SECOND SIGHT
I LOVE A LOVE AT SECOND SIGHT…

LOVE AT SECOND SIGHT  (Lyrics) Song for Liz

When Kristyn, a talented drummer (https://soundcloud.com/kristyn-burke) proposed me to «symphonize» one of her tracks, I was very exciting for this challenge. So now I’m very proud to share it with you, enjoy it!

Midnight Flight: A Charles & Ulyana (Drums) Collaboration

■概要(Overview)
グリーン券を購入すると、
ゆったりとした座席で設備が充実した車両に乗ることが出来ます。
窓側の席に座ってのんびり旅をしたいけれどいびきが聞こえてきた・・
そんな感じの曲です。
短いですが、とても久しぶりの新曲です。
今回はドラム→ボーカル→ギター→その他ベースなどの順で作ってみました。

When you purchase a green ticket,
You can ride in a well-equipped vehicle with comfortable seats.
I want to sit in the window seat and travel leisurely, but I can hear snoring...
It's a song like that.
It's short, but it's my first new song in a long time.
This time I made it in the order of drums → vocals → guitar → other bass etc.


■歌詞
グリーン車に乗っていこうよ
5号車か4号車の前で待つ
弁当とビール買って
夢見心地の混沌へ

どぅっどぅっぱっつ
どぅっどぅどぅっぱっ
どぅっどぅっぱっ
どぅっどぅどぅっどぅっ

どぅっどぅっぱっ
どぅっどぅるっぱっ
どぅっどぅどぅるっ
どぅっどぅどぅっどぅっ


窓側の席のサンシェード
閉めて　寝息だけが聞こえてくる
So　Guuuu.... Spiii.... Guuuu.... 
Spiii.... Guuuuuuuuuuu....u
I wanna be...


相　席　捨て(ぃ)　夢見
I can change seats at any time.
I can't walk past your seat.


グリーン車に乗っていこうよ
ゆっくりシート倒していく
One duck .... Two ducks
And crying baby
夢 見心地の混沌へ

どぅっどぅっぱっつ
どぅっどぅどぅっぱっ
どぅっどぅっぱっ
どぅっどぅどぅっどぅっ

どぅっどぅっぱっ
どぅっどぅるっぱっ
どぅっどぅどぅるっ
どぅっどぅどぅっどぅっ

(逃れられないのはしょうがないね)

相　席　Stay　夢見
I can change seats at any time.
I can't walk past your seat.

■Lyrics
Let's ride the green car
Wait in front of car 5 or 4.
buy lunch and beer
Toward a dreamlike chaos

Dudduppattsu
Douuuuuuuuuuuuuu
Dudduppaaaaaaaaaaaa
Dududdudduddud

Dudduppaaaaaaaaaaaa
Dudduruppppa
Douuuuuuuuuuuuu
Dududdudduddud


window seat sunshade
Close it and all I can hear is someone's breathing
So　Guuuu.... Spiii.... Guuuu....
Spiii.... Guuuuuuuuuuuu....u
I wanna be...


I gave up on the dreaminess.
I can change seats at any time.
I can't walk past your seat.


Let's ride the green car
Slowly recline the seat and fall asleep
One duck.... Two ducks
And crying baby
A dream into a chaotic chaos

Dudduppattsu
Douuuuuuuuuuuuuu
Dudduppaaaaaaaaaaaa
Dududdudduddud

Dudduppaaaaaaaaaaaa
Dudduruppppa
Douuuuuuuuuuuuu
Dududdudduddud

(It can't be helped that you can't escape)

Give up on being dreamy
I decided to stay in this seat.
I can change seats at any time.
I can't walk past your seat.

Guuuu...

Music : Janne Hennie & PJ Project
Vocals & lyrics : Janne Hennie

Trying not to look at you
When I see you are coming this way
Trying not to show
That you are on my mind all day..

When you give me a smile like that
I'm melting, can't resist your being
Your eyes shine like the sun in the sky
You give me that tickling feeling..

Trying to turn away, so you won't se me drool
Failing to tell myself, that you are just a fool..

When you give me a smile like that
Im melting, can't resist your being
Your eyes shine like the sun in the sky
You give me that tickling feeling..

