"After Shiva" is an immersion into the suspended moment that follows transformation. This track blends organic textures, slow-paced rhythms, and mystical echoes — like a sacred breath after the fire.

An electronic meditation inspired by the spirit of Shiva — destroyer of illusions, bringer of awakening.

After Shiva

(m)Egoless [version]

A chill 160 bpm trance track. It is very bass heavy and reminds me of chillin by the beach at night looking at the stars reflect off of the water.

Wave of Stars

https://cosmicleaf.gr/releases/560/aleph
https://cosmicleaf.bandcamp.com/follow_me
https://www.patreon.com/cosmicleaf
https://cosmicleaf.gr/playlists
https://cosmicleaf.gr/tag/63/free-download/releases


Check our playlist:
Psychill Blossom 🌸 Псайчил / псайбиент / Psybient
https://www.submithub.com/link/psychillblossom
Psychill Blossom is a vibrant journey through psychedelic chillout, psybient, and downtempo soundscapes. Blending ethereal melodies and deep grooves. Let the music guide you beyond the ordinary. #Psychill #Downtempo #Psybient

Vibrasphere - Sweet September (Zero cult remix)

Mutant Body

Morning Blooms (naviarhaiku367)

Disquiet Junto Project 0473: Placebo Effect
The Assignment: Record the second third of a trio that others will complete.

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0472). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Keep this in mind. Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to the pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by 68 musicians in all to choose from, 62 as part of this playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0472


------------------------

For this track I chose moduS ponY's track "new unit" (https://soundcloud.com/moduspony/new-unit-disquiet0472).

polychaotiC feat. moduS ponY(disquiet0473)

The random number generator selected Michel Banabila's With Orphaned Loop (https://soundcloud.com/michel-banabila/with-orphaned-loop-disquiet-0473-placebo-effect-2-of-3?in=disquiet/sets/disquiet-junto-project-0473).

I felt the piece sounded great already, but there was still room for percussion. I used something spare that I thought fitted the rhythms of the piece, and then introduced small variations, never more than one sound at a time. I added a granular plugin called Zerone which ramps up and then back down to zero in a slow rhythm. There is also a techno percussion loop slowed down to half-time that plays occasionally.

All of that work was maybe a bit too subtle, so as a last step I added a vocal sample from a public domain short film. Using it just once would have felt perhaps too arbitrary, so I dropped it in a second time.

+ + +


More on this 474th weekly Disquiet Junto project — Police Action (3 of 3) / The Assignment: Complete a trio by adding a track to an existing duet by two other musicians — at:

https://disquiet.com/0474/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0474-police-action/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

An Obvious Lesson [disquiet0474]

Disquiet Junto Project 0477: Record a piece of music in which some substantial portion is performed without looking.

I was doing something else on my iPad, sitting outside in the sun this afternoon, when the nearby bells belled. I suddenly remembered a sentence I read just yesterday, that natural idiophones where the best base for granular synthesis. I managed to record the already fading bells with the iPad and loaded copies of the samples into the Samplr App. It's three tracks with the original sample (I mixed the unchanged version to the beginning of the track), two of them very normal, one very high und unrecognisable as such. This settings and the recording in AudioShare I did by looking, then I flew blind, which is not impossible as Samplr gives you some defined area to touch (and you need to look to stop the machine or tracks with two fingers). But as the iPad surface does not give any haptic feedback, there were a lot of things going wrong anyway. This track uses around 5 minutes that sounded pretty good to me, but maybe it's just because I like church bells. Trivia: In this case it's the St. Maximilian church in Munich, Germany, and the bells have vintage names like Otto, Ludwig, Maximilian and Salve and they bell every saturday afternoon at 3 p.m. (and no, I didn't knew that until I checked Wikipedia for this description).

Track cover based on "Manto and Tiresias" by Henry Singleton (1766-1839) https://commons.wikimedia.org/wiki/File:Henry_Singleton_(1766-1839)_-_Manto_and_Tiresias_-_N01028_-_National_Gallery.jpg

More on this 477th weekly Disquiet Junto project — Flying Blind (The Assignment: Record a piece of music in which some substantial portion is performed without looking.) — at:
https://disquiet.com/0477/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0477-flying-blind/

Typhlotic Bells [disquiet0477]

i took this weeks project as an impetus to just cut and paste something together, didn't let the "musical" side put me off, just revelled in the excuse to splice and juxtapose the contents of my recorder - some sounds recorded intentionally for this project, most just what was there; fragments snatched over the past three months or so.

///

... some pink noise, an aubergine being chargrilled, nextdoor's bins, a ventilation system, a brief hydrophone recording, a waterfall, a self-service check-out, various birds, some metal stairs, traffic, rain, ice, snow, various paperbags, a train station tannoy, a malfunctioning videocall, a dehumidifier, gulls, small pieces of plastic, wind, demolition work...

///

it's my age and inclination, i think, but i am deeply enamoured with collage and assemblage aesthetics; the way the world necessarily leaks in to even the most perverse and hermetic project; the way you can sort of synthesise the sheer abundance of the world; a nest of implications and connections; the way things become strange when they're oblided to be in overlap or proximity.

///

i used no effects on the final piece beyond a little panning at times, a little EQ-ing; some of the files and chopped into the thing had been processed, but for the most part - as the relentless bumps of mic-handling shoud indicate, the component sounds are essentially unprocessed.

///

More on this 478th weekly Disquiet Junto project — Collage of Collages (The Assignment: Make a collage that will become part of a larger collage.) — at:

https://disquiet.com/0478/

The project is a collaboration with the radio show Kopfkino, initiated by Margarethe Maierhofer-Lischka. More on Kopfkino at:

https://cba.fro.at/series/kopfkino

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0478-collage-of-collages/

An Obvious Lesson [disquiet0474]

ymeynard