blues music and its ability to tell a story is seemingly simplistic yet so complex. Music is a gift to be shared, as a gift to me and the world. It is my passion that has led me to share the stories of the blues story tellers past and present in with Storytellin' Blues

As I can't connect my two soundcloud accounts as my 2nd one is an app you can share your music with Jenifer Young, youngjeni38@gmail.com 



Dazzling fingerstyle guitar, gently soulful vocals and songs aimed straight at
the heart: Jon Fletcher weaves strands of English folk, jazz and classic
songwriting into a compelling and original take on the troubadour tradition.

Two years before releasing Gettin' By on Gettin' Down — the most guitar-driven, groove-heavy album of Sam Morrow's catalog, with songs that roll just as hard as they rock — Morrow hit the highway in support of his third record, Concrete & Mud. Despite the 28-year-old being a road warrior for years, this time things felt different. Joined by a band of amplified roots-rockers, Morrow spent eighteen months traveling halfway across the world, playing Concrete & Mud songs to the biggest audiences of his career. By the time the dust settled, he'd become a staple of Americana radio on both sides of the Atlantic, with outlets like Rolling Stone and NPR singing his praises. 

Those road miles set the stage for Gettin' By on Gettin' Down, a modern album that revisits — and reshapes — the primordial sounds of hip-shaking rock & roll. These nine songs are rooted in grease, grit, and groove, from the swampy soul of "Round 'N Round" to the funky syncopation of "Rosarita" to the hook-laden rock of "Money Ain't a Thing." There's hardly an acoustic guitar in sight; instead, amplifiers and guitar pedals rule the roost, with everything driven forward by percussive rhythms that owe as much to R&B as country music. Written and recorded in the wake of Concrete & Mud's acclaimed tour, Gettin' By on Gettin' Down doubles down on the electrified fire and fury of Sam Morrow's live shows, with a road-ready band joining him on every song.

HayMarket Riot is: 
Jon Epstein: Bass, 6, 7 and 12 string guitar 
Charlotte Whitted: Vocals: 
Charles D Johnson: Guitar and Vocals 
Jim "Spider" O'Gara: Guitar 
Phil Holder: Drums 
Geoff Weber: Keyboards

Recorded at Earthtones Recording Studios, Greensboro, NC and The Studio at Salem Music, Winston Salem, NC.
Produced by Jon Epstein 
Engineered by: Benjy Johnson and Geoff Weber 
Executive Producer: Brent Bristow

HayMarket Riot. Established 1985.
Fine Rock and Roll made by humans.

President of Montrose Records LLC in the Houston Texas area, Lead Singer in Richard Cagle & the Voodoo Choir blues rock band, albums "Texas Voodoo Blues" and "DOS"...

The Druids are a Garage Blues band that was renamed 'The Druids of Stonehenge' by UNI Records in 1967. American Ghosts is our first ever, all-original album, where ten grooving, menacing, and darkly funny songs tell the  story of America in the 20th Century through Rock and Roll.

Gianni Massarutto      

For over twenty-five years one of the protagonists of the harmonica in Italy and Europe, leads workshops in Italy and Europe and has participated in major harmonica festivals in Europe (Slovenia, Holland, England and Estonia) and a participation at the Asian Pacific Harmonica, Taipei (Taiwan). 1st place in the competition for harmonica trio at the harmonica festival in Bristol (UK), 1st place in the national selections of blues groups to participate in the International Blues Challenge in Memphis (USA). Participate in international television programs (Channel 3 Memphis) Present in various blues festivals in Italy, in Europe in Austria, Germany and Slovenia. Worth noting is the participation in the prestigious folk festival "La notte della Taranta". His contribution in the recording studio was appreciated: Bobby Solo, Tre Allegri ragazzi morti, Mauro Ottolini are just some of the musicians who requested his harmonica.


Mail: blueharp@alice.it

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