Trying to resist your charm
But you are like a magnet
Hoping that you won't see, that I am so in my knees..

When you give me a smile like that
I'm melting, can't resist your being
Your eyes shine like the sun in the sky
You give me that tickling feeling..

Doing stupid things, every time you're near
Saying stupid words, don't mean them all i swear..

When you give me a smile like that
I'm melting, can't resist your being
Your eyes shine like the sun in the sky
You give me that tickling feeling..

Wondering if there is any point in holding back
Loving you and your being
Loving that tickling feeling..

When you give me a smile like that
I'm melting, can't resist your being
Your eyes shine like the sun in the sky
You give me that tickling feeling...

That Tickling Feeling W/ Janne Hennie

Everything In Love

Once We Were Divine

Download

Cycling

Original by Bob Dylan (1968)                                                                              This is my humble version of this beautiful song..

I use backing track on this, its not me playing the piano :)

I Shall Be Released   (Cover)

Buy on Beatport

Columbo Beat - Soso (Original Mix)

Here a new Pythyrsus track with Mesmo :
https://soundcloud.com/mesmo1
And with one of my dogs Sidh and one of his friend and me 🌝
--------------------------------------------------


Transparence du désir
Goutte de pluie
Et focale des reflets
Défaits par défis
L'enfantement Faé
L'autre en huitre
Sa perle
Les mots de hache
Ton inspiration
L'hémoglobine
Dis moi comment parler, relier le monde à l'iris des crépuscules qu'incantent quelques rossignols câlinant ces craintes presque cramoisies ici.
Ici,
Les louves louent la loi liminale que je baise de tous mes interstices ainsi s'y insinue ces glaces initiées par l'adrénaline, alors tu, noues ces retours roucoulant l'orbe béatement bleu comme la blonde braisée que tu bénis de ballades ou, et, où tu respires l'utopie radicale.
Sinon, tu regardes les rayures de l'azur pour mourir en toute pertinence de plaisir, ce culte de désir, ce culte de désir, reins décidés, culbutes réifiantes, tessiture des cibles, blème des cieux, dans ton creux, ce culte du désir, toi, dieu du moi, moissonne moi !
Voilà que la poésie gicle !
Ou dégouline.
La vie en son doigté.
Avec le rire.
Reste le rire.
Reste rire un rien.
Un moment.
Un parsec.
Et je t'en prie, entends le chant :
Tous les héros solitaires et traumatophiles de l'occident cherchent une tribu.
Tous les héros solitaires ne le sont que par le miroir brisé.
Leur tribu frémit.
Tous les héros solitaires ont les ténèbres comme princesse à sauver.
Leur tribu ferme leurs bras sur le vide.
Tous les héros solitaires et traumatophiles de l'occident cherchent une tribu.
Ils cherchent dans le désert, ils cherchent dans l'illusion, ils cherchent loin d'eux et surtout loin d'Elle, loin de force femelle qui pourtant les traques en quête de sels.
Pertinente est la propagande.
La solitude est soie,
Propre à bâtir un toit,
Toile des vous dévoilés
De la viole des toiles,
Mais qu'importe,
Tous les héros solitaires et traumatophiles de l'occident cherchent une tribu...

Yummy Moon - Pythyrsus

Special Containment Procedures:

The retail park containing SCP-3008 has been purchased by the Foundation and converted into Site-[REDACTED]. All public roads leading to or passing by Site-[REDACTED] have been redirected.

The entrance to SCP-3008 is to be monitored at all times, and no one is to enter SCP-3008 outside of testing, as permitted by the Senior Researcher.

Humans exiting SCP-3008 are to be detained and then debriefed prior to the administration of amnestics. Dependent upon the duration of their stay in SCP-3008, a cover story may need to be generated prior to their release.

Any other entities exiting SCP-3008 are to be terminated.

Description:

SCP-3008 is a large retail unit previously owned by and branded as IKEA, a popular furniture retail chain. A person entering SCP-3008 through the main entrance and then passing out of sight of the doors will find themselves translocated to SCP-3008-1. This displacement will typically go unnoticed as no change will occur from the perspective of the victim; they will generally not become aware until they try to return to the entrance.

