Adventure Club & Zak Waters - Fade (Yoki Hars Remix)

This is a record label founded, owned and run by Tha_Nazarine.

Where there is art, there is life. Our mission is simple. To carve out our destiny and eternalize our perspectives of life through musical expression.

Ssup \(^v^)/
We are all friends here.
squadbearreally@gmail.com
Profile Artist:
https://bit.ly/2ma6Qof 
YouTube:
https://bit.ly/2JgupEQ

Alter ego> @bandana-gang
Email: yokihars@gmail.com

Yoki Hars is a small collective of producers from Nairobi, Kenya. It's members, Mescadi, SquadBear, Brown and Namulen all with a passion for electronic music, have been producing since 2013 after the group was formed. Mescadi is known for his progressive, Moombahton and at times Trap style of music. SquadBear leans towards a "Kawaii" style of music doing a lot of "Kawaii Bass" kind of music and experimental electronic styles. Brown is purely associated with all kinds of Bass music, his usual choice being Future Bass, Trap, Drum 'n' Bass and Melodic Bass. The final member, Namulen, takes an interest in a lot of experimental and chill sounds inspired by the "NuNairobi" culture.

In 2016, they released their much anticipated EP, 'Timpany' which quickly gained a lot of popularity raising their fan count by several times. The EP charted among some of the biggest names in the Electronic music industry such as David Guetta. This success led them to open for Trance legends, Kyau & Albert on the 31st of December the same year during the NYE event held at Ngong Racecourse, Nairobi. In 2017, they released a remix of Kenyan band, Le Band and Suzziah's 'Number One' which was well received by the original artists and their fans in Kenya. The remix charted on Kenyan radio station, HBR for a couple of weeks.
On 10th July 2018, their EP, "No-Vaffles" debuted at #14 and later peaked at #13 on Beatport's Trap and Future Bass chart!

The group only promises to get better as they tease a lot of new music!
For bookings or enquiries email: yokihars@gmail.com

/dabliu/
To what end are these expressions...

as no one can hear these sounds like I hear them. 

Interpretation is subject to conditioning
To what end was this expressed?