Amekaze Hanako-syokudo track'S

The best songs of my producer friends

Fall 2024

Best of SoundCloud October 2024

Daily Drops

October Sun

Related tracks: Gold

Negative Headphone

Encounter_00X

https://dakchi.bandcamp.com/album/scratches

Outlandish

Analyse Erronnée

Behind the Mirror

Behind The Mirror

I suffered from beat phobia in the previous work, but this time I used both rhythm and bass. While listening to the chords side by side, two vocal chips are accidentally entwined and completed. A lonely man and woman talking secretly without any reservations. It's like that. Actually, this is the first time I've felt something in "self-composed".

Chill & Hip & Adult Music (Op. 151) 2021 - 10 - 05 0137

Autumn in Japan is about 50 days, and no day has the same temperature. The wind you feel on your skin changes every day. And it's time to harvest a lot of food.
The Jomon people who lived at the foot of Mt. Yatsugatake in Nagano Prefecture from about 6000 years ago to 4000 years ago (early to mid Jomon period) made "Dogu" and buried them in the soil instead of decorating and worshiping them. Maybe I wanted to deepen the connection between the soil and ourselves. It is explained that the two clay figurines have a pregnant woman as a motif and that an elderly woman is a model. She was named "Jomon Venus" on the right and "Masked Goddess" on the left. It was excavated in Chino City, Nagano Prefecture. (The photo is a tourist poster of the city)

Autumn in Japan, the line of sight of clay figurines (work 147-B) 2021 - 10 - 11 1759

6 bars of a cappella followed by 2 bars of saxophone solo. This is the only work that was completed and later stretched back and forth with drums, bass, synths, and so on. I think that there is nothing that appeals to the finished work just by struggling to complete it if I make it like this. I think I couldn't come up with any ideas other than making it this way. When I listen to the songs of the artists who follow me on SoundCloud, I get more and more locked up in my shell.
Is it okay to compose music in a genre where the degree of freedom is much more guaranteed than pop music? It was completed while hesitating. Hmm.

Neither the theme nor the composition comes to mind (work 156) 2021 - 10 - 17 0113

Because I saw a movie, it's like movie music → Simple myself (work 166)

I watched a Hollywood movie at midnight on Saturday. That is "Ad Atlas". When I lost interest in the story, I started to worry about movie music in the second half. Somehow, electronic music that seems to have been heard. When I looked it up, Max Richter wrote it.
I listened to his "The Four Seasons (Deluxe Version)" a lot, so I realized that it wasn't common movie music.
So, I threw a cinematic sound source into my own work and completed it. I managed to get it done with Bitwig Studio presets.

Simple myself (work 166)2021 - 11 - 14 1213

I was able to make most of the parts as I wanted compared to the previous works. But only the bass track is still a beginner's sound and volume. I can't put a bass in my work. When I put in the bass sound, the song seems to break. This song is complete. My hope is to complete my music without joining any genre of electronic music. And it was my destiny that I couldn't freely play the bass track.

My music loses fate and wanders (work177) 12 - 13 1840

Written by Charlie Warner
Arranged by Pete and Paul
Pete-Acoustic 12 string and 6 string guitars-Vocal,backing vocal-Bass-Keyboards
Paul- Drums-backing vocals

Snakepatch                 Alternative

Dressed to Kill

Track name: Paths of Fate
Composers: Torben Fugger
Interprets: Torben Fugger
Producer: FRESHTRACKS MUSIC LTD.
Release year: 2024
Duration: 3:13
ISRC code: CZ-D52-24-03170
Track: SPRT131#70 Paths of Fate
Label: Sprint
Album code: SPRT131
Album name: Driven By Emotions - Cinematic Orchestral Score
Track number: 70
Publisher: FRESHTRACKS MUSIC LTD.
HB code: SPRT131_70

Veröffentlicht von:
Sprint Music ISRC Code: CZ-D52-24-03119
Erscheinungsdatum :
15 January 2024

