twitch.tv/golfclapdet
facebook.com/groups/CountryClubDisco
Monthly Radio Show: @countryclubdiscoradio

@golfclapdet
@itsmasteria
@itscloverdale
@itsthewestend
@housedividedofficial
@codeshouse
@tombz
@jacemek
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@listermusicuk
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@v_nss_a
@botnek
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@jamescurd

Producer • Singer • Songwriter • DJ

Based in Washington, D.C., Mina brings her signature #bunzandbeatz to some of the best clubs and festivals across the East Coast and Europe—including Flash, Culture, Echostage, Quantum, Project Glow, Elements, and Mykonos’ legendary Moni. A versatile artist with roots in house and techno, Mina blends smooth mixing with unexpected twists to deliver seamless,
dynamic, journey-like sets. 

From her early days as a signed singer-songwriter on Mixmash Records to co-founding ‘This Is Nice’—a beloved bi-monthly rooftop party at Flash—Mina has grown into a commanding presence behind the decks and in
the studio. She’s known for her technical chops, analog gear obsession, and heavy-hitting productions that fuse dirty basslines with driving, techy grooves.

Mina has shared the stage with industry heavyweights including Bedouin, Victor Calderone, Chus, Nicole Moudaber, Laidback Luke, Nick Morgan, Maglia, MĪMĪ x FY, and Meduza.

Her songwriting credits include “Initiator” with Kandy—featured in DJ MAG and supported by many artists including Diplo and Major Lazer; “Beat of the Drum” with Laidback Luke & Angger Dimas, dropped at Ultra Festival; “Unreal” with Solidisco & Firefowers; and “Knock Down” with Ken Loi.

Offstage, Mina is a proud advocate for Iranian culture and freedom—channeling that passion into every project she touches.

Fifth album 'Inhale / Exhale' is out now: https://rufusdusol.llo.to/t/DsqJZm 

Dates & Tickets: www.rufusdusol.com

BOOKINGS: 
Alex Becket, Marlene Tsuchii, Darryl Eaton, Roman Trystram;  rufus@caa.com

MANAGEMENT:
Leisurely
rufus@teamleisurely.com

MEDIA: 
mfrieser@infamouspr.com

Just trying to make you feel something. 


mgmt: 
brice@proper-mgmt.com

Bookings: peter@minttalentgroup.com
313-513-6677 

https://biglink.to/GolfClapDet

Label: https://soundcloud.com/country-club-disco
Facebook Group: https://www.facebook.com/groups/CountryClubDisco
Weekly Radio Show: https://soundcloud.com/countryclubdiscoradio
Promos: golfclappromos@gmail.com


Detroit has long been a hub for electronic beat lovers and speaker freakers, but Golf Clap’s Hugh Cleal aims to lead a new generation. For nearly a decade, he’s hustled the project and its Country Club Disco label to the forefront of house music’s funkiest dimensions. The project (formerly a duo with Bryan Jones), works tirelessly to conjure a palpable energy, one fans can feel at every gig, be it a hot-and-heavy club set or an energetic takeover of a festival stage. Golf Clap feeds off the crowd, spinning the hottest songs of the moment while breaking new records - and this isn’t any press play, hands in the air fair. You're likely to hear a lot of cutting up between facefulls of funk and bass. 

Fueled by a relentless passion, when Cleal isn’t behind the decks, he’s likely pulling all-nighters in the studio. Bodies dancing in real-time is an addiction, but when it comes to original productions or high-profile remixes, Golf Clap wants to create something for every moment. Recent singles “Freak It Out” [Country Club Disco] “Mystery Scene” [mau5trap/Insomniac] and “Gravitate” [Toolroom] showcase their deft and dark grooves, while 2018 EPs  Vices  and  Machines  showcase club-ready attitudes. High-profile remixes for Zeds Dead and Illenium, Zhu and Tame Impala, Louis The Child, and Hotel Garuda give the music makers a chance to showcase stylistic variety. 

While 2020 has been a year of great change, Cleal has never stopped working. With loads of new tunes in the wings and a dedication to the Country Club community, Golf Clap is and always will be, in his own words, “about creating a community.”

Weiss is most innovative when he’s untethered from the conventions and trends of Dance Music production. Although he embodies the spirit of classic House Music forms like old school Jackin and 90’s era Chicago House, his underlying philosophy is quite simple - construct a beat that taps into the primal and speaks to the universal love of dance shared around the world. Growing up in the UK, Weiss accumulated a diverse range of musical tastes and influences, from Metallica to Motown and Phil Collins to Disco. An apprentice to Massive Attack’s Musical Engineer James Day early in his career, Weiss was able to draw from that deep well of inspiration and expert technical training to produce what would become a trove of instantly recognizable classics and unique, chunky, club rollers. 
Weiss’ initial success as a producer was immediate and profound. His hit single “My Sister”, released in 2013, hit the top of the Beatport Charts and stayed there for four months. Assisted by a generous amount of support from BBC Radio 1, his sounds caught the attention of industry heavyweights like Annie Mac, Groove Armada, Green Velvet, Loco Dice, and Kenny Dope. After several years of successive hit radio singles like his 2016 “You’re Sunshine”, which premiered on Danny Howard’s BBC Radio 1 show and netted a spot at the top of the Beatport charts, Weiss’ profile continued to expand. It wasn’t long before his musical contributions and electrifying performances began to transform the modern House Music landscape. 
Overwhelming support poured in from artists including Gorgon City, Eats Everything, Jax Jones, Duke Dumont, MK and Claude Vonstroke, and through a wildly successful career punctuated by remixes for Kylie Minogue, Robyn, Calvin Harris and Claptone, Weiss has found himself amongst House Music’s elite sharing stages with legends including Todd Terry, Armand Van Helden and Pete Tong. His 2018 single “Feel My Needs”, netted an immense amount of critical acclaim, earned the #1 spot on 5 international music charts, as well as a spot on the Radio 1 A-List and was voted DJ Magazine’s “Best of British Winner” for best single of 2018. 
Weiss is gearing up for an eventful 2019. Following lucrative bookings at Fabric  London and BPM Festival Mexico, he has confirmed over one hundred shows through 2019, including Creamfields, Electric Zoo and key showcases in Ibiza, Miami Music Week, and ADE.

Canadian Jonny White, acting Head of No.19 Music, is now the lone force behind the influential project that began as a collaborative effort with long-time friend Kenny Glasgow in 2009. The prolific producer’s original production style landed Art Department at the forefront of a major underground music movement, transcending genre barriers and forever altering the landscape of dance music. Their game-changing contribution to electronic music has been undeniable, garnering accolades such as #1 track of the year at the Beatport Awards in 2011 and iTunes #2 “Best Electronic Album” of 2011. Notable mention in wide-spread press, including The Guardian, Rolling Stone, Billboard, Vogue, I:D, Nylon and Vibe Magazine who ranked art department the #2 DJ/Producers in the world in 2013, second only to Daft Punk, firmly established Art Department as a rarity in the world of electronic music.

Label bloke: @bigbamboorecs

MGMT:
Aidan Germann
aidan@ayita.com
Brett Fischer
brett@ayita.com

Australia / New Zealand
Stuart Balfour
stuart@posterchild.com.au

Yoni Barlev is following