Every week, Innovation Crush smashes convention to bits by profiling some of the world's most daring projects and the people behind them.  From marketing ideas to technology innovations, disruptive business models, personal development, and everything between, IC is a one stop shop for all the "who-to-know" and "what-to-know" you'll ever need to know.   Hosted by long-time idea maker, Chris Denson, the show serves up a giant helping of some of the best minds around the world, all with a heaping side of occasional bad jokes.  Listen.  Enjoy.  Repeat.   #innovationcrush

created by Chris Denson and Robert Dones Jr.       

The Staves are Emily, Jessica, and Camilla Staveley-Taylor. 'No Me, No You, No More (Ariza Remix)' available now http://smarturl.it/NMNYNM.ArizaRemix

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

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The Civil Wars are Joy Williams and John Paul White. The self-titled follow up to their debut album Barton Hollow will be released on August 6, 2013. Pre-order now at http://smarturl.it/thecivilwars

Dutch DJ and producer duo W&W, formed in 2007, continues to push boundaries with their high-energy fusion of big room, trance, techno, and hard dance. They’ve earned over 12 million monthly Spotify listeners, and have a decade-long presence in DJ Mag’s Top 25. Known for their anthemic festival hits, they perform at the biggest worldwide festivals and have over 20+ million followers across all social media platforms. W&W’s imprint label Rave Culture has become a staple in the modern dance scene, shaping the sound of Mainstage EDM with relentless energy.

Management: 
Paulette Varelas - paulette@mlennial.com
Mike Lisanti - ml@mlennial.com

Bookings:
Matthew Rodriguez - mrodriguez@teamwass.com

new acoustic album ‘Unerthed: Hole Erth Unplugged’ out 9/19. https://ToroyMoi.lnk.to/UHEU

Devoted Papi and Husband, Keeper of The Great American Songbook, Sex Symbol, Humble Canadian, Future Winner of @NBCTheVoice and Sex Symbol. #TeamBublé

The Best of Bublé available September 27!

Ym Eek is following