SCP-3008-1 is a space resembling the inside of an IKEA furniture store, extending far beyond the limits of what could physically be contained within the dimensions of the retail unit. Current measurements indicate an area of at least 10km2 with no visible external terminators detected in any direction. Inconclusive results from the use of laser rangefinders has led to the speculation that the space may be infinite.

SCP-3008-1 is inhabited by an unknown number of civilians trapped within prior to containment. Gathered data suggests they have formed a rudimentary civilisation within SCP-3008-1, including the construction of settlements and fortifications for the purpose of defending against SCP-3008-2.

SCP-3008-2 are humanoid entities that exist within SCP-3008-1. While superficially resembling humans they possess exaggerated and inconsistent bodily proportions, often described as being too short or too tall. They possess no facial features and in all observed cases wear a yellow shirt and blue trousers consistent with the IKEA employee uniform.

SCP-3008-1 has a rudimentary day-night cycle, determined by the overhead lighting within the space activating and deactivating at times consistent with the opening and closing times of the original retail store. During the "night" instances of SCP-3008-2 will become violent towards all other lifeforms within SCP-3008-1. During these bouts of violence they have been heard to vocalise phrases in English that are typically variations of "The store is now closed, please exit the building". Once "day" begins SCP-3008-2 instances immediately become passive and begin moving throughout SCP-3008-1 seemingly at random. They are unresponsive to questioning or other verbal cues in this state, though will react violently if attacked.

SCP-3008-1 is known to have one or more exits located within, though these exits do not appear to have a fixed position, making it difficult to leave SCP-3008-1 once inside. Using any other door besides the main entrance to enter the structure or breaking through the walls of the retail unit leads into the non-anomalous interior of the original store.

Since containment began 14 individuals have managed to exit SCP-3008. Following100000 extensive debriefing all individuals have been administered amnestics and released.

Operation Ajax

Learn

JIM ANDERS _Jetzt

Twirling

VIDEO - https://youtu.be/WPExiAN9n3g?si=mRIKs1mzRqdUhWOP

from the free album Brutes Alpha - https://moodexhibit.bandcamp.com/album/brutes

Mood Exhibit - PX V8 [video link in description]

To What Extent is the first single to be released on Scratch Kelly's forthcoming album, of the same title.
A reflective outpouring of sound, inspired by the search for some kind of limitation. An emotive soundtrack, set to a shifting seasonal atmosphere, anchored by a heavy synth bassline and mixed downtempo beats.

Available for download here:
https://scratchkelly.bandcamp.com/track/to-what-extent

To What Extent

Syzygy

Once I wrote a longer description here: a love song in 7/4 ¿or 14/8?

Silvia II (Lo que siento por ti) /  Silvia II (What I feel for you)

Es de difícil clasificación  /  It is difficult to be classified
dentro de las variedades del amor  /  among all varieties of love
lo que siento por ti, lo que siento…  /  what I feel for you, what I feel …

Sólo sé que no puedo vivir sin ti,  /  I only know I can’t live without you,
no puedo ver sentido a mi vida si no estás aquí.  /  I can’t find sense to my life if you are not here.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando todo va bien  /  When everything goes fine
lo que me une a ti es tu forma de ser,  /  what joins me to you is your way of being,
es muy fácil ver  /  it is very easy to see
todos tus encantos de mujer.  /  all your woman's charms.

Una idea que no puedo soportar  /  An idea that I cannot bear
es verte en brazos de otro, en otro lugar.  /  is seeing you in other one’s arms, in another place.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

No puedo imaginar  /  I cannot imagine
tu voz susurrando a otro compás.  /  your voice whispering to another compass.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando algo va mal,  /  When something goes wrong,
puedo contemplar tus defectos con claridad.  /  I can behold  your faults with clarity.
Cuando algo va mal,  /  When something goes wrong,
sólo quiero escapar a otro lugar.  /  only I want to escape to another place.

Grab it !!

Silvia II (Lo que siento por ti)

Old & short trial recording.

Photo by Krzysztof Hepner on Unsplash

Teledream

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.