Andrej Sinitsyn aka Second Sine returns to YOMO Records with 'Omniverse', a superb house-infused progressive gem with an irresistible groove.

Second Sine - Omniverse

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Second Sine - Omniverse (Edit)

[ ▲A p o l l o § A r †▼ ]
[ T w o H u s s a r s ]
[ E c c 3 : 4 ]
[ S t e r e o s c e n i c ]

"Under the ban, --
So, ye have wrought me
Designs on the night of our knowledge, -- yea, ye have taught me,
So,
That haply we know somewhat more than we know.

Ye lispers, whisperers, singers in storms,
Ye consciences murmuring faiths under forms,
Ye ministers meet for each passion that grieves,
Friendly, sisterly, sweetheart leaves,
Oh, rain me down from your darks that contain me
Wisdoms ye winnow from winds that pain me, --
Sift down tremors of sweet-within-sweet
That advise me of more than they bring, -- repeat
Me the woods-smell that swiftly but now brought breath
From the heaven-side bank of the river of death, --
Teach me the terms of silence, -- preach me
The passion of patience, -- sift me, -- impeach me, --
And there, oh there
As ye hang with your myriad palms upturned in the air,
Pray me a myriad prayer.
My gossip, the owl, -- is it thou
That out of the leaves of the low-hanging bough,"

“The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?”

https://www.everydayknow.com/positive-words-that-start-with-k/

"The keynote of the stylization achieved in ballet is: weightlessness. Paradoxically, ballet presents man as almost disembodied: it does not distort man’s body, it selects the kinds of movements that are normally possible to man (such as walking on tiptoe) and exaggerates them, stressing their beauty—and defying the law of gravitation. A gracefully effortless floating, flowing and flying are the essentials of the ballet’s image of man. It projects a fragile kind of strength and a certain inflexible precision, but it is man with a fine steel skeleton and without flesh, man the spirit, not controlling, but transcending this earth . . . .

Strong passions or negative emotions cannot be projected in ballet, regardless of its librettos; it cannot express tragedy or fear—or sexuality; it is a perfect medium for the expression of spiritual love."

"As Opposed To What?"

"Almost every wise saying has an opposite one, no less wise, to balance it."

“All the works of man have their origin in creative fantasy. What right have we then to depreciate imagination?”

[ H y p e r b o r e a ]
[ T h e E a s t E n d ]

YOMO Records | Dopamine White | INU Musika

"Addicted to deep, hypnotic grooves and infectious percussive beats."

Cezar's attraction to dance music started back in the late ’90s when he discovered the rave scene. In 2001, influenced by an eclectic spectrum of musical genres such as European electronica, Detroit techno, Chicago house, and big electronic music acts such as The Prodigy, Depeche Mode, and Chemical Brothers, Cezar wanted to make his mark and starts spinning turntables organizing various parties in Brasov (RO), his native city.

His dedication to the craft got him playing gigs across his native country, as well as in clubs across Switzerland, such as Joystick, Dead End, Syrup, Art Cafe Bern, and Rohstofflager Zurich.

In 2011, after moving to the Netherlands and being exposed to Amsterdam's dance music scene, a second revelation came: music production. This materialized in 2021 with the release of his first EP on YOMO Records. Since then he has collaborated with several record labels such as INU Musika and Creatus Flow and got support from household names like Mike Koglin, Cream, Gay Barone, Bondarev, Ewan Rill, Forty Cats, Dowden, and others.

His style is a mixture of electro, tech, and deep progressive house.

YOMO Records is a Berlin-based label run by @mikekoglin and Stephan Pietack (aka @MoodFreak)

Demos: yomorecords@gmail.com
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YOMO is Japanese and can be translated as “every direction“, and this is exactly where we wanna go with the sound on YOMO - exploring every direction of intelligent and meaningful electronic underground music, from subtle progressive house to driving techno.

Music is my passion! Music is an important art! Every musical work of art is unique and of special quality! We know what music is, it is so much more, it's incredibly much more, what is possible with music is unbelievably, really great🎵 Cheers 🙏