If This Is How the Story Ends

'What Do We Do Now' (Release Date: February 2, 2024)
Listen Now: https://music.subpop.com/jmascis_whatdowedonow

J Mascis: https://www.jmascis.com
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What Do We Do Now

Can’t Believe We're Here

J Mascis - Can’t Believe We're Here

Have Some Shame

Don't Let Your Love (Let You Down)

January

Written, recorded, and mixed by me.
Mixed by Michael Macdonald at Bim Bom Studios
Mastered by Kate Derringer

In the Clearing

Cross The Line

produced by caspers pishogue 
mixed by spawncamped
cover art by nosir

@spawncamped
only time will tell
if you even care
i know you don't but i pretend
i'll take these memories back
waiting for the day you text back
i don't think i even deserve my ex back
just put an end to my ways
and my twisted games
i'm the one to blame
and its not okay
@samcatcher
(and i hear you inside my head)
(laying in my bed but not getting rest)
(doctors on the phone saying i'm depressed)
(i just wanna get this off my chest)
kill me if you want, i'd rather die in your arms
i'm swerving and shit, i think i might crash the car
don't know where i'm going, but i'm tryna go far
watch you leave the house while i'm hiding in the dark
feeling stuck in my ways, i think i might blow my brains
i know i said i would change, but i'm just too fucking lame
feeling stuck in my ways, i think i might blow my brains
i know i said i would change, but i'm just too fucking lame

stuck in my ways (with spawncamped)

BREACH

Alapathy

Don’t Get Lemon is the collaborative artistic work of longtime friends Austin Curtis, Nicholas Ross, and Bryan Walters. After touring the west coast off of their debut album, “Hyper Hollow Heaven”, DGL returned with new singles Autocratic Gore and Blow-Up, including a remix by De Lux. With DGL’s triumphant second album, “Have Some Shame” the art-pop trio have expanded their sound to glittering new heights as they dance between shimmering synth-pop and stomping glam rock.

This heartfelt sound forms an idiosyncratic identity that also wouldn’t be out of place in a classic John Hughes 80s film soundtrack .

Singer Austin Curtis’ looks and stage performance sits comfortably between the sensual sway of Elvis Presley and the chameleon fluidity of David Bowie. Each performance is an internal battle between masculine and feminine forces punctuated by northern soul style dance movies and the desperate magnetism of Joy Division. Flanked on both sides of him, guitarist/keyboardist Nick Ross and bassist Bryan Walters provide a daring and original take on new-wave acts such as Orchestral Manoeuvres in the Dark, Talking Heads, and Simple Minds, as well as contemporaries like LCD Soundsystem, Alex Cameron, and Cold Cave. Together with Curtis’ smooth yet desperate croon, recalling Morrissey and Bryan Ferry, the Anglophile Texans stretch their hands across the Atlantic to fashion a genuine grasp of pop culture past and future.

Have Some Shame

dont get lemon