Driven By Emotions - Cinematic Orchestral Score

Paths of Fate

Paths Of Fate

Je rêve encore

Véro je rêve encore à vous
Ces rêves-là sont les plus fous
A vous Véro je rêve encore
Je rêverai jusqu'à ma mort

Véro je rêve
Je rêve encore

Encore à vous Véro je rêve
Les nuits sans vous sont bien trop brèves
Je rêve encore à vous Véro
Je sais je vous rêve un peu trop

Véro je rêve
Je rêve encore
A vous Véro
Je rêve encore

Véro je rêve et je m’en veux
De si souvent rêver de vous
La vie sans vous c’est pas la vie
La vie sans vous ce n’est que vide
Véro je rêve et j’ai envie
De m’envoler vers vous pourvu
Que dans les rêves où je vous vois
Il n’y ait que des premières fois

Véro je rêve
Je rêve encore

Véro je rêve encore à vous
Je sais pourtant que je suis fou
A vous Véro je rêve encore
Ces rêves-là sont les plus forts

Véro je rêve
Je rêve encore
A vous Véro
Je rêve encore


A LA FRONTIERE

Je Rêve Encore

First track of a set of short piano pieces called "Rêveries pour Piano".
Fugacité de l'oubli (Transience of Oblivion)

Rêveries Pour Piano I - Fugacité De L'oubli

A tune that I created and re-created with different vibes.

The Circle Version 2 (1989)

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by Elevated Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out Elevated Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: Elevated Jam Tracks
YouTube site: https://www.youtube.com/@ElevatedJamTrack
Backing Track Title: Passionate Uplifting Ballad Groove Guitar Backing Track Jam in F#
YouTube Track channel: https://www.youtube.com/watch?v=02s4ZCo-3Jk
Bandcamp Website: https://elevatedjamtracks.bandcamp.com/
@ElevatedJamTracks

Date: 9/1/24
Song Title: The Recollections, Remembrance and Reminiscence
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 92 Jackson DK1 PRO with EMG HH configuration
Color: Black Jackson 
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Toneforge Jeff Loomis 
Preset: Creepy Ambient Clean
Interface: Focusrite 2i2 2nd Gen


Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

The Recollections, Remembrance And Reminiscence

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by Rock On Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out Rock On Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: Rock On Jam Tracks
YouTube site: https://www.youtube.com/@rockonjamtracks
Backing Track Title: Blistering Heavy Hard Rock Backing Track For Guitar In E Minor
YouTube Track channel: https://www.youtube.com/watch?v=iQRKu89Qsjo
Bandcamp website: https://rockonjamtracks.bandcamp.com/track/blistering-heavy-hard-rock-guitar-backing-track-in-e-minor

Date: 9/1/24
Song Title: 
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 92 Jackson DK1 PRO with EMG HH configuration
Color: Black Jackson 
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Tim Henson Neural DSP 
Preset: Smooth 80s Lead
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

Walking The Road To Salvation

Deep Cuts

Deep Cuts -with AnandaTuk

||| Lost in Translation |||
From the album White Noise 
+ Releases 15 October 2025 on all major streaming platforms +
An experimental soundtrack, combining dark ambience and noise with amped up synth bass and downtempo beats...


Available for download here 💿
https://scratchkelly.bandcamp.com/track/lost-in-translation

Watch the video:
https://www.youtube.com/watch?v=HGOb4uzAv90

White Noise

Lost In Translation

Download

This is an ambient electronic composition inspired by Gustave Le Bon’s warnings about collective irrationality, exploring the themes of anonymity, emotional contagion, and the loss of individuality within a crowd. The piece delves into how the collective psyche may resemble more closely the animal psyche than the human psyche, highlighting the instinctual and primal behaviors that emerge when individuals become part of a crowd

https://youtu.be/GE6G9EjWtVM?si=5Yd-6F3IhVt74oHc

La Psyché Collective

Cover of a Lewis Capaldi’s song 
Guitar track: zzspicezz SWE🇸🇪
https://on.soundcloud.com/pF8LfFfZixniwAhR6
Vocals: DelhyA
Mix: zzspicezz SWE 🇸🇪
Photo: zzspicezz SWE🇸🇪

Someone you loved (cover with zzspicezz 🇸🇪)

S-Picaresque

I've been struggling with songwriting for a very long time. I finally released a new song by taking the escape route of "I shouldn't think about finishing a song!" The technique of musique concrète is destructive to beauty, but my songwriting used to seek aesthetic harmony.

