lyrics, vocals: Shark Teeth @shark_teeth93 
music, mix/master: Echo Garage

artwork by Shark Teeth

lyrics

I believe something a little crazy, a little out there
Inconceivable, inconceivable
I believe something, now hear me out man
I have seen saucers flying in the sky, flying in the sky
Cruising at warp speed, changing direction, then disappearing
Can't change my mind
I want to believe
I want to believe
I want to believe

The truth is out there for those who seek it
I know they're out there, seen 'em with my own eyes
The truth is out there, I want to find it
I know they're out there watching from the skies

I believe something a little spooky, a little kooky
Implausible, but not impossible
I believe something, open your mind man, truth is worth finding
If you've got the nerve, if you've got the nerve
We will go down the rabbit hole and discover worlds
Beyond your wildest dreams
Do you believe?
Do you believe?
Do you believe?

The truth is out there for those who seek it
I know they're out there, seen 'em with my own eyes
The truth is out there, I want to find it
I know they're out there watching from the skies

Don't call me crazy, you're the one that's crazy
You could never believe the things that I've seen
A stable form of element 115
Intelligence far greater than our own
They come and beam you up from your home
One way or another I've got to know
Even at the expense of getting probed
I want to look them right in the eye
I want an encounter before I die

Shark Teeth and Echo Garage - I Want To Believe

‘Dark Seven’ is about wrath.  Starting with a riff in 7/4 and some overdriven guitar, a fast middle, finishing with synthy pads and guitar flourishes.

Dark Seven

Fragments of a dream

I tried to force myself to make music for the first time. Music unlike anything you've heard before. 
　Using fragments that I once discarded as boring phrases. This song was never finished no matter how long it took. 
　After repeating the process of making four songs, destroying them, and recreating them from scratch, this song is the final remaining sound make-up. 　
"I couldn't stop being excited." Even when I failed, my heart danced.

Noticed! Music is not born by chance (230)

Loneliness Inside Me

Lady Phantom

this track is about when someone dies and passes over to the spirit world.
where they are welcomed by all the friends and family that passed over before them.    back where they belong amongst their loved ones.

"welcome back my dear friend, back where you belong"
"paradise is here for you, hear the angels song"

"Back where you belong"

Half Time

My take on this lovely open collab from Laar.
https://soundcloud.com/user-325797522/sets/hydrochloric-open-collab
@user-325797522

Hydrochloric | Laar | Titanium Twilight Mix

In this first Ep, Siwal transports the listener-dancer into a trippy jungle where misty deep techno reigns. The psychedelic rumblings of a chimerical panther resonate in this bewitching sonic vegetation.
The scenery is hallucinatory, the flora and fauna painted with dubby delays. We cross it with that sexy tension lodged in the pit of our stomachs, caught between the irrepressible desire to dance and the fear of forgetting ourselves, bewitched by its hallucinogenic perfumes.
Through this release, Abstrack expresses its nocturnal side, with the body/mind balance that is so dear to it. It sounds dub, techno, down tempo or faster, intense, in short, the feet are anchored, the bodies soar and the head escapes.

1 Morning Awakening : Ambient.
The Sound Of Bhageera opens with an incantatory soundscape. Synthesizers and bird sounds interact to form a soothing backdrop whose calm is regularly disturbed by mysterious synthetic events. In this cinematic piece, the camera is held by Siwal, who wanders us between the noise of reality, a jungle inhabited by lush fauna, and abstract animals whose electronic rustling evokes a parallel universe, like a window opening onto another level of consciousness.
Ep's atmosphere is set : a perfect balance between light and shadow.

2 The hunt : Dub techno / Ambient.
The Hunt, the EP's second track, plunges us into a frantic race. Through this Dub Techno track, Siwal builds progressive tension. The atmosphere becomes more and more oppressive, and the dancer-listener gets caught up in the dead-end hunt. Organic percussion and the kicks answer one another and come punctuate the track, without ever fully expressing itself. Distant melodies resonate, pads and percussions combine to amplify this hypnotic anticipation. A long introspection now takes place and let ourselves be charmed by this scene. The song is already over and we're still in the jungle, blissful, almost ecstatic, still overwhelmed.

3 Atlas : Deep Techno / Tribal
With this third track, The Sound of Bagheera put on its club attire. Built on a ternary rhythm, Atlas is powerful. Guttural vocals and a synthetic didgeridoo meet a bewitching arpeggiator, supported by the passage of melancholic violins. Atlas is a call to transcendental dance. Our feets are firmly planted on the ground whereas our spirit wavers between light and shadow. A catalyst of emotions, Siwal never lets the dancer fall apart. The rhythm is steady but reassuring, like a gentle roughness.

4 Love attack : Downtempo / Dub / Tribal
Siwal ends this musical epic with Love Attack, a psychedelic down tempo ballad. It recaptures the tribal, hazy universe of the whole EP, but this time with a more self-assured dub accent. The 80s drums are backed by a heavy and digital bass, covered with mysterious lyrics and multiple hypnotic effects.
The atmosphere is sexy, our dance steps get heavy. A melodic break offers us, for a moment, a breath of fresh air, like a ray of light on a steaming early-morning dancefloor. However a few bars later, delays and synthetic effects envelop us in a groove as heavy as it is mesmerizing. Bass and drums transport us to a London cellar while a dub sound system is shaking.

Artist Quote - ""

Artist Social Links:

https://www.facebook.com/siwalprod
https://www.instagram.com/siwal__
https://soundcloud.com/siwal-0

Label Social Links:

https://www.facebook.com/abstrackrec
https://www.instagram.com/abstrack.family
https://abstrackrecords.bandcamp.com/
https://soundcloud.com/abstrack-records

PREMIERE: SIWAL - The_Hunt [Abstrack Records]

Written and recorded by Gregg Kemske, the song captures the emotional pain when abandoned in life by everyone.  The song also features dramatic cover art by Hanna Kemske.

Left for the Birds

Left For The Birds

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Noticed! Music is not born by chance (230)

Amekaze Hanako-syokudo