Boy Im Alive

ROLL ROLL ROLL 私は十分に得ることができません

ROLL ROLL ROLL 私は十分に得ることができません (feat. islurwhenitalk)

Eran Sachs / Music & Revolution 0.1- Dada

POSSET Standard
SPAM 13, 2015
lim.50

out soon!
Joe Murray's lo-fi-acoustic environments sound like triumphant documents over day-to-day turmoil. There's a lot of noise in the annoying occurrences one has to deal with 24/7 – why not record, slice and combine all that for a more joyful purpose? Better than growing a stomach ulcer, isn't it?

"reject the unconventional and embrace the standard!  like with that mulligan & baker piano-less quartet the filthy skronk is gone, gone, gone.  it's in with cool grey mouth-sounds and soft minimal dictaphone huss. hope this tickles your silent way.  fusion part 2 y'ralfs.  your obedient servant - joe posset 2015"

side a: b-boop-boof-b // introducing the choir of doom // posset vs dook // mr forty five // immortal loops // malfunctioning olympus pearlcorder  S701 // fucking about listening to birdyak

side b: posset vs lady day // ever the gentleman // posset vs yoni silver // fake soviet tape experiment iv // kerry king

posset's vulgar wheat army: sweetflagfour@blueyonder.co.uk 

POSSET-Standard- A4 Mr Fourty Five

In as part of the Avantwhatever festival July 2016 I performed at a bend in Merri Creek, Brusnwick. This recording is prep to that performance. For three days I played, recorded and built myself a bower. Foto - Joel Stern.

Merri Creek July 2016

Duration 50.44 | Released September 2016

Thanos Chrysakis – laptop computer, live electronics 
Christian Kobi –  soprano saxophone 
Christian Skjødt – live electronics and objects 
Zsolt Sőrés – 5 string viola, contact microphone, effects,
dissecting tools, sonic objects, voice.
 
Concert recorded by László Kocsis of the A. E. Produkció (www.aeprodukcio.hu) on the 17th of October 2014 at the Műcsarnok – Kunsthalle in Budapest as part of the Sound Art exhibition ‘On the Edge of Perceptibility’.
 
Edited & Mastered by CHRISTIAN SKJØDT
Between November – December 2015 at Tonometer Studio, Copenhagen.

cat.number:TRRN1035
auralterrains.com/releases/35

Chrysakis / Kobi / Skjødt / Sőrés Quartet — Carved Water [exctract]

Edited version of a solo performance at IKLECTIK in London.
On this I played piano, violin, bass clarinet, recorder, small mixer and loop pedal.

Tree House

Live in Auditorium Saint Germain, Paris, 2007, SPECTRUM XXI festival. Hyperion Ensemble conducted by the composer.

Iancu Dumitrescu: "Numerologie Secrète" (2007) Paris version

From Run Amok released by Glistening Examples on CD/DL 
Recorded Lanzarote March 2018. Edited and mixed London Summer 2018. 
Mastered by Jason Lescalleet at Glistening Labs USA

Run Amok is a composition featuring recordings of an intervention at the location of Werner Herzog’s film Even Dwarfs Started Small (1970) on the volcanic island of Lanzarote. During the early 1970s Herzog shot two of his most radical early films on the island prior to the tourism boom; sections of Fata Morgana and the entirety of Even Dwarfs Started Small, the location of the which remains much the same almost half a century later. Further recordings were made around the island, utilising the materiality of Lanzarote’s alien landscape and used as source material for the resulting work.

Run Amok

Old Man With Medals | From 'Run Amok' Glistening Examples (2018)

Tijana Stanković - vocal, violin, viola, kazoo 
Miroslav Tóth - soprano saxophone, voice

Live at Massolit, Budapest, released as the bonus track on the album SZ.
https://tothemrecords.bandcamp.com/album/sz

As the album title hints, ‘SZ’ is particularly frail. Weighty with heaviness and melancholy, songs come with poetic, but sharp exclamation mark. It is ultimately about our inner lives and thoughts, our internal musical worlds which connect, intertwine, counterpoint or oppose along the lines of its joint borders. 

‘SZ’ is defined by an embrace of the universal archetypes of symbols, genres and styles. It is built by cacophonous layers of noise and uneven tunings, reflecting each line in different distorted mirror. Sometimes if feels like a pseudo heterophony, it occurs intuitively while flowing with brutal intensity, pushing the borders with maximum strength and suddenly exploding in chaos of frequencies. That makes for a dense, and at the times oddly sound of matching folk-inspired fragments of melody and words with more abstract free improvisation. 

We would like to dedicate this release to the healing and recovery of all those who have difficulty distinguishing between what is real and what is imaginary; may be unresponsive or withdrawn; and may have difficulty expressing normal emotions in social situation. 
(text by Tijana Stanković) 

Dedicated to all those who are affected with schizophrenia. 

Special thanks to Silvia Zvarová, Boris Sirka, David Danel, Department of Composition HAMU Prague

Cover painting "Twins" by Boris Sirka www.borissirka.com 
Produced, recorded, mixed by Miroslav Tóth

Tree House

Yoni Silver

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