I can't think of a title (302)

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

bandcamp

trail

une nouvelle version de ce trip hop que j'avais composé en 2022
 PAROLES
Tu restes
 Comme une parole interrompue
 
 A des années lumières
 Comme un cœur en hiver

A des années lumières
 Rien n’efface ton ombre
 Dans l’oubli rien n’est sombre
 Du joli nom d’amante
Ni le thé à la menthe
 Ni les lèvres mi-closes
 Ni le vase ni la rose
Ni la beauté du chant
 Ni le désenchantement

C’est comme si c’était hier
 Hier
 A des années-lumière

A des années-lumière
 Comme un oiseau qui chante
 Le cœur dans la tourmente
 Et moi qui m’impatiente
 Comme si c’était hier
 Hier

A des années-lumière
 D’étoiles la poussière
 Dans les grands yeux gris-verts
 Des enfants de la terre

Et nos mains sur la table
 Jouent au marchand de sable

 Tu restes
 Comme une parole interrompue
Comme les voix qui se sont tues

Dans l’oubli rien ne sombre
 Dans les années-lumière
Rien n’efface ton ombre
 Pour un cœur en hiver
 C’est comme si c’était…
 Hier
_______________________________________________________________
You stay
 Like an interrupted word

 Light years away
 Like an heart in winter

Light years away
 Nothing erases your shadow
 In oblivion nothing is dark
 The pretty name of a lover
Nor mint tea
 Nor half-closed lips
 Neither the vase nor the rose
Nor the beauty of singing
 Nor disenchantment

It's like it was yesterday
 Yesterday
 Light years away

Light years away
 Like a singing bird
 The heart in turmoil
 And I who get impatient
 As if it were yesterday
 Yesterday

Light years away
 From stars to dust
 In the big gray-green eyes
 Children of the Earth

And our hands on the table
 Play Sandman

 You stay
 Like an interrupted word
Like the voices that fell silent

In oblivion nothing sinks
 In the light years
Nothing erases your shadow
 For a heart in winter
 It's like it's...
 Yesterday

À Des Années - Lumière

ILP-Conscious Entity Sound - New Babylon Remix
@Conscious Entity Sound // Vocals and Lyrics
https://www.looperman.com/acapellas/detail/10254/ilp-new-babylon-wet-vox-80bpm-hip-hop-acapella
https://soundcloud.com/consciousentitysound
Original Link: https://gate.sc/?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DVJbhHxNbFxI&token=b5a4a8-1-1727107360885
@Paploviante // Musik, E Bass, Mix and Artwork
Lyrics:
Picture for a minute the possibility
Livin' n' givin' n' winnin' n' gettin' so free
Witness beginnings and endings n' lettin' thangs be
Let the evil of humanity plunge deep in the sea
Get the noose let it wither away
And today you n' I both know what to say
In the face of destruction that's life reduction
It has only solely one function
Target and attack wack devil on a horseback
Bout to get God-smacked yea how ya like that
Well let the Good Lord carry on
Yea bout' to crush New Babylon
And every hidden thangs gonna be flipped around
From the top of the world to the underground
Yes and there will be justice
That's the word you can trust this
Chorus 2x
Every man has his day everythang flips around
If you look hard enough there's some truth to be found
If you're on another level then you know what I say
You're eternally alive, others fade away
Verse 2
Picture for a minute the insanity
The depth of calamity coupled with vanity
Lost in a selfie sea ain't nobody helpin' me
That's the way it's gotta be gotta seek deep relief
And I find it right here
Find on the inside that my mind gets live
I ain't never gotta hide only hold it down n' ride
Seein' God pick a side pick a fight wrong or right
Forget the hype flashy lights fake people not my type
Got a team and we're tight ILP yea that's right
Another dope track we know you feel that
Put your fist in the air time to hit back
Cuz every hidden thangs gonna be flipped around
From the top of the world to the underground
Yes and there will be justice
That's the word you can trust this
Chorus 2x
Every man has his day everythang flips around
If you look hard enough there's some truth to be found
If you're on another level then you know what I say
You're eternally alive, others fade away

