I used “World of Ice and Snow” looping forward & backward as a drone almost throughout. It is also passed through RP-Distort, a rythmic patch in Etch Red and a bitcrusher to produce a noisy heartbeat. Taming this one proved a challenge, as it tended to overwhelm the rest of the track in its loudest passages, but I did not want to destroy the dynamics either.

A passage of “Underground Shelter” is used at various pitches. The same bit is fed through an extreme effect to produce a more discordant sound, and in yet another track, this time effected by 3Plex with a rythmic preset. 

“DSM III” is played straight, but backwards and at different pitches. It is also used, with reverb followed by stereo delay, for the church-bell like peal that rings every four bars in the first section and every two bars in the third.

I had hoped to make a greater contrast between the sections. More time (and/or better inspiration) would no doubt have helped. I think setting myself a clearer goal from the start and perhaps choosing some specific and more radical effects would have been indicated.

+ + +

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


Winterdark [disquiet0177-netlabelportrait]

ymeynard