ILP - Conscious Entity Sound - New Babylon Remix

Ah, the people we meet, and cross paths with, in this life…. So many experiences. How do we respond, especially if life clashes with these chance meetings? And what becomes of it? Once when looking for a place to rent, (25 years ago) I stopped to talk with an old man sitting on a bench. He had so much to say. My partner slowly became furious with me for taking the time to talk with him. We don’t have to wonder how that relationship went. In other words, this song is not about her…. Hee-hee. Or the old man for that matter. However, there are moments when paths cross, sometimes coming from very different trajectories and all of a sudden something wonderful happens in that moment. Gather, you might have experienced that too. This song is about a brief encounter with a kindred spirit, where our life trajectories did not change: A moment in passing. The song also contains some socially relevant thoughts/ lyrics about the world and my experience of it. Thoughts are thoughts though, and I find the more flexibly malleable I am with them, especially when it comes to the relative truths they may, or may not contain, the freer I am. Seems the more I attach to thoughts and refuse to change, the worse off it seems to get… But that’s just me. Hope you enjoy the song, Mark

Lammbone's Album

Moment In Passing

/больно махать с пирона вслед/
drawn people wave to us
from the compartments - carriages

it's time for them

they draw promises - to come back..
and that they already miss you
that they are so sorry..

and on the glass of the heart
they write..
with paper with tears in their eyes

and then erase..

cold or sadness on their faces?

and it seems that they are yearning and suffering
but the train has started moving
and they forget..

drawn people wave to us
from the compartments - carriages

where?
where -
they will go now
so that our love does not burn out..

it doesn't matter to them -
where to draw feelings..
and then erase everything..
erase..

and forget...



нам машут нарисованные люди 
из купе - вагонов

им ехать надо

они рисуют обещания - вернуться ..
и что уже скучают
что им так жаль..

и на стекле сердцА 
выводят ..
с бумажными слезами на глазах

а потом стирают ..

на лицах их простуда или грусть

и будто бы тоскуют и страдают
но поезд тронулся
и забывают..

нам машут нарисованные люди
из купе - вагонов

куда 
куда
они теперь поедут
чтобы любовью нашей не сгореть

не важно

им - где чувства рисовать ..
и всё стирать
стирать

и забывать ...

trains.

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterious Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (Eclectic Collective)

I WILL RETURN (Ft.Molly Barnett)

Misk - Vicious

Youtube

Mannequin

Recorded in Modesto, Ca.  Featuring Dobro Acoustic Guitar solo. Harmonica solo. Steinway Acoustic Piano Rhythm. Baritone Guitar Rhythm. Hammond B3 Organ Rhythm. Acoustic Bass. Roland Synthesizer Bass. Full Kit Drum set. Percussion Bongos, Congas, Cow Bell, Chime Tree, Rainstick.

Orleans

Bayou

I care little for your gold, when my gold is the wind and the sun over the wheat fields.

Poco me importa tu oro, cuando el mío es el viento y el sol sobre los trigales.

Gold

summer sunlight on the ground
i still see you fallen down

it happens every day (to the chosen) baby
the wounded find a way hey

every heartache, every fear
just a mistake brought us here

you have the secret knack (deep inside you) darling
the one that brings us back jack

into the weeds we’re going
spinning ‘round
but we’ll be back i know it
watch us now

hey honey don’t you know (don’t you know it) by now
you’ll never be alone, no

we’re grateful for today (we accept it) cherie
there is no other way hey

It Happens Every Day

Music: Little Man Project & Janne Hennie
Lyrics & Vocals: Janne Hennie
Instruments & Mix: Little Man Project

Lyrics:

A demon came and poked me on my shoulder and said
Girl you're so stupid and bad
Stay away from people, you will only hurt them
And make them miserable and sad

When demons like that tries to push you down
Tell them to go back to hell
They just try to break you
But you're stronger than you know
Make them disappear from yourself..

The demon just kept going
Appeared every day
Whispered ugly things in my ear
But I chased it out
Watched it crawl away
I shouted: Don't come back, don't you dare!

When demons like that tries to push you down
Tell tem to go back to hell
They just try to break you
But you're stronger than you know
Make them disappear from yourself..

The demon returned tried again and again
To force its way into my mind
I will not feed it my negative thoughts
My weakness the demon won't find

When demons like that tries to push you down
Tell them to go back to hell
They just try to break you
But you're stronger than you know
Make them disappear from yourself...

The Demon

Clip sur YT ! vas voir....
clip on Youtube ! go see....

Freedom By Special Cecilia & Zitou Itou

I made this song by collecting as many tones and phrases that had never resonated with me before. But I'm not self-righteous. I think my inspiration came from the sound design of many artists on SoundCloud. I'm indulged in the feeling that music can be formed even if I ignore my preferences.

Longing for the unknown (304)

Recording sessions from 20/03/2024 - 14/04/2024.

presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

202-3

202 - 3 - ❤️🕊️🙏

Here’s my attempt at Hide and Seek by Imogen Heap. She inspired me to create my own music in my own house years ago. With piano and lots of vocal layers. 😊🎤🌷💕

Thank you to my lovely Sander for mastering again. 😊❤️🎶

Where are We
What the hell is going on
The dust has only just began to form 
Crop circles in the carpet
Sinking feeling

Spin me round again 
And rub my eyes
This can’t be happening 
With busy streets a mess 
People would start to hold their heads heavy

Hide and seek
Trains and sewing machines
All those years
They were here first….

Oily marks appear on walls 
Where pleasure moments hung before the takeover
The sweeping insensitivity of this still life

Hide and seek
Trains and sewing machines
Blood and tears
They were here first…

Mmm what ya say
Oh that you only meant well
Well of course you did
Mmm what ya say
Mmm that it’s all for the best
Of course it is
Mmm what ya say
That it’s just what we need
You decided this…
Mmm what ya say
What did she say…

Ransom notes keep falling out your mouth
Mid sweet talk 
Newspaper word cut outs
Speak no feeling no I don’t believe you
You don’t care a bit
You don’t care a bit
You don’t care a bit

HIDE AND SEEK (cover)

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Trumpet solo. Steinway Brothers Acoustic Piano Rhythm. Fretless Bass. Roland Synthesizer Bass. Acoustic full drum set full kit. Percussion Cowbell. Ago go Bells, Congas, Bongos.

Carmel

Funky Ride

Another super fun collab with my good friend @texmex-shaman !!

Hope you enjoy it, has a bit more of a major key mood going on this time.

And check out the Texas Tea playlist here: soundcloud.com/texmex-shaman/sets/texas-tea-sea

Static Glow (a Texas Tea production) - w/ TexMex Shaman

Megacosm

Sublimation

Don Theme Take 2 - Slowed x Destroyed (SV Rendition)

Basically Sunday blues riff played on Friday   So not so blue

Goofing Around

First track off my debut album
https://dreamcatalogue.bandcamp.com/album/accensor

Accensor

10 000 Bees

10 000 BEES - MAT MOEBIUS - 